The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon — the combat soldier.

Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
1116949895
The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era
Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon — the combat soldier.

Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.
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The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era

The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era

by Andrew J. Huebner
The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era

The Warrior Image: Soldiers in American Culture from the Second World War to the Vietnam Era

by Andrew J. Huebner

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Overview

Images of war saturated American culture between the 1940s and the 1970s, as U.S. troops marched off to battle in World War II, the Korean War, and the Vietnam War. Exploring representations of servicemen in the popular press, government propaganda, museum exhibits, literature, film, and television, Andrew Huebner traces the evolution of a storied American icon — the combat soldier.

Huebner challenges the pervasive assumption that Vietnam brought drastic changes in portrayals of the American warrior, with the jaded serviceman of the 1960s and 1970s shown in stark contrast to the patriotic citizen-soldier of World War II. In fact, Huebner shows, cracks began to appear in sentimental images of the military late in World War II and were particularly apparent during the Korean conflict. Journalists, filmmakers, novelists, and poets increasingly portrayed the steep costs of combat, depicting soldiers who were harmed rather than hardened by war, isolated from rather than supported by their military leadership and American society. Across all three wars, Huebner argues, the warrior image conveyed a growing cynicism about armed conflict, the federal government, and Cold War militarization.

Product Details

ISBN-13: 9780807858387
Publisher: The University of North Carolina Press
Publication date: 03/03/2008
Edition description: 1
Pages: 384
Product dimensions: 6.12(w) x 9.25(h) x 0.85(d)

About the Author

Andrew J. Huebner is assistant professor of history at the University of Alabama in Tuscaloosa.

Table of Contents

Contents

Acknowledgments
Introduction: Beyond Telling or Imagining
Part I: The World War II Era
1. Here Is Your War, 1941-1945
2. Little Guys with Golden Eagle Badges, 1945-1950
3. The Idea of Me, 1945-1950
Part II: The Long 1950s
4. Kilroy Is Back, 1950-1953
5. The True Story of the Foot Soldier, 1951-1966
Part III: The Vietnam Era
6. The Perplexing War, 1964-1968
7. I Gave Them a Good Boy, 1969-1973
8. A Dark Side to Man's Soul, 1967-1978
Conclusion: The Warrior Image
Notes
Bibliography
Text Credits
Index

What People are Saying About This

From the Publisher

“From The Best Years of Our Lives to Coming Home, Huebner’s lively and revealing study will challenge many glib assumptions about the differences between the ‘greatest generation’ of World War II and the baby boomers of the 1960s.” — Christian Appy, author of Working-Class War: American Combat Soldiers and Vietnam

“Huebner effectively challenges the idea that modern Americans did not really question the nation’s wars before Vietnam. His excellent book shows that antiwar sentiment already occupied significant cultural space during World War II and the Cold War.” — John Bodnar, Indiana University

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