The Watchers Out of Timeby H. P. Lovecraft, August Derleth
• Wentworth’s Day A fellow figures his debt to a dead man is null and void, until he discovers just how terrifying interest
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Venture at your own risk into a realm where the sun sinks into oblivion–and all that is unholy, unearthly, and unspeakable rises. These rare, hard-to-find collaborations of cosmic terror are back in print, including
• Wentworth’s Day A fellow figures his debt to a dead man is null and void, until he discovers just how terrifying interest rates can be.
• The Shuttered Room A sophisticated gentleman must settle his grandfather’s estate, only to find that the house shelters dark secrets.
• The Dark Brotherhood A beautiful woman and her companion meet the likes of Edgar Allan Poe, in a tale as terrifying as anything Poe himself ever created.
• Innsmouth Clay A sculptor returns from Paris to create a statue not entirely of this world–and not at all under his control.
• Witches’ Hollow A new schoolteacher puts his soul in peril while trying to save one of his students from a ravenous creature.
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Certain houses, like certain persons, manage somehow to proclaim at once their character for evil. Perhaps it is the aroma of evil deeds committed under a particular roof, long after the actual doers have passed away, that makes the gooseflesh come and the hair rise. Something of the original passion of the evil-doer, and of the horror felt by his victim, enters the heart of the innocent watcher, and he becomes suddenly conscious of tingling nerves, creeping skin, and a chilling of the blood . . . —Algernon Blackwood
I had never intended to speak or write again of the Charriere house, once I had fled Providence on that shocking night of discovery—there are memories which every man would seek to suppress, to disbelieve, to wipe out of existence—but I am forced to set down now the narrative of my brief acquaintance with the house on Benefit Street, and my precipitate flight there from, lest some innocent person be subjected to indignity by the police in an effort to explain the horrible discovery the police have made at last—that same ghastly horror it was my lot to look upon before any other human eye—and what I saw was surely far more terrible than what remained to be seen after all these years, the house having reverted to the city, as I had known it would.
While it is true that an antiquarian might be expected to know considerably less about some ancient avenues of human research than about old houses, it is surely conceivable that one who is steeped in the processes of research among the habitations of the human race might occasionally encounter a more abstruse mystery than the date of an ell or the source of a gambrel roof and find it possible to come to certain conclusions about it, no matter how incredible, how horrible or frightening or even—yes, damnable! In those quarters where antiquarians gather, the name of Alijah Atwood is not entirely unknown; modesty forbids me to say more, but it is surely permissible to point out that anyone sufficiently interested to look up references will find more than a few paragraphs about me in those directories devoted to information for the antiquary.
I came to Providence, Rhode Island, in 1930, intending to make only a brief visit and then go on to New Orleans. But I saw the Charriere house on Benefit Street, and was drawn to it as only an antiquarian would be drawn to any unusual house isolated in a New England street of a period not its own, a house clearly of some age, and with an indefinable aura that both attracted and repelled.
What was said about the Charriere house—that it was haunted—was no more than what was said about many an old, abandoned dwelling in the old world as well as in the new, and even, if I can depend on the solemn articles in the Journal of American Folklore, about the primitive dwellings of American Indians, Australian bush-people, the Polynesians, and many others. Of ghosts I do not wish to write; suffice it to say that there have been within the circle of my experience certain manifestations which have lent themselves to no scientific explanation, though I am rational enough to believe that there is such explanation to be found, once man chances upon the proper interpretation through the correct scientific approach.
In that sense, surely the Charriere house was not haunted. No spectre passed among its rooms rattling its chain, no voice moaned at midnight, no sepulchral figure appeared at the witching hour to warn of approaching doom. But that there was an aura about the house—one of evil? of terror? of hideous, eldritch things?—none could deny; and had I been born a less insensitive clod, I have no doubt that the house would have driven me forth raving out of mind. Its aura was less tangible than others I have known, but it suggested that the house concealed unspeakable secrets, long hidden from human perception. Above all else, it conveyed an overpowering sense of age—of centuries not alone of its own being, but far, far in the past, when the world was young, which was curious indeed, for the house, however old, was less than three centuries of age.
I saw it first as an antiquarian, delighted to discover set in a row of staid New England houses a house which was manifestly of a seventeenth century Quebec style, and thus so different from its neighbors as to attract immediately the eye of any passerby. I had made many visits to Quebec, as well as to other old cities of the North American continent, but on this first visit to Providence, I had not come primarily in search of ancient dwellings, but to call upon a fellow antiquarian of note, and it was on my way to his home on Barnes Street that I passed the Charriere house, observed that it was not tenanted, and resolved to lease it for my own. Even so, I might not have done so, had it not been for the curious reluctance of my friend to speak of the house, and, indeed, his seeming unwillingness that I go near the place. Perhaps I do him an injustice in retrospect, for he, poor fellow, was even then on his deathbed, though neither of us knew it; so it was at his bedside I sat, and not in his study, and it was there that I asked about the house, describing it unmistakably, for, of course, I did not then know its name or anything about it.
A man named Charriere had owned it—a French surgeon, who had come down from Quebec. But who had built it, Gamwell did not know; it was Charriere he had known. “A tall, rough-skinned man—I saw little of him, but no one saw more. He had retired from practice,” said Gamwell. He had lived there—and presumably older members of his family, though Gamwell could not say as to this—for as long as Gamwell had known the house. Dr. Charriere had lived a reclusive life, and had died, according to notice duly published in the Providence Journal, in 1927, three years ago. Indeed, the date of Dr. Charriere’s death was the only date that Gamwell could give me; all else was shrouded in vagueness. The house had not been rented more than once; there had been a brief occupation by a professional man and his family, but they had left it after a month, complaining of its dampness and the smells of the old house; since then it had stood empty, but it could not be torn down, for Dr. Charriere had left in his will a considerable sum of money to keep the property off the tax-delinquent list for a long enough time—some said twenty years—to guarantee that the house would be standing there if and when heirs of the surgeon appeared to lay claim to it, the doctor having written vaguely of a nephew in French Indo-China, on military service. All attempts to find the nephew had proved futile, and now the house was being permitted to stand until the period specified in the will of Dr. Charriere had expired.
“I think of leasing it,” I told Gamwell.
Ill though he was, my fellow antiquarian raised himself up on one elbow in protest. “A passing whim, Atwood—let it pass. I have heard disquieting things of the house.”
“What things?” I asked him bluntly.
But of these things he would not speak; he only shook his head feebly and closed his eyes.
“I hope to examine it tomorrow,” I went on.
“It offers nothing you could not find in Quebec, believe me,” said Gamwell.
But, as I have set forth, his curious opposition served only to augment my desire to examine the house at close range. I did not mean to spend a lifetime there, but only to lease it for a half year or so, and make it a base of operations, while I went about the countryside around the city as well as the lanes and byways of Providence in search of the antiquities of that region. Gamwell did surrender at last the name of the firm of lawyers in whose hands the Charriere will had been placed, and when I made application to them, and overcame their own lack of enthusiasm, I became master of the old Charriere house for a period of not more than six months, and less, if I so chose.
I took possession of the house at once, though I was somewhat nonplussed to discover that, while running water had been put in, electricity had not. I found among the furnishings of the house—these had been left in each room, exactly as at the death of Dr. Charriere—a half dozen lamps of various shapes and ages, some of them apparently dating back a century or more, with which to light my way. I had expected to find the house cobwebbed and dusty, but I was surprised to learn that this was not the case, though I had not understood that the lawyers—the firm of Baker & Greenbaugh—had undertaken to care for the house during the half century it was to stand, short of someone’s appearing to lay claim to it as the sole survivor of Dr. Charriere and his line.
The house was all I had hoped for. It was heavily timbered, and in some of the rooms paper had begun to peel from the plaster, while in others the plaster itself had never been covered with paper, and shone yellow with age on the wall. Its rooms were irregular—appearing to be either quite large or very small. It was of two storeys, but the upper floor had not been much used. The lower or ground floor, however, abounded in evidence of its one-time occupant, the surgeon, for one room of it had manifestly served him as a laboratory of some kind, and an adjoining room as a study, for both had the look of having been but recently abandoned in the midst of some inquiry or research, quite as if the occupation of the house by its brief tenant—post-mortem Charriere—had not touched upon these rooms. And perhaps it had not, for the house was large enough to permit of habitation without disturbing them, both laboratory and study being at the back of the house, opening out upon a garden, now much overgrown with shrubs and trees, a garden of some size, since the house occupied a frontage of over three lots in width, and in depth reached to a high stone wall which was but a lot removed from the street in its rear.
