The White Devil's Daughters: The Women Who Fought Slavery in San Francisco's Chinatown

The White Devil's Daughters: The Women Who Fought Slavery in San Francisco's Chinatown

by Julia Flynn Siler
The White Devil's Daughters: The Women Who Fought Slavery in San Francisco's Chinatown

The White Devil's Daughters: The Women Who Fought Slavery in San Francisco's Chinatown

by Julia Flynn Siler

Paperback(Reprint)

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Overview

During the first hundred years of Chinese immigration—from 1848 to 1943—San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler shines a light on this little-known chapter in our history—and gives us a vivid portrait of the safe house to which enslaved women escaped. The Occidental Mission Home, situated on the edge of Chinatown, served as a gateway to freedom for thousands. Run by a courageous group of female Christian abolitionists, it survived earthquakes, fire, bubonic plague, and violent attacks. We meet Dolly Cameron, who ran the home from 1899 to 1934, and Tien Fuh Wu, who arrived at the house as a young child after her abuse as a household slave drew the attention of authorities. Wu would grow up to become Cameron's translator, deputy director, and steadfast friend. Siler shows how Dolly and her colleagues defied convention and even law—physically rescuing young girls from brothels, snatching them from their smugglers—and how they helped bring the exploiters to justice. Riveting and revelatory, The White Devil's Daughters is a timely, extraordinary account of oppression, resistance, and hope.

Product Details

ISBN-13: 9781101910290
Publisher: Knopf Doubleday Publishing Group
Publication date: 04/07/2020
Edition description: Reprint
Pages: 448
Sales rank: 1,112,628
Product dimensions: 5.10(w) x 7.90(h) x 1.00(d)

About the Author

Julia Flynn Siler is a New York Times best-selling author and journalist. In addition to The White Devil's Daughters, she is the author of Lost Kingdom: Hawaii's Last Queen, the Sugar Kings, and America's First Imperial Adventure. Her first book, The House of Mondavi: The Rise and Fall of an American Wine Dynasty, was a finalist for a James Beard Foundation Book award and a Gerald Loeb Award for distinguished reporting. A veteran journalist, Siler is a longtime contributor and former staff writer for The Wall Street Journal and has been a guest commentator on CNBC, CNN, and the BBC. She lives in the San Francisco Bay Area with her husband and their two sons.

Read an Excerpt

Prologue

It was nearly dusk on December 14, 1933, when a teenage girl walked towards a hairdresser’s shop in Chinatown. Around her, laundry dangled from metal fire escapes, chickens squawked in bamboo cages on the sidewalk, and the scents of sizzling wok oil and Chinese cabbage drifted through a neighborhood known as Little Canton.

Even in the depths of the Great Depression, San Francisco’s Chinese quarter drew tourists, who came to see its swaying red lanterns and taste its pork dumplings. But for Jeung Gai Ying, who had arrived in America that summer, it was a place of degradation. For months, the teen had been imprisoned in a second-floor apartment and repeatedly raped.

So, as Jeung left the cold street and entered the warm beauty parlor with its acrid scents of perming agents and scorched hair, she hit upon a plan. She did not speak the language of the largely white world that surrounded Chinatown, but she realized that her brief outing to the hairdresser—one of the few instances when she was left to her own devices—gave her the chance she needed to escape.

Jeung’s journey to the United States had begun earlier that year with hope and a ruse. The people who had arranged her trip had promised her a well-paid job in San Francisco. But for more than fifty years, exclusion laws had barred most Chinese from entering the United States, so they had also given her a story about a Chinese American family she was supposedly rejoining in the States. As she crossed the Pacific aboard the S.S. President Cleveland, Jeung studied the more than one hundred pages of a “coaching book” containing notes on her false family’s history. When she arrived in July 1933, she flung the book into the sea, as instructed, and successfully passed through immigration by reciting the details she’d memorized.

She soon realized the job she’d expected was not waiting for her. Instead, she was led to an apartment in Chinatown and ordered to strip naked as bidders examined the swell of her breasts and the curve of her narrow hips. She had high cheekbones and full lips and looked several years younger than her real age of eighteen, making her a valuable prize. But the first set of potential buyers balked at closing a deal to purchase her, perhaps sensing she might cause them trouble.

Jeung endured the same humiliating ritual again, and then for a third time. The slave trader, Wong See Duck, threatened to brutally punish or kill her if she did not comply. If she refused to submit, he warned her that he would take her to “a very dark place.”

Reluctantly, Jeung abandoned her defiant stance. If she hadn’t, she feared she would never be able to return home to her family. The price the buyers paid for her was $4,500—more than ten times what the procurer had given her mother in China as an advance on her supposed earnings.

Soon after her sale, Jeung was moved into a second-floor apartment on Jackson Street. Her owners, a pair of women with severely pulled-back hair and penciled brows, set about to make Jeung more appealing to American men. They outfitted her in fashionable clothes and escorted her to the beauty shop down the street, where the hairdresser bobbed her hair, tucking her black curls behind her ears. For Jeung, who was raised as a traditional Chinese girl, having her long hair cut off was the first of many violations.

Jeung’s value to her owners lay in her earning potential as a prostitute. With her bobbed hair and alluring clothes, Jeung commanded $25 a night and turned over all but $4 of her nightly earnings to her owners. Twenty-five dollars a night was a high sum in Depression-era America, where the average wage for a female garment maker was just $30 a month. Put another way, Jeung could earn more for her owner in a single evening than what most women, hunched over their sewing machines in tenements throughout Chinatown, could make for themselves in weeks.
 

***
 

Jeung’s ostensible purpose in visiting the beauty shop that afternoon was to have her hair “marcelled,” a technique named after a French hairdresser in which waves would be pressed into her hair with a hot iron. She had been instructed to get her hair done to prepare herself for a trip later that evening to San Jose, fifty miles south of San Francisco, where she would entertain a group of men at a banquet.

Was it the thought of the long evening ahead that made her run? Did she dread the prospect of stepping into her silk gown only to step out of it hours later, entertaining the first of one or more customers that evening? Five months pregnant, she was certainly aware of the risks to the child growing inside her.

It was one of the few times she’d been left alone since arriving in America, and Jeung had just half an hour in the shop before one of the women would return to collect her.

The streets had darkened. The minutes passed. She had nowhere to go if she attempted to flee. If she were recaptured, she would likely be beaten as punishment, or forced into a drugged passivity from which she might never escape. Slave owners intentionally spread rumors of girls who had run away from their owners to the homes in Chinatown run by missionaries, only to die of eating poisoned food there.

She urged the hairdresser to work faster by curling only the ends of her hair, hoping she could slip out of the shop before her owners came back for her. If there was a clock ticking on the wall, Jeung must have watched it with rising dread. She was calm enough to put her coat back on before leaving the shop, but she did not take the few extra seconds needed to button it up—perhaps because her swelling belly strained the fabric.

She darted south, through the crowded sidewalks of the quarter, her coat flying open. She had one goal in mind: to reach the place of safety that her owners had warned her not to go.

She ran a block and a half to a house on Washington Street, with an arched brick entryway lit by a Chinese lantern. She climbed the steps and pressed the bell in hope of being let in. She arrived, only to discover that she had come to the wrong place. Her fear and frustration was evident. The white woman who answered the door took pity on her and led her through the streets to the place she hoped to find.

They hurried toward Nob Hill, where the grand mansions of California’s railroad and mining barons had been replaced by hotels with names like Fairmont and Mark Hopkins. Their size and sheer opulence were almost unimaginable to a girl raised in poverty in Hong Kong. After pushing through shoppers and workers returning home, they climbed the five steps to the bolted door of 920 Sacramento Street, a squat building straddling a steep hill.

Jeung caught her breath at the entrance to the house that had served as a door to freedom for thousands of enslaved and vulnerable girls and women. To her right, heavy metal bars protected the windows. She didn’t know it at the time, but the windows of the home weren’t barred to keep the residents of the home inside, but to prevent the women’s former owners from smashing through the glass to retrieve their human property.

By now, it was nightfall and too late to turn back. Jeung had no other options. She pushed the doorbell once and then again. The doorkeeper peered through the grated window. She saw a young Chinese woman standing outside, her coat unbuttoned despite the cold and swung open the heavy wood doors to let her in. Two women came into the foyer from other parts of the house to meet her. One was a white woman in her sixties with a halo of silver hair, the other a bespectacled younger woman who spoke to Jeung in Cantonese. Listening carefully to the frantic girl’s pleas, the Chinese woman translated her words into English. 

“Protect me!” Jeung cried.

The women were the home’s superintendent, Donaldina Cameron, and her longtime aide, Tien Fuh Wu, who had worked together for four decades to protect some of the city’s most scorned residents. They led Jeung to an adjoining parlor, which had a comforting Chinese carpet on the floor and Cantonese hangings on the walls. The scent of Chinese food drifted through the house. Once they were seated, Wu and Cameron gently urged the teenager: tell us your story.
 
 
1

Queen’s Room
 
On February 23, 1869, more than six decades before Jeung’s dash to safety, the China steamed into the port of San Francisco carrying an unusual cargo. Waiting at the foot of the wharf was a crowd of Chinese merchants, customhouse officers, a health officer, detectives employed by the steamship company, and grey-uniformed police along with for-hire officers known as “specials,” armed with clubs and revolvers.

As soon as the ship’s crew lowered the gangplank, some of the waiting men rushed forward. Police and specials brandished weapons to hold the crowd back: what had caused the excitement was the presence of four hundred Chinese women onboard. It took “the united strength of the whole police force to prevent them from getting hold of the women,” wrote a reporter about the crush of presumably sex-starved men.

The officers searched the female Chinese passengers and their belongings for opium or other contraband before escorting them to the horse-drawn wagons waiting for them at the base of the wharf. Customs officials seized from the ship’s passengers thirty boxes of opium and 350 pounds of tobacco, which were later advertised for sale by the customs office at a public auction.

But by far the most coveted cargo onboard the China that day was the women. Most were bound for the city’s brothels which operated openly in Chinatown. Prostitution was not classed as a criminal offence at that time, even though some reformers condemned it, and the police and specials helped assure that the Chinese women disembarking from the ship did not manage to escape into the crowd or get whisked away.

Outrageously, as one newspaper reported, the officers’ role was to guard the Chinese women bound for sex slavery “until the load of human freight was delivered at the destination fixed by the companies.”
 

***

 
The pent-up demand for sex came from solitary immigrants who’d left their families behind in China. James Marshall’s discovery of gold at Sutter’s Mill, on the south fork of the American River, in 1848, lured tens of thousands of poor Chinese men from the Pearl River Delta and the Guangdong province with the prospect of getting rich in California’s gold mines. They were drawn by job opportunities, since they could earn as much in one week of labor in America as what it would take several months to earn in China.

Arriving in steerage class from Hong Kong and other Chinese ports, the men fanned out across the West. They found work digging for gold in the Sierra foothills. They hauled away mud to create irrigation ditches in the Sacramento-San Joaquin Delta and swung pickaxes to build the transcontinental railroad that connected California to the eastern United States.

By the 1860s, political and economic turmoil in the South China’s Pearl River Delta Region had turned a trickle of emigrants from China to San Francisco into a torrent. As America’s largest city west of the Mississippi, the port of San Francisco became the city with the single largest concentration of Chinese residents in America. Chinese who made their way to America in the nineteenth century called it dai fou or “big city.”

Upon landing, most Chinese men joined a huiguan, a district association founded along home-region lines, which functioned primarily as a mutual aid fraternity. Although these district associations operated nationwide, their headquarters were in San Francisco’s Chinatown. Eventually they became known as the Chinese Consolidated Benevolent Association, or the “Six Companies,” and the association operated as the representative of the Chinese in America.

Joining an association was crucial for most new immigrants as they sought lodgings and work. It could also ease their loneliness. For, from the start, San Francisco’s Chinatown was largely a society of men without women or children: many new arrivals were single and those who were married often left their wives at home in China. As “sojourners,” or immigrants who planned to eventually return to their families in their home country, many of the Chinese men who thronged the quarter’s crowded streets refused to cut off the tightly plaited single braids, known as queues, that hung down their backs.

Table of Contents

Preface ix

Prologue 3

1 Queen's Room 8

2 "The Cussedest Place for Women" 16

3 Reveille Cry 23

4 "No Ordinary Person" 30

5 Victorian Compromise 38

6 Inked Thumbprints 46

7 The Celestial Quarter 53

8 "To Have a Little Chinaman" 62

9 Baiting the Hook 70

10 Life as a Mui Tsai 79

11 "A Worse Slavery than Ever Uncle Tom Knew Of" 88

12 Dynamite 95

13 Devil's Playground 101

14 Chinatown in Tears 110

15 Year of the Rat 116

16 Instant Fame 124

17 Municipal Storm 135

18 "Forcing Me into the Life" 143

19 "I May Go to Sleep Tonight and Then Find Myself in Hell!" 148

20 A Deathbed Promise 156

21 Taking Public Stands 162

22 Pink Curtain 169

23 Courage to Fight Evil 175

24 The Chinese Mark Twain 180

25 "'Ell of a Place!" 188

26 The Lord Is My Shepherd 196

27 "The Stress of Circumstances" 204

28 Homecomings 212

29 Municipal Crib 218

30 Paper Son 225

31 Dragon Stories 232

32 Tiny 239

33 Missionaries of the Home 244

34 Matchmaking 249

35 The "Joy Zone" 258

36 Fruit Tramps 266

37 "Are You Wearing a Mask and Taking Precautions?" 272

38 Quiet Defiance 277

39 "Sargy" 285

40 Bessie 290

41 Heavens for Courage 296

42 The Thwack of Bouncing Balls 303

43 Little General 311

44 Shangri-La 316

45 Broken Blossoms 325

Epilogue: "Blessed Tien" 333

Acknowledgments 341

Cast of Characters 345

Timeline 349

A Note on Names and Language 353

A Note on Sources 355

Notes 359

Index 407

Reading Group Guide

During the first hundred years of Chinese immigration—from 1848 to 1943—San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler shines a light on this little-known chapter in our history—and gives us a vivid portrait of the safe house to which enslaved women escaped. The Occidental Mission Home, situated on the edge of Chinatown, served as a gateway to freedom for thousands. Run by a courageous group of female Christian abolitionists, it survived earthquakes, fire, bubonic plague, and violent attacks. We meet Dolly Cameron, who ran the home from 1899 to 1934, and Tien Fuh Wu, who arrived at the house as a young child after her abuse as a household slave drew the attention of authorities. Wu would grow up to become Cameron's translator, deputy director, and steadfast friend. Siler shows how Dolly and her colleagues defied convention and even law—physically rescuing young girls from brothels, snatching them from their smugglers—and how they helped bring the exploiters to justice. Riveting and revelatory, The White Devil's Daughters is a timely, extraordinary account of oppression, resistance, and hope.

1. Let's discuss the title and the epigraph. What does each of them mean?

2. Before reading this book, were you aware of the history of sex-trafficking of Chinese immigrants? Do you feel it's an important story for us to know? Why yes or why no?

3. Before reading this book, were you aware of the exclusion laws that barred many Chinese from immigrating to the US during the late 1800's/early 1900's? Knowing about them now, what are your thoughts?

4. Let's discuss the factors that enabled sex-trafficking to thrive. And let's discuss the people who enabled it to thrive. Can we relate any of this to present-day sex trafficking? What cultural norms, both in China and the US, encouraged it? Do these cultural norms still exist?

5. How do you feel about the various churches/religious people who worked to help save the victims? What do you think their primary agendas were? Does it matter? What good came out of their work besides helping the victimized women? Did anything negative result from their work?

6. Against the backdrop of recent protests over racial justice, how does the safe house at 920 Sacramento Street fit into the fight against racism in the U.S.?

7. How do you feel about prostitution? Do you feel it should be legal? Why yes or why not?

8. Let's talk about the corruption of the officials in San Francisco. What are your thoughts on this?

9. Illegal immigration and sex trafficking are inextricably linked in this story, as they often are in present times. How does one solve this dilemma?

10. What enabled the women who were able to escape and help other victims do so?

11. Before now, most historians have focused on Dolly Cameron while ignoring the role of Tien Fuh Wu and the other Chinese activists who furthered the home’s mission. Why did this happen? How did Siler counter this narrative?

12. Chinese immigrants suffered from racist policies and actions in the United States, but some Chinese immigrants also committed crimes, as the verdict in the Broken Blossoms case showed, As readers, how do we reconcile these two realities?

13. Which characters did you connect with? Who were you inspired by?

Questions provided courtesy of LiteraryMasters.net.

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