The War Complex: World War II in Our Time [NOOK Book]

Overview


The recent dedication of the World War II memorial and the sixtieth-anniversary commemoration of D-Day remind us of the hold that World War II still has over America's sense of itself. But the selective process of memory has radically shaped our picture of the conflict. Why else, for instance, was a 1995 Smithsonian exhibition on Hiroshima that was to include photographs of the first atomic bomb victims, along with their testimonials, considered so controversial? And why do we so readily remember the civilian ...
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The War Complex: World War II in Our Time

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Overview


The recent dedication of the World War II memorial and the sixtieth-anniversary commemoration of D-Day remind us of the hold that World War II still has over America's sense of itself. But the selective process of memory has radically shaped our picture of the conflict. Why else, for instance, was a 1995 Smithsonian exhibition on Hiroshima that was to include photographs of the first atomic bomb victims, along with their testimonials, considered so controversial? And why do we so readily remember the civilian bombings of Britain but not those of Dresden, Hamburg, and Tokyo?

Marianna Torgovnick argues that we have lived, since the end of World War II, under the power of a war complex—a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during the war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11.

Showing how different events from World War II became prominent in American cultural memory while others went forgotten or remain hidden in plain sight, The War Complex moves deftly from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war. Thinking anew, then, about how we account for war to each other and ourselves, Torgovnick ultimately, and movingly, shows how these anxieties and fears have prepared us to think about September 11 and our current war in Iraq.
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Editorial Reviews

Library Journal
William Faulkner once said, "The past is never over. It's never even really the past." It's certainly true that wars are never really past; their effects stay with us for years after the shooting stops. Thirty years ago, Paul Fussell famously explored the lasting impact of World War I on 20th-century culture in The Great War and Modern Memory, and now Torgovnick (Crossing Ocean Parkway) has brilliantly captured the impact of the World War II on American sensibilities in the intervening years. This small book is a veritable tour de force of interpretation and synthesis of the cultural, literary, and historical repercussions produced by the second major worldwide cataclysm. Torgovnick delves into how the numerous events in the war-such as D-day, Hiroshima, and the Holocaust-have been seared into the collective memories of multiple generations of Americans since 1945. An exceptional book that every library should own.-Ed Goedeken, Iowa State Univ. Lib., Ames Copyright 2005 Reed Business Information.
Jonathan Arac

"Torgovnick has begun to do for the Second World War what for some years now thoughtful scholars and critics have done for the Civil War: to explore how our patriotism can survive if we acknowledge terrible truths. Her promising ethical solution transcends identity politics in a way that should open important further discussion."
James E. Young

"An audaciously wide-ranging cultural critique of how World War II has entered contemporary modern memory and consciousness. This is an important and illuminating book that will have a large and receptive audience."
Wayne Koestenbaum

"Through personal rumination and inventive analysis, Torgovnick offers an inspiring model for a new way to write cultural history. Her lucid, companionable voice leads us through nightmare with exemplary generosity and intelligence."
Stanley Fish

"A beautifully written meditation, at once wide ranging and intensely focused by the master thesis that at the heart of modernity lies the consciousness of war and the spectacle-horrifying and yet strangely narcotic-of mass death."
Joyce Carol Oates

"Marianna Torgovnick is one of our most brilliant and probing cultural critics."
CHOICE

CHOICE Outstanding Academic Title for 2006
Rain Taxi - James Ervin

"A provoking and ethical book. . . . In an age when information is ephemeral, any book which recovers forgotten history is laudable."
American Literature - Eric Solomon

"This book is wide-ranging, moving beyond American matters and authors. As a postmodernist critical approach, it succeeds in contextualizing American reactions to World War II by going deeper than national boundaries and impersonal narration."
International History Review - Ronald J. Granieri

"Togovnick's book should find a wide readership among scholars of international relations who hope to understand how cultural reporesentations can shape attitudes towards past and future conflicts."
The Historian - Tami Davis Biddle

"Torgovnick serves as a kind of quirky and compelling guide on a walking tour of popular memory, drawing us in with her enthusiasm for her subject and provoking us to notice—and to think deeply about—the cultural and literary landscape of the post-World War II era."
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Product Details

  • ISBN-13: 9780226808796
  • Publisher: University of Chicago Press
  • Publication date: 11/15/2008
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 224
  • File size: 734 KB

Meet the Author



Marianna Torgovnick is professor of English at Duke University and director of Duke’s New York Program in Arts and Media. She is the author of numerous works, including Primitive Passions: Men, Women, and the Quest for Ecstasy, Gone Primitive: Modern Intellects, Savage Lives, and Crossing Ocean Parkway, also published by the University of Chicago Press.
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Table of Contents


Prologue: After 9/11
Introduction: Hiding in Plain Sight
1. D-Day
2. Eichmann's Ghost
3. Citizens of the Holocaust: The Vernacular of Growing Up after World War II
4. Unexploded Bombs
5. "They are ever returning to us, the dead": The Novels of W. G. Sebald
Conclusion: Toward an Ethics of Identification
Afterword
Notes
Index
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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted June 22, 2008

    illuminating

    You won't find a conventional history of World War II in Marianna Torgovnick's _The War Complex_. What you will find is an illuminating and beautifully written meditation on how we remember the war. Torgovnick shows how the media have emphasized some events, including Pearl Harbor and D-Day, and obscured others, such as the American bombing of civilian populations in Japan. The book reveals how a kind of selective memory has informed the ways we think about 9/11 and the 'War on Terror.' But it also introduces us to alternative histories and secret archives that allow us to remember the war in new, unexpected ways. Torgovnick is an especially fine reader of the novelist W.G. Sebald--and an especially fine writer, too.

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  • Anonymous

    Posted May 24, 2008

    A real contribution!

    This is a penetrating and important book, simultaneously accessible and learned, about the complex place of the Second World War in American culture.

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  • Anonymous

    Posted April 23, 2008

    Torgovnick hits a home run again

    As a long-time admirer of Marianna Torgovnick's work, I am very happy with the Duke professor's latest intellectual work. Torgovnick has the gift of exposing how what we assume to be true can manipulate us ('Hidden in Plain Sight'). We all think we know World War II -- the 'good' war that has become more important as the U.S. has made some questionable choices internationally in the last few decades. Torgovnick has been digging below the surface for the last few decades now, and her latest attempt just might be her best so far, although her many admirers, I'm sure, want more in the future.

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  • Anonymous

    Posted August 17, 2005

    shameful

    Unfortunately, this ¿book¿ is not a very enlightening read !!. Fortunately, I didn¿t buy the book, it was checked out of our university library. I found it difficult finishing this drivel. On too many occasions Torgovnick states her unsound opinion as absolute fact. She proceeds to mistakenly develop her point of view on the basis of that egregious erroneous opinion . (Big error there!!) Her conclusions usually are drawn on nefarious and/or abnormal rational that border on the absurd. very close to being out of touch with reality!! All in all, it appears the dictum ¿publish or parish¿ got the upper hand for this professor

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