Dr. Charriere had evidently been in the midst of some work when his hour had struck, and I confess its nature intrigued me at once, for it was plainly no ordinary one. The inquiry was not alone a study of man, for there were strange, almost cabalistic drawings, resembling physiological charts, of various kinds of saurians, though the most prominent among them were of the order Loricata and the genera Crocodylus and Osteolaemus, though there were also recognizable drawings of Gavialis, Tomistoma, Gaiman and Alligator, with a lesser number being speculative sketches of earlier members of this reptilian order reaching back to the Jurassic period. Yet even this fascinating glimpse of the surgeon’s odd vein of inquiry would not have stimulated any really genuine delving into his affairs had it not been for the antiquarian mystery of the house.
The Charriere house impressed me at once as having been the product of its age, save for the later introduction of waterworks. I had all along assumed that Dr. Charriere himself had built it; Gamwell had nowhere in our somewhat elliptical conversation given me to understand otherwise; nor had he, for that matter, mentioned the surgeon’s age at his death. Presuming it to be a well-rounded eighty years, then it was certainly not he who had built the house, for internal evidence spoke clearly of its origin in the vicinity of the year 1700!—or over two centuries before Dr. Charriere’s death. It seemed to me, therefore, that the house only bore the name of its most recent long-time tenant, and not that of its builder; it was the pursuit of this problem which brought me to several disturbing facts which bore no relationship, seemingly, to credible facts.
For one thing, the year of Dr. Charriere’s birth was nowhere in evidence. I sought out his grave—it was, strangely, on his own property; he had obtained permission to be buried in his garden, not far from a gracious old well which stood, roofed over, with bucket and all still as it had stood, doubtless, for almost as long as the house had been standing—with a view to examining his headstone for the date of his birth, but, to my disappointment and chagrin, his stone bore only his name—Jean-Francois Charriere—his calling: Surgeon—his places of residence or professional occupation—Bayonne: Paris: Pondicherry: Quebec: Providence—and the year of his death: 1927. No more. This was enough only to further me on my quest, and forthwith I started to make inquiry by letter of acquaintances in various places where research might be done.
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Howard Phillips Lovecraft (1890-1937), commonly known as H. P. Lovecraft, was an American author known for his works of horror fiction (many of which have been adapted into movies). Having died in obscure poverty, he achieved posthumous fame for his books and stories. Today, he is best known for his take on The Call of Cthulhu. Because of his influence on contemporary writers and the development of his unique style known as "Lovecraftian," he is often compared to Edgar Allan Poe.
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All of the tales contained within this book are written by Lovecraft's contemporary, August Derleth. The tales no less take a quite distinct spin on the classic tales of Lovecraft, chiefly deviating on the Shadow Over Innsmouth and the Dunwhich Horror. Being that both these original tales provided much of the background and setting, I was enthralled. The namesake of the book, The Watchers Out of Time, is an unfinished work by Derleth. His death superseded the completion of the tale. **** Overall, I would not recommend the book to someone unfamiliar with Lovecraft's work, but rather after reading the more popular tales of Lovecraft to be better acquainted with the background setting of the tales. Derleth even goes a bit risque in some tales--see "Innsmouth Clay". Knowing how Lovecraft himself never delved into such material and reading the few bits of the material certainly made me laugh a bit! One can also be certain to see the Cthulhu mythos return here as well. The Dark Brotherhood sees the appearance of one of my favorite literary figures, Poe. But is it really Poe? Read the tale to find out! *** Overall, any die-hard fan of Lovecraft needs to check this book out. Though it was written by Derleth, the Lovecraftian themes resound in the book. At around 250 pages, it was a speed read for me, although I am completely enamored by anything dealing with that of Lovecraftian theme. I do recommend, at least, reading the sample.
If you've read all of the H.P. Lovecraft stories before than this book is a satisfying companion to this unique world of horror. Derleth captures the feel of Lovecraft's universe if not his particular voice and proves to be an apt pupil.