The Way of All Fishby Martha Grimes
Writer Cindy Sella is having trouble with her new novel. Aside from her paralyzing/i>/i>/i>
An “absurdly amusing” (The New York Times Book Review) sequel to Martha Grimes’s bestselling novel, Foul Matter, this wicked satire of the publishing industry is “comic, caustic, and relentlessly readable” (Booklist).
Writer Cindy Sella is having trouble with her new novel. Aside from her paralyzing writer’s block, she’s faced with a lawsuit from her ex-agent, L. Bass Hess. Hess will stop at nothing to collect a commission from Cindy on her previous novel, which he did not represent since she had fired him long before it was published.
Hitmen Candy and Karl—first introduced in Foul Matter—are asked to “get rid” of L. Bass Hess. They join forces with a publishing mogul, a bestselling author, an out-of-work Vegas magician, an alligator wrangler, a glamorous Malaysian con lady, and Hess’s aunt in the Everglades who has undergone a wildly successful sex change, and concoct a plan to save Cindy Sella from the odious machinations of Hess by driving him (slowly, hilariously) crazy.
Grimes’s fans will delight in the return of several colorful characters from Foul Matter, including Senior Editor Clive Esterhaus, unprincipled publisher Bobby Mackenzie, and ex-mobster and author Danny Zito, currently under the witness protection program. New readers will find that these characters and their escapades shed an amusing light on the New York publishing scene. Informed and influenced by the author’s own publishing adventures, “The Way of All Fish is a goofily offbeat delight” (The Washington Post).
This addictive, whimsical follow-up to 2003’s Foul Matter from MWA Grand Master Grimes dives into the cesspool that is the New York publishing world. L. Bass Hess, a despicable literary agent, likes to sue his former clients, claiming, after they fire him, that they owed him a commission. Some authors have settled rather than fought, but not Cindy Sella, a kind woman with an interest in tropical fish who’s suffering from writer’s block. Meanwhile, members of a group led by “mega-bestselling author” Paul Giverney and including two hit men with their own idea of who is worth killing, a publisher, an editor, and a mysterious Malaysian woman named Lena bint Musah, decide to take Hess down. This requires a séance, an alligator, a number of tropical fish, and other esoteric items. The coup de grace alone is worth the price of admission. (Jan.)
Unlikely alliances form in a plot to neutralize an author's greedy former agent. After two armed thugs enter and shoot the fish aquarium in Manhattan's Clownfish Café, writer Cindy Sella, a Manhattanite from a small town in Kansas, and hit man Karl leave with souvenir clownfish they helped rescue. While Karl and his colleague Candy consider a contract to off the literary agent L. Bass Hess, Candy leafs through Publishers Weekly and Kirkus Reviews, and Karl sets up his clownfish in the converted warehouse he shares with Candy. Although Karl kills people for a living, he's happy to redecorate the apartment to provide a more appropriate environment for his fish--and to join Candy in helping Cindy extricate herself from a baseless lawsuit that Hess, her former agent, has brought against her. Mega-selling author Paul Giverney has his own reasons to rid Manhattan of Hess. To further his elaborate schemes, he calls on, among others, an abbot with a dubious religious vocation, an amiable stoner, the legendary Skunk Ape, Bass' uncle-turned-aunt, Candy, Karl and Karl's fish. As one caper follows another, from Manhattan to Sewickley, Pa., to the Everglades, Cindy loses her importance to the conspirators. Grimes (Fadeaway Girl, 2011, etc.) brings a crazy-quilt sensibility to a romp that ultimately sags a bit under the weight of its own cleverness. Despite its pallid heroine, however, this sendup of the book world, in which hit men apparently have more integrity than publishers, is great fun.
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Read an Excerpt
The Way of All Fish
They came in, hidden in coats, hats pulled over their eyes, two stubby hoods like refugees from a George Raft film, icy-eyed and tight-lipped. From under their overcoats, they swung up Uzis hanging from shoulder holsters and sprayed the room back and forth in watery arcs. There were twenty or so customers—several couples, two businessmen in pinstripes, a few solo diners who had been sitting, some now standing, some screaming, some crawling crablike beneath their tables.
Oddly, given all that cordite misting the air like cheap champagne, the customers didn’t get shot; it was the owner’s aquarium, situated between the bar and the dining area, that exploded. Big glass panels slid and slipped more like icebergs calving than glass breaking, the thirty- or forty-odd fish within pouring forth on their little tsunami of water and flopping around in the puddles on the floor. A third of them were clown fish.
All of that took four seconds.
In the next four seconds, Candy and Karl had their weapons drawn—Karl from his shoulder holster, Candy from his belt—Candy down on one knee, Karl standing. Gunfire was exchanged before the two George Rafts backed toward the door and, still firing, turned and hoofed it fast through the dark.
Candy and Karl stared at each other. “Fuck was that?” exclaimed Candy, rising from his kneeling position.
They holstered their weapons as efficiently as they’d drawn them, like the cops they were not. They checked out the customers with their usual mercurial shrewdness, labeling them for future reference (if need be): a far table, the two suits with cells now clamped to their busy ears, calling 911 or their stockbrokers; an elderly couple, she weeping, he patting her; two tables shoved together that had been surrounded by a party of nuts probably from Brooklyn or Jersey, hyenalike in their braying laughter, all still under the table; a couple of other business types with Bluetooth devices stationed over their ears, talking to each other or their Tokyo counterparts; a blond woman, or girl, sitting alone eating spaghetti and reading something, book or magazine; a dark-haired woman with a LeSportsac bag slung over the back of her chair, who’d been talking on her Droid all the while she ate; and a party of four, girls’ night out, though they’d never see girlhood again. Twenty tables, all in all, a few empty.
All of that ruin in under a minute.
The Clownfish Café was nothing special, a dark little place in a narrow street off Lexington, its cavelike look the effect of bad lighting. A few wall sconces were set in the stone walls, apparently meant to simulate a coral reef; candles, squat and fat, seeming to begrudge the room their light, were set in little iron cages with wire mesh over their tops, their flames hardly flickering, as if light were treasure they refused to give up. They might as well have been at the bottom of the sea.
Now the brightly colored fish, clown fish, tangs, angelfish of neon blue and sun-bright yellow, were drawing last breaths until the blonde who had been eating spaghetti tossed the remnants of red wine from her glass and scooped up some water and added one of the fish to the wineglass.
Seeing this, Candy grabbed up a water pitcher, dipped up what he could of water, and bullied a clown fish into the pitcher. The other customers watched, liked it, and with that camaraderie you see only in the face of life-threatening danger, were taking up their water glasses or flinging their wineglasses free of the cheap house plonk and refilling them from water pitchers sitting at the waiters’ stations. The waiters themselves ran about unhelpfully; the bartender, though, catapulted over the bar with his bar hose to slosh water around the fish. Wading through glass shards at a lot of risk to their own skin, customers and staff collected the pulsing fish and dropped them in glasses and pitchers.
It was some sight when they finished.
On every table was an array of pitchers and glasses, one or two or three, tall or short, thin or thick, and in every glass swam a fish, its color brightened from beneath by a stubby candle that seemed at last to have found a purpose in life.
Even Frankie, the owner, was transfixed. Then he announced he had called the emergency aquarium people and that they were coming with a tank.
“So who the fuck you think they were?” Karl said as he and Candy made their way along the dark pavement of Lexington Avenue.
“I’m betting Joey G-C hired those guys because he didn’t like the way we were taking our time.”
“As we made clear as angel’s piss to him, that’s the way we work. So those two spot Hess in there, or they get the tip-off he’s there and go in with fucking assault weapons thinkin’ he’s at that table the other side of the fish tank, and that’s the reason they shoot up the tank?”
“Call him,” said Candy, holding tight to his small water pitcher.
Karl pulled out his cell, tapped a number from his list of contacts, and was immediately answered, as if Joey G-C had expected a call. “Fuck’s wrong with you, Joey? You hire us, and then you send your two goons to pull off a job in the middle of a crowded restaurant? No class, no style, these guys got. Walked in with Uzis and shot the place up. And did they get the mark? No, they did not; they just messed the place up, including a big aquarium the least you can do is pay for. Yeah . . .”
Candy was elbowing him in the ribs, saying, “Tell him all the fish suffocated and died.”
“And there was all these endangered fish flopping on the floor, some of them you could say were nearly extinct, like you will be, Joey, you pull this shit on us again. Yeah. The job’ll get done when the job gets done. Good-bye.”
“We saw Hess leave through the side door. You’d think he knew they were coming.”
“Jesus, I’m tellin’ you, C., the book business is like rolling around fuckin’ Afghanistan on skateboards. You could get killed.”
“You got that right.”
They walked on, Karl clapping Candy on the shoulder, jostling the water pitcher as they walked along Lexington. “Good thinking, C. I got to hand it to you, you got everyone in the place rushing to save the fishes.”
The water was sliding down Candy’s Boss-jacketed arm. “Don’t give me the credit; it was that blond dame that did that. She was the first to ditch her wine. You see her?”
“The blonde? I guess. What’d she look like?”
Candy shrugged; a little wave of water spilled onto Lexington. “I couldn’t see her face good. She had a barrette in her hair. Funny.”
“You didn’t see her face, but you saw a hair barrette?” Karl laughed. “Crazy, man.”
They walked on.
There are those girls with golden hair whom you half notice in a crowd. You see one on the outer edges of vision, in the people flooding toward you along Lex or Park or Seventh Avenue, blond head uncovered, weaving through the dark ones, the caps and hats, your eye catching the blondness, but registering nothing else. Then you find, when she’s passed, it’s too late.
A girl you wish you’d paid attention to.
A girl you knew you should have seen head-on, not disappearing around a corner.
Such a girl was Cindy Sella.
Some of them would talk about it later and for a long time. The businessmen climbing into a cab, the girl with the LeSportsac bag, her Droid lost inside.
As if there’d been an eclipse of Apple, a sundering of Microsoft, a sirocco of swirling iPhones, BlackBerrys, Thunderbolts, Gravities, Galaxies, and all the other smartphones into the sweet hereafter; yes, as if all that had never been; nobody, nobody reached for his cell once the fish were saved and swimming. They were too taken up with watching the fish swimming, dizzy-like, in the wineglasses.
Nobody had e-mailed or texted.
Nobody had sent a tweet to Twitter.
Nobody had posted on Facebook.
Nobody had taken a picture.
They were shipwrecked on the shores of their own poor powers of description, a few of them actually getting out old diaries and writing the incident down.
Yes, they talked about that incident in the Clownfish Café the night they hadn’t gotten shot, told their friends, coworkers, pastors, waiters at their clubs, their partners, wives, husbands, and kids.
—Way cool. So where’re the photos?
—Remarkably, nobody took one.
—But see, there were these neon-bright blue and orange and green and yellow fish, see, that we all scooped up and dropped in water glasses, and just imagine, imagine those colors, the water, the candlelight. Look, you can see it . . .
But the seer, seeing nothing, walked away.
Meet the Author
Bestselling author Martha Grimes is the author of more than thirty books, including twenty-two Richard Jury mysteries. She is also the author of Double Double, a dual memoir of alcoholism written with her son. The winner of the 2012 Mystery Writers of America Grandmaster Award, Grimes lives in Bethesda, Maryland.
- Washington, DC and Santa Fe, NM
- Date of Birth:
- May 2, 1931
- Place of Birth:
- Pittsburgh, Pennsylvania
- B.A., M.A., University of Maryland
Most Helpful Customer Reviews
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Not quite up to the first but you will meet the most literary of hit men retired in the city and meet old friends. If things dont quite work out there is always a new author to protect from a publisher whether they know it or not.
The literary world is better than a rambo anyday my pbs movie choice for the hit men would be aging magnam p i with out blackhair dye and burt reynolds