The Wind in the Willows: In Easy-to-Read Type [NOOK Book]

Overview


Beloved classic of children's literature recounts the antic adventures of an engaging assembly of animals who are its central characters: the shy but curious Mole, the extremely personable Water Rat; Badger, a philosophical recluse; and pleasure-seeking Toad of Toad Hall. Newly abridged, with 31 illustrations.

One of the true classics of English literature, here are the adventures of Mole, Water Rat, Badger, and Toad. Grahame's idyllic world is as fresh now as when ...

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The Wind in the Willows: In Easy-to-Read Type

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Overview


Beloved classic of children's literature recounts the antic adventures of an engaging assembly of animals who are its central characters: the shy but curious Mole, the extremely personable Water Rat; Badger, a philosophical recluse; and pleasure-seeking Toad of Toad Hall. Newly abridged, with 31 illustrations.

One of the true classics of English literature, here are the adventures of Mole, Water Rat, Badger, and Toad. Grahame's idyllic world is as fresