The Visual World of French Theory, Volume 1: Narrative Figuration by Sarah Wilson, Hardcover | Barnes & Noble
The Visual World of French Theory, Volume 1: Narrative Figuration

The Visual World of French Theory, Volume 1: Narrative Figuration

by Sarah Wilson
     
 

This revelatory book focuses on a remarkable series of encounters between the most prominent French philosophers of the 1960s and 1970s—Sartre, Deleuze, Bourdieu, and Foucault among them—and the artists of their times, most particularly the protagonists of the Narrative Figuration movement. Each encounter involved either a mutual engagement or the

Overview

This revelatory book focuses on a remarkable series of encounters between the most prominent French philosophers of the 1960s and 1970s—Sartre, Deleuze, Bourdieu, and Foucault among them—and the artists of their times, most particularly the protagonists of the Narrative Figuration movement. Each encounter involved either a mutual engagement or the writing of critical texts or catalogue prefaces—texts that illuminate not only the work of the artists but also the production of the philosopher-writer concerned.

Although the protagonists of “French theory” are universally known and studied, their thought is presented without a sense of contiguity, chronology, or context in translation, while the artists with whom they engaged are virtually unknown outside the French-speaking world. This account restores the lived context of artistic production. What Bourdieu called “cultural competence” is seen to be essential for these particular philosophers, and Sarah Wilson shows that it is through them that the figurative art of 1970s France can be introduced to the audience it deserves.

Editorial Reviews

Art in America

“Wilson’s study provides an opportunity to consider yet again the vexed relationship between word and image, this time within the heated and crackling context of French politics.”—Tom Huhn, Art in America

— Tom Huhn

Art in America - Tom Huhn

“Wilson’s study provides an opportunity to consider yet again the vexed relationship between word and image, this time within the heated and crackling context of French politics.”—Tom Huhn, Art in America

Choice - D.A. Siedell

"Highly recommended."—D.A. Siedell, Choice

Society for French Studies - R.H. Gapper Book Prize Shortlist

Shortlisted for the 2012 R.H. Gapper Book Prize awarded by the Society for French Studies (UK Award)

Product Details

ISBN-13:
9780300162813
Publisher:
Yale University Press
Publication date:
10/19/2010
Pages:
240
Product dimensions:
7.70(w) x 10.10(h) x 1.00(d)

Meet the Author

Sarah Wilson is professor of modern art at the Courtauld Institute of Art, University of London.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >