The White Princess

The White Princess

by Philippa Gregory

Narrated by Bianca Amato

Unabridged — 19 hours, 0 minutes

The White Princess

The White Princess

by Philippa Gregory

Narrated by Bianca Amato

Unabridged — 19 hours, 0 minutes

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Overview

From “queen of royal fiction” (USA TODAY) Philippa Gregory comes this instant New York Times bestseller that tells the story of the remarkable Elizabeth of York, daughter of the White Queen, and mother to the House of Tudor.

When Henry Tudor picks up the crown of England from the mud of Bosworth field, he knows he must marry the princess of the enemy house-Elizabeth of York-to unify a country divided by war for nearly two decades.

But his bride is still in love with his slain enemy, Richard III-and her mother and half of England dream of a missing heir, sent into the unknown by the White Queen. While the new monarchy can win power, it cannot win hearts in an England that plots for the triumphant return of the House of York.

Henry's greatest fear is that somewhere a prince is waiting to invade and reclaim the throne. When a young man who would be king leads his army and invades England, Elizabeth has to choose between the new husband she is coming to love and the boy who claims to be her beloved lost brother: the rose of York come home at last.

Editorial Reviews

Publishers Weekly

In Gregory’s fifth entry in the Cousins’ War series, marriage unites the upstart House of Tudor with its long-time enemies, the declining House of York, to rule over volatile 1485 England. As Gregory envisions her, narrator Elizabeth of York—sister to the princes imprisoned in the Tower, mother of Henry VIII, grandmother of Elizabeth I—still loves the vanquished Richard III when she dutifully marries his triumphant challenger, Henry VII. The royal pair produces an heir and two spares but mistrust continues to abound, particularly between the two mothers-in-law, who are seemingly determined to fight the Wars of the Roses down to the last petal. Elizabeth must navigate the treacherous waters of marriage, maternity, and mutiny in an age better at betrayal than childbirth. Gregory believably depicts this mostly forgotten queen, her moody husband, and the future Henry VIII, shown here as a charmingly temperamental child. Something about the Tudors brings out the best in Gregory’s portraiture. At this novel’s core lies a political marriage seen in all its complexity, including tender moments, tense negotiations, angry confrontations, and parental worries over predictions that the family line will end with a Virgin Queen. Agent: Esther Newberg, ICM. (July)

People Magazine

"Loyalties are torn, paranoia festers and you can almost hear the bray of royal trumpets as the period springs to life. It’s a bloody irresistible read."

USA Today

"Bring on the blood, sex and tears! . . . You name it, it's all here."

Booklist

"Replete with intrigue and heartrending drama."

Historical Novels Review

Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why . . . providing intelligent escape, a trip through time to a dangerous past.

The Washington Post

"The White Princess features one of the more intriguing theories about the possible fate of the princes."

New York Daily News

Gorgeous fun.

Romantic Times

"This is the most fascinating and complex of the series—not only in history, but in the psychological makeup of the characters, the politics of the era and the blending of actual and reimagined history. Gregory makes everything come to life. . . . This is why Gregory is a queen of the genre."

New York Post

Gregory ... always delivers the goods.

Historical Novels Review (Editor's Choice Review)

Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why . . . providing intelligent escape, a trip through time to a dangerous past.

People Magazine

"Loyalties are torn, paranoia festers and you can almost hear the bray of royal trumpets as the period springs to life. It’s a bloody irresistible read."

New York Daily News

Gorgeous fun.

New York Post

Gregory ... always delivers the goods.

Booklist

"Replete with intrigue and heartrending drama."

USA Today

Gregory returns with another sister act. The result: her best novel in years.

From the Publisher

Gregory returns with another sister act. The result: her best novel in years.”

“Gregory delivers another vivid and satisfying novel of court intrigue, revenge, and superstition. Gregory’s many fans as well as readers who enjoy lush, evocative writing, vividly drawn characters, and fascinating history told from a woman’s point of view will love her latest work.”

“Gregory is one of historical fiction’s superstars, and The Kingmaker’s Daughter shows why . . . providing intelligent escape, a trip through time to a dangerous past.”

“Wielding magic again in her latest War of the Roses novel … Gregory demonstrates the passion and skill that has made her the queen of English historical fiction.…Gregory portrays spirited women at odds with powerful men, endowing distant historical events with drama, and figures long dead or invented with real-life flaws and grand emotions. She makes history … come alive for readers.”

“Gregory ... always delivers the goods.”

"Gorgeous fun."

