Wildhearts Must Be Destroyed!

The Wildhearts Must Be Destroyed!

by The Wildhearts
     
 
After unleashing the cleverly titled Riff After Riff After Motherfucking Riff EP in 2002, English hard rockers the Wildhearts took their long overdue comeback trail into full-length album territory with 2003's The Wildhearts Must Be Destroyed. Problem is, it may not be the sort of comeback the band's few but fanatic fans

Overview

After unleashing the cleverly titled Riff After Riff After Motherfucking Riff EP in 2002, English hard rockers the Wildhearts took their long overdue comeback trail into full-length album territory with 2003's The Wildhearts Must Be Destroyed. Problem is, it may not be the sort of comeback the band's few but fanatic fans were expecting. Sure, most of the old songwriting tricks (heavy guitar bombast, big pop hooks, cleverly snide lyrics) normally employed by prolific singer/guitarist Ginger remain unchanged -- check! The band's inimitable ability to mix Cheap Trick bubblegum with Metallica heavyness is well intact -- check! And the official return of much-loved second guitarist C.J. Jagdhar in itself pretty much validates the reunion exercise as a whole -- check! But for all these validations, ...Must Be Destroyed is still missing a certain, crucial X-factor to help it attain the volatile, unpredictable spark that made the Wildhearts the most dangerous band of the mid-'90s. Opening number "Nexus Icon" is forceful enough, but, like subsequent, chart-minded numbers such as the "Only Love" (featuring Motown-like female backup vocals), "Someone That Won't Let Me Go," and even the not-so "vanilla" "Vanilla Radio," it feels rather predictable and one-dimensional. The abnormally pop-tastic (even by Ginger's standards) "One Love, One Life, One Girl" follows, and actually sounds like it may possess the legs to become a lasting classic in the end. But after screaming their way through the utterly forgettable sub-two-minute thrash-out "Get Your Groove On," the band settles into a long string of commercial rockers ("So Into You," "It's All up to Me," "Top of the World," etc.) that are virtually indistinguishable from one another and leave little to no sensory residue. Jumping to conclusions (and why not?), one might assume that pressure to score a hit finally rendered the Wildhearts safe as milk. But given the band's lengthy hiatus prior to this rebirth, it's more realistic to realize that ...Must be Destroyed finds the Wildhearts far too aware of themselves -- probably because they were still just getting reacquainted with their old roles, and what it felt like being the Wildhearts.

Editorial Reviews

Spin Magazine - Doug Brod
The catchiest hard-rock record you'll hear this year. (A)
Entertainment Weekly - Tom Sinclair
An arresting mix of speed metal and power pop that no other group in recent memory has attempted. (B+)

Product Details

Release Date:
05/04/2004
Label:
Sanctuary Records
UPC:
0060768466920
catalogNumber:
84669

Tracks

Album Credits

Performance Credits

Wildhearts   Primary Artist
Andy Cairns   Vocals
Russ "Risky Russ" Russell   Vocals
Justin Hawkins   Vocals
Kym Nail   Vocals

Technical Credits

Chris West   Cover Illustration
Russ Roberts   Legal Advisor
Russ "Risky Russ" Russell   Producer
Elke Hartl   Artwork
Small Japanese Soldier   Artwork
Wayne Charlton   Web Design
Andy Copping   Promoter
Kris Coverdale   Web Design
Dillan   Contributor
Ewan   Artwork
Gary Garner   Management
Hot Steve   Guitar Techician
Andy Hunns   Artwork
Munch   Contributor
New Team   Web Design
David Philips   Equipment Technician
Ginger   Composer

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