The White Boy and the Indians: A Memoir of Reservation Life, the Depression, and the Okies

by Paul Austin Jennings

Overview

Poverty and war form the historical backdrop for a stunningly sweet and joyous account of one boy's youth in wild and unusual places.

The Indian communities of the 1930s and '40s in the Klamath Mountains. The small railroad towns in California's Central Valley during the Depression. These are the places that hold rich stories of life and times now almost forgotten. Except in the memories of a boy who experienced the adventure of living them.

As the only white boy in an all-Indian school, young Paul Jennings developed strong relationships with his Native American classmates and neighbors. Those friendships produced sometimes bizarre, always character-shaping experiences Paul would never forget.

An unexpected move threw Paul into a new set of circumstances that spawned his lively true stories of innocence in the time of the Depression, the historic migration of the "Okies" from the Dust Bowl in the Midwest to California's agricultural fields, and World War II.

Thanks to his family's unshakable faith in God, Paul survived and thrived in challenging times that shaped a generation.

Product Details

ISBN-13:	9798218092566
Publisher:	Paul Austin Jennings
Publication date:	11/28/2022
Pages:	218
Product dimensions:	5.25(w) x 8.00(h) x 0.50(d)

About the Author

Paul Jennings was born in 1930 on a remote Indian reservation in Northern California where his parents were Christian missionaries. After an unusual and exciting early life living among the Indians, and part of his grammar school years living during the Depression years in California's Central Valley, he went on to a successful 30-year career in education as a teacher, coach and administrator in both public and Christian schools. He holds California Lifetime Teaching and Administrative credentials.

Editorial Reviews

06/26/2023

In this engaging, upbeat memoir, author Jennings takes readers back to his unusual childhood in northern California’s Humboldt County, along the Klamath River, in the turbulent 1930s and ’40s, when Paul’s family served as missionaries on the Hoopa Indian Reservation. The only white boy in a reservation school during the Great Depression, young Paul quickly found kinship with his classmates and neighbors, playing “Mumbley peg with our pocketknives,” hanging out at the service station, meeting “Okies” who moved west during the Dust Bowl, and marveling at indoor plumbing, the stink-capacity of skunks, and those “beautiful and intricately made kites flown by the Japanese kids and their families, the same families who later were hustled off to internment camps.” Jennings writes warmly of forming strong bonds that shaped his character for the rest of his life.

The book begins with a helpful narrative setting the scene for readers, with companion maps as he lays out the geography of the community and the unspoiled lands around their rudimentary home. The prose is conversational and comforting in its delivery and tone. Aside from the compelling story, the memoir could almost serve as a handbook for homesteaders with its plain-spoken facts, such as defining a “rick of wood,” explaining the finer points of washboard usage, and celebrating the process of building a cabin from “30 or 40 trees.”

The theme of overcoming adversity and finding common ground with your neighbor are persistent. Jennings takes note of one Okie classmate in particular who prepared lunch for his siblings at school each day with bread and lard “without fanfare or excitement.” His respect for this boy and others, their work ethic and humbleness, is evident. Patriotism and religious pride shines brightly throughout the chapters, where Jennings reflects on small moments with classmates and teachers and acknowledges the blessings of both his church and country. Because there is no hiding of differences or struggles, Jennings’ memoir stirs a fast and enduring connection.

Takeaway: Warm, positive memoir of growing up on a Hoopa Reservation in the Great Depression.

Comparable Titles: Mary Ellicott Arnold and Mabel Reed’s In the Land of the Grasshopper Song, David Rains Wallace’s The Klamath Knot.

Production grades Cover: A- Design and typography: A Illustrations: A Editing: A- Marketing copy: A-

BookLife Reviews