The Whole Love [Special Edition]

Editorial Reviews

All Music Guide - Mark Deming
With 2002's Yankee Hotel Foxtrot, Wilco finally shed the "that guy from Uncle Tupelo" baggage that had kept them from gaining the respect they clearly deserved, and Jeff Tweedy gained the confidence to follow his muse in previously unfamiliar directions with increasingly rewarding results. But with so much space now open to Tweedy and his collaborators, Wilco's post-YHF studio work, while often brilliant, didn't seem quite as cohesive as Being There or Summerteeth, albums that were eclectic but revealed a unified core the newer albums somehow lacked. Part of this can be chalked up to frequent lineup changes, and the group seemed to be shaking this dilemma on Wilco (The ...
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Editorial Reviews

All Music Guide - Mark Deming
With 2002's Yankee Hotel Foxtrot, Wilco finally shed the "that guy from Uncle Tupelo" baggage that had kept them from gaining the respect they clearly deserved, and Jeff Tweedy gained the confidence to follow his muse in previously unfamiliar directions with increasingly rewarding results. But with so much space now open to Tweedy and his collaborators, Wilco's post-YHF studio work, while often brilliant, didn't seem quite as cohesive as Being There or Summerteeth, albums that were eclectic but revealed a unified core the newer albums somehow lacked. Part of this can be chalked up to frequent lineup changes, and the group seemed to be shaking this dilemma on Wilco (The Album), the second studio set from the band's strongest lineup to date, and with The Whole Love, they've finally made another album that pays off with the strength, consistency, and coherence of Yankee Hotel Foxtrot. Like YHF, The Whole Love is the work of a band that's stylistically up for anything, from the edgy dissonance of "The Art of Almost" and the moody contemplation of "Black Moon," to the ragged but spirited pop of "I Might" and the cocky rock & roll strut of "Standing O," but more so than anything the band has done since Being There, The Whole Love sounds like Wilco are having fun with their musical shape shifting. Even somber numbers like "Rising Red Lung" have a heart and soul that's warm and compelling, and these musicians consistently hit their targets both as individuals and as an ensemble; Mikael Jorgensen's keyboards bring a playful whimsy to songs that could sometimes use it, the guitar interplay between Tweedy, Nels Cline, and Pat Sansone never stops bubbling with great ideas, and bassist John Stirratt and drummer Glenn Kotche hold down the rhythm with equal parts of imagination and precision. With The Whole Love, Wilco have made an album where the whole is as strong as the individual parts: the musicians play off one another with the intuition and understanding that separates a real band rather than folks who simply work together, and the songs cohere into a whole that's rich, intelligent, and often genuinely moving. Quite simply, this is the work of a great band at the peak of their powers, and The Whole Love is a joy to hear, revealing more with each listen and confirming once again that Wilco is as good a band as America can claim in the 21st century. [A Deluxe Edition was also released with a bonus disc featuring four extra songs.]
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Product Details

  • Release Date: 9/27/2011
  • Label: Anti
  • UPC: 045778717422
  • Catalog Number: 87174
  • Sales rank: 7,709

Tracks

Disc 1
  1. 1 Art of Almost (7:16)
  2. 2 I Might (4:01)
  3. 3 Sunloathe (3:19)
  4. 4 Dawned on Me (3:43)
  5. 5 Black Moon (3:56)
  6. 6 Born Alone (3:55)
  7. 7 Open Mind (3:40)
  8. 8 Capitol City (4:03)
  9. 9 Standing O (3:29)
  10. 10 Rising Red Lung (3:09)
  11. 11 Whole Love (3:49)
  12. 12 One Sunday Morning (12:03)
Disc 2
  1. 1 I Love My Label (3:28)
  2. 2 Message from Mid-Bar (4:46)
  3. 3 Speak into the Rose (6:37)
  4. 4 Black Moon (3:53)
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Album Credits

Performance Credits
Wilco Primary Artist
Nels Cline Dobro, Electric Guitar, Ukulele, Slide Guitar, Loops, Lap Steel Guitar, Guitar (12 String Electric), Group Member
John Stirratt Group Member
Jeff Tweedy Acoustic Guitar, Bass, Electric Guitar, Vocals, Group Member
Glenn Kotche Percussion, Drums, Cimbalom, Vibes, Siren, Group Member
Patrick Sansone Organ, Acoustic Guitar, Percussion, Piano, Glockenspiel, Electric Guitar, Tambourine, Ukulele, Vocals, Mellotron, Vibes, Group Member
Nicholas Photinos Cello
Mikael Jorgensen Synthesizer, Piano, Keyboards, Sampling, Wurlitzer, Synthesizer Strings, Guzheng, Group Member
Matt Albert Violin, Viola
Technical Credits
Bob Ludwig Mastering
Jeff Tweedy Composer, Producer, Engineer, Graphic Design
Tom Schick Producer, Engineer
Lawrence Azerrad Graphic Design
Glenn Kotche Field Recording
Patrick Sansone Composer, Producer, Engineer, String Arrangements, Music Stand
Paul Boswell Booking
Tony Margherita Management
Dennis Crommett Management
Mikael Jorgensen Programming, Back Cover Photo
Frank Riley Booking
Benjamin Levin Management
Jason Tobias Studio Manager
Deb Bernardini Publicity
Harrison Green Management
D'Amelio Terras Artwork
Christina Ceruti Management
Brandy Breaux-Simkins Management
Nicolas Krupp Artwork
Joanne Greenbaum Artwork
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