The Violin
Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.

With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts.

CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny.

Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).
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The Violin
Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.

With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts.

CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny.

Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).
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Overview

Provides new perspectives on the violin's beloved concert repertoire, its diverse roles in indigenous musical traditions on four continents, and its metaphorical presence in visual arts and literature.

With a colorful history that spans 450 years, the violin has proven to be one of the world's most important and versatile instruments. Addressed to performing musicians, serious concertgoers, and collectors of recordings, The Violin offers insightful, up-to-date essays on a wide range of topics. Essays discuss beloved masterpieces from the violin's solo repertoire, with individual chapters on the Italian Baroque, Bach, Mozart, Beethoven, and the violin concerto in the nineteenth and twentieth centuries, as well as the evolution of performance styles and interpretation as documented in recordings. The volume also illustrates the broad cultural and geographic reach of the instrument, offering readers a taste of the traditional music of Argentina, Mexico, Norway, and India, in which the violin's participation is an essential and characteristic element. Other chapters are devoted to American fiddling andto the violin and violinists as metaphors in literature and the visual arts.

CONTRIBUTORS: Chris Goertzen, Eitan Ornoy, Robert Riggs, Peter Walls, Peter Wollny.

Musicologist and violinist Robert Riggs (PhD,Harvard University) chairs the Department of Music at the University of Mississippi and is the author of articles on Mozart as well as the monograph Leon Kirchner: Composer, Performer, and Teacher (URP 2010).

Product Details

ISBN-13: 9781580465069
Publisher: Boydell & Brewer, Limited
Publication date: 11/15/2016
Series: ISSN , #135
Pages: 326
Product dimensions: 6.30(w) x 9.20(h) x 1.10(d)

Table of Contents

List of Illustrations ix

Preface xi

Acknowledgments xvii

Part 1 An Instrument or a Metaphor?

1 Associations with Death and the Devil Robert Riggs 3

2 Violinists and Violins in Literature Robert Riggs 36

Part 2 Across the Centuries

3 The Violin in Italy during the Baroque Period Peter Walls 63

4 Bach and the Violin Peter Wollny 93

5 Mozart, Beethoven, and the Violin Robert Riggs 123

6 The Violin Concerto and Virtuosity in the Nineteenth Century Robert Riggs 157

7 The Violin Concerto in the Twentieth Century Robert Riggs 186

8 The Masters' Voice: Recordings as Documentation of Performance Practice Eitan Ornoy 214

Part 3 Across the Continents

9 The Peripatetic Violin Chris Goertzen 241

10 The Devil's Box No More: Fiddling in America Chris Goertzen 266

List of Contributors 291

Index 293

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