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| The Standells | Track Performer |
| The Atlantics | Track Performer |
| Cannibal & the Headhunters | Track Performer |
| The Mixtures | Track Performer |
| The Premiers | Track Performer |
| Larry Tamblyn | Track Performer |
| Richard "Scar" Lopez | Track Performer |
| The Majestics | Track Performer |
| The Majestics | Vocals, Track Performer, Vocal Harmony |
| The Standells | Arranger |
| King Curtis | Arranger |
| Dewey Terry | Composer |
| The Premiers | Arranger |
| Robert Gross | Producer |
| Larry Tamblyn | Arranger |
| Max Uballez | Arranger, Producer |
| Billy Cardenas | Arranger, Producer |
| Frank Garcia | Arranger |
| Don Harris | Composer |
| The Romancers | Arranger |
| Bill Pitzonka | Art Direction |
| Marty Wekser | Mastering |
| Alex González | Producer |
| Theresa Malham | Remixing |
| Jaguars | Arranger |
| Eddie Davis | Arranger, Producer |
| Billy Roberts | Composer |
Editorial Reviews
All Music Guide - Bruce Eder
This volume in the series is more cohesive than most, opening with the Premiers' 1964 hit "Farmer John" and generally confining itself to eminently danceable rockers from that same period by the likes of the Atlantics, Larry Tamblyn & the Standells "The Girl in My Heart", the Jaguars, the Romancers, the Soul-jers "Gonna Be a Big Man", and Sammy Lee & the Summits. As with the other three parts of this series, there's not a weak song here, whether it's Cannibal & the Headhunters backed by the King Curtis band doing "Follow the Music," the edgier, less lyrical, but more rousing "Sloop Dance" by the Atlantics, or the soul rave-up "That's Why I Love You" by the ...