Library Journal - Audio

11/01/2013
In the 1480s, Henry Tudor wins his battle against Richard III for the English throne and claims Elizabeth of York (Richard's former lover) as a spoil of war. He marries her to unite the long-embattled houses of Tudor and York, hoping to solidify his political position. Henry is not a charismatic leader and lives in constant fear that he will be deposed. Elizabeth is caught between her ambitions for her son and loyalty to the House of York. VERDICT Gregory (The White Queen) paints a vivid picture of life at court, the political exigencies that take precedence over any personal goals, and the difficult position of high-born women of the time. Beautifully read by Bianca Amato. ["Meticulously drawn characters with a seamless blending of historical fact and fiction combine in a page-turning epic of a story. Tudor-fiction fans can never get enough, and they will snap this one up," read the starred review of the Touchstone: S. & S. hc, LJ 6/1/13.]—Joanna M. Burkhardt, Univ. of Rhode Island Libs., Providence

AUGUST 2013 - AudioFile

Philippa Gregory and Bianca Amato have another winner in this thrilling installment of Gregory's Cousins' War series. In addition to having one of the loveliest voices around, Amato's ability to transform words into people is extraordinary. She inhabits Gregory's richly imagined story of Princess Elizabeth, daughter of King Edward IV and Elizabeth, the White Queen. After Henry Tudor's forces kill her lover, Richard III, Elizabeth is horrified to learn she must marry Henry in an attempt to end the strife between the Houses of York and Lancaster. With an ever present mystery surrounding the two missing York princes and the vindictiveness of Henry's mother, the Red Queen, Elizabeth struggles for survival. As Amato maneuvers her way through drafty corridors, intrigues, betrayals, and passions, listeners will be spellbound. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2013, Portland, Maine

Kirkus Reviews

In the aftermath of the Wars of the Roses, the new queen of Henry VII, founder of the Tudor dynasty, struggles with divided loyalties. After he returns from exile to defeat Richard III in the Battle of Bosworth, Lancastrian conqueror Henry Tudor marries Yorkist princess Elizabeth, daughter of Richard's predecessor, King Edward IV. The marriage, intended to finally reconcile the warring Yorks and Lancasters, does the opposite. Edward's dowager queen Elizabeth Woodville (The White Queen, 2009) and her sworn enemy Margaret Beaufort, Henry's mother (The Red Queen, 2010) engineer the marriage, each to promote her own agenda. Princess Elizabeth, who had been the lover of Richard III, is horrified to have her distrust of Henry and his mother confirmed by a pre-wedding rape: Henry and Margaret want to make sure she proves fertile before vows are taken. After her marriage, and the "premature" birth of son Arthur, Elizabeth forms an uneasy truce with Henry that will lead, eventually and after the birth of more children (including future king Henry VIII), to an interlude of genuine affection. However, her mother and she remain York sympathizers at heart, particularly after their young cousin Edward Warwick is placed under house arrest in the Tower. This is an ominous reminder of the imprisonment of King Edward and Queen Elizabeth's two sons, Edward and Richard, in the Tower, from which they later disappeared. Rumors abound: Prince Richard may still be alive and may be coming to England to assert his entitlement to kingship, far superior to Henry's. Both Elizabeths know more about such claims than they dare let on: Years before, they had substituted a pageboy for Richard when the two princes went into captivity. A ruthless monarch who rules by intimidation, Henry can never escape the nagging fear that a Yorkist heir will unseat him, especially since the Yorks are so much more likable and better looking than the Tudors. As usual, Gregory delivers a spellbinding (and definitely York-biased) exposé.

Product Details

BN ID: 2940171002800
Publisher: Simon & Schuster
Publication date: 07/23/2013
Series: Plantagenet and Tudor Series
Edition description: Unabridged
Sales rank: 602,788

Read an Excerpt

Sheriff Hutton Castle, Yorkshire,

Autumn 1485

I wish I could stop dreaming. I wish to God I could stop dreaming.

I am so tired; all I want to do is sleep. I want to sleep all the

day, from dawn until twilight that every evening comes a little

earlier and a little more drearily. In the daytime, all I think about

is sleeping. But in the night all I do is try to stay awake.

I go to his quiet shuttered rooms to look at the candle as it

gutters in the golden candlestick, burning slowly through the

marked hours, though he will never see light again. The servants

take a taper to a fresh candle every day at noon; each hour burns

slowly away, although time means nothing to him now. Time is

quite lost to him in his eternal darkness, in his eternal timelessness,

though it leans so heavily on me. All day long I wait for the

slow rolling in of the gray evening and the mournful tolling of

the Compline bell, when I can go to the chapel and pray for his

soul, though he will never again hear my whispers, nor the quiet

chanting of the priests.

Then I can go to bed. But when I get to bed I dare not sleep

because I cannot bear the dreams that come. I dream of him.

Over and over again I dream of him.

