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| Bill Evans Trio | Primary Artist |
| Bill Evans | Indexed Contributor, Piano |
| Scott LaFaro | Bass |
| Paul Motian | Drums |
| George Gershwin | Composer |
| Irving Berlin | Composer |
| Miles Davis | Composer |
| Bill Evans | Composer |
| Wayne King | Composer |
| Greg Allen | Art Direction |
| Haven Gillespie | Composer |
| Jack Higgins | Engineer |
| Scott LaFaro | Composer |
| Johnny Mercer | Composer |
| Cole Porter | Composer |
| Jacques Prévert | Composer |
| Bill Stoddard | Engineer |
| Ned Washington | Composer |
| Victor Young | Composer |
| Neil Tesser | Liner Notes |
| Joe Tarantino | Mastering |
| Dave Jones | Engineer |
| Jan Persson | Cover Photo |
| DuBose Heyward | Composer |
| Joseph Kosma | Composer |
| Egbert van Alstyne | Composer |
Editorial Reviews
All Music Guide - Thom Jurek
This compilation from Concord compiles 11 tracks from four Bill Evans Trio albums recorded between 1959 and 1961: Portrait in Jazz, Explorations, and the live Waltz for Debby and Sunday at the Vanguard. The lineup, of course, is Evans' classic trio with bassist Scott LaFaro and drummer Paul Motian. While this may be merely another attempt by the label to milk Riverside's catalog, there is a very practical purpose for such a compilation, and that argument is put forth in Neil Tesser's liner notes: that this trio used Evans' "trialog" system to "prefigure a change in the very fabric of jazz." In Evans' estimation, the trialog was a way to look at new conceptions and ...