All day I keep my face smiling like a mask, smiling, smiling,

my teeth bared, my eyes bright, my skin like strained parch-

ment, paper-thin. I keep my voice clear and mellow, I speak

words that have no meaning, and sometimes, when required,

I even sing. At night I fall into my bed as if I were drowning

in deep water, as if I were sinking below the depths, as if the

water were possessing me, taking me like a mermaid, and for a

moment I feel a deep relief as if, submerged in water, my grief

can drain away, as if it were the river Lethe and the currents

can bring forgetfulness and wash me into the cave of sleep; but

then the dreams come.

I don’t dream of his death—it would be the worst of nightmares

to see him go down fighting. But I never dream of the

battle, I don’t see his final charge into the very heart of Henry

Tudor’s guard. I don’t see him hacking his way through. I don’t

see Thomas Stanley’s army sweep down and bury him under

their hooves, as he is thrown from his horse, his sword arm failing,

going down under a merciless cavalry charge, shouting:

“Treason! Treason! Treason!” I don’t see William Stanley raise

his crown and put it on another man’s head.

I don’t dream any of this, and I thank God for that mercy at

least. These are my constant daytime thoughts that I cannot escape.

These are bloody daytime reveries that fill my mind while I

walk and talk lightly of the unseasonal heat, of the dryness of the

ground, of the poor harvest this year. But my dreams at night are

more painful, far more painful than this, for then I dream that

I am in his arms and he is waking me with a kiss. I dream that

we are walking in a garden, planning our future. I dream that I

am pregnant with his child, my rounded belly under his warm

hand, and he is smiling, delighted, and I am promising him that

we will have a son, the son that he needs, a son for York, a son

for England, a son for the two of us. “We’ll call him Arthur,” he

says. “We’ll call him Arthur, like Arthur of Camelot, we’ll call

him Arthur for England.”

The pain, when I wake to find that I have been dreaming

again, seems to get worse every day. I wish to God I could stop

dreaming.

My dearest daughter Elizabeth,

My heart and prayers are with you, dear child; but now, of all

the times in your life, you must act the part of the queen that you

were born to be.

The new king, Henry Tudor, commands you to come to me at

the Palace of Westminster in London and you are to bring your

sisters and cousins. Note this: he has not denied his betrothal to

you. I expect it to go ahead.

I know this is not what you hoped for, my dear; but Richard

is dead, and that part of your life is over. Henry is the victor and

our task now is to make you his wife and Queen of England.

You will obey me in one other thing also: you will smile and

look joyful as a bride coming to her betrothed. A princess does

not share her grief with all the world. You were born a princess

and you are the heir to a long line of courageous women. Lift up

your chin and smile, my dear. I am waiting for you, and I will

be smiling too.

Your loving mother

Elizabeth R

Dowager Queen of England

I read this letter with some care, for my mother has never been

a straightforward woman and any word from her is always

freighted with levels of meaning. I can imagine her thrilling at

another chance at the throne of England. She is an indomitable

woman; I have seen her brought very low, but never, even when

she was widowed, even when nearly mad with grief, have I seen

her humbled.

I understand at once her orders to look happy, to forget that

the man I love is dead and tumbled into an unmarked grave, to

forge the future of my family by hammering myself into marriage

with his enemy. Henry Tudor has come to England, having spent

his whole life in waiting, and he has won his battle, defeated the

rightful king, my lover Richard, and now I am, like England itself,

part of the spoils of war. If Richard had won at Bosworth—and

who would ever have dreamed that he would not?—I would have

been his queen and his loving wife. But he went down under

the swords of traitors, the very men who mustered and swore to

fight for him; and instead I am to marry Henry and the glorious

sixteen months when I was Richard’s lover, all but queen of his

court, and he was the heart of my heart, will be forgotten. Indeed,

I had better hope that they are forgotten. I have to forget them

myself.

I read my mother’s letter, standing under the archway of the

gatehouse of the great castle of Sheriff Hutton, and I turn and

walk into the hall, where a fire is burning in the central stone

hearth, the air warm and hazy with woodsmoke. I crumple the

single page into a ball and thrust it into the heart of the glowing

logs, and watch it burn. Any mention of my love for Richard

and his promises to me must be destroyed like this. And I must

hide other secrets too, one especially. I was raised as a talkative

princess in an open court rich with intellectual inquiry, where

anything could be thought, said, and written; but in the years

since my father’s death, I have learned the secretive skills of a

spy.

My eyes are filling with tears from the smoke of the fire, but I

know that there is no point in weeping. I rub my face and go to

find the children in the big chamber at the top of the west tower

that serves as their schoolroom and playroom. My sixteen-yearold

sister Cecily has been singing with them this morning, and

I can hear their voices and the rhythmic thud of the tabor as I

climb the stone stairs. When I push open the door, they break

off and demand that I listen to a round they have composed.

My ten-year-old sister Anne has been taught by the best masters

since she was a baby, our twelve-year-old cousin Margaret can

hold a tune, and her ten-year-old brother Edward has a clear

soprano as sweet as a flute. I listen and then clap my hands in

applause. “And now, I have news for you.”

Edward Warwick, Margaret’s little brother, lifts his heavy

head from his slate. “Not for me?” he asks forlornly. “Not news

for Teddy?”

“Yes, for you too, and for your sister Maggie, and Cecily and

Anne. News for all of you. As you know, Henry Tudor has won

the battle and is to be the new King of England.”

These are royal children; their faces are glum, but they are

too well trained to say one word of regret for their fallen uncle

Richard. Instead, they wait for what will come next.

“The new King Henry is going to be a good king to his loyal

people,” I say, despising myself as I parrot the words that Sir

Robert Willoughby said to me as he gave me my mother’s letter.

“And he has summoned all of us children of the House of York

to London.”

“But he’ll be king,” Cecily says flatly. “He’s going to be king.”

“Of course he’ll be king! Who else?” I stumble over the question

I have inadvertently posed. “Him, of course. Anyway, he

has won the crown. And he will give us back our good name and

recognize us as princesses of York.”

Cecily makes a sulky face. In the last weeks before Richard

the king rode out to battle, he ordered her to be married to Ralph

Scrope, a next-to-nobody, to make sure that Henry Tudor could

not claim her as a second choice of bride, after me. Cecily, like

me, is a princess of York, and so marriage to either of us gives a

man a claim to the throne. The shine was taken off me when gossip

said that I was Richard’s lover, and then Richard demeaned

Cecily too by condemning her to a lowly marriage. She claims

now that it was never consummated, now she says that she does

not regard it, that Mother will have it annulled; but presumably

she is Lady Scrope, the wife of a defeated Yorkist, and when we

are restored to our royal titles and become princesses again, she

will have to retain his name and her humiliation, even if no one

knows where Ralph Scrope is today.

“You know, I should be king,” ten-year-old Edward says, tugging

at my sleeve. “I’m next, aren’t I?”

I turn to him. “No, Teddy,” I say gently. “You cannot be

king. It’s true that you are a boy of the House of York and Uncle

Richard once named you as his heir; but he is dead now, and the

new king will be Henry Tudor.” I hear my voice quaver as I say

“he is dead,” and I take a breath and try again. “Richard is dead,

Edward, you know that, don’t you? You understand that King

Richard is dead? And you will never be his heir now.”

He looks at me so blankly that I think he has not understood

anything at all, and then his big hazel eyes fill with tears, and he

turns and goes back to copying his Greek alphabet on his slate.

I stare at his brown head for a moment and think that his dumb

animal grief is just like mine. Except that I am ordered to talk all

the time, and to smile all the day.

“He can’t understand,” Cecily says to me, keeping her voice

low so his sister Maggie cannot hear. “We’ve all told him, over

and over again. He’s too stupid to believe it.”

I glance at Maggie, quietly seating herself beside her brother

to help him to form his letters, and I think that I must be as

stupid as Edward, for I cannot believe it either. One moment

Richard was marching at the head of an invincible army of the

great families of England; the next they brought us the news that

he had been beaten, and that three of his trusted friends had sat

on their horses and watched him lead a desperate charge to his

death, as if it were a sunny day at the joust, as if they were spectators

and he a daring rider, and the whole thing a game that could

go either way and was worth long odds.

I shake my head. If I think of him, riding alone against his enemies,

riding with my glove tucked inside his breastplate against

his heart, then I will start to cry; and my mother has commanded

me to smile.

“So we are going to London!” I say, as if I am delighted at the

prospect. “To court! And we will live with our Lady Mother at

Westminster Palace again, and be with our little sisters Catherine

and Bridget again.”

The two orphans of the Duke of Clarence look up at this.

“But where will Teddy and me live?” Maggie asks.

“Perhaps you will live with us too,” I say cheerfully. “I expect

so.”

“Hurrah!” Anne cheers, and Maggie tells Edward quietly that

we will go to London, and that he can ride his pony all the way

there from Yorkshire like a little knight at arms, as Cecily takes

me by the elbow and draws me to one side, her fingers nipping

my arm. “And what about you?” she asks. “Is the king going to

marry you? Is he going to overlook what you did with Richard?

Is it all to be forgotten?”

“I don’t know,” I say, pulling away. “And as far as we are

concerned, nobody did anything with King Richard. You, of

all people, my sister, would have seen nothing and will speak of

nothing. As for Henry, I suppose whether he is going to marry

me or not is the one thing that we all want to know. But only he

knows the answer. Or perhaps two people: him—and that old
crone, his mother, who thinks she can decide everything.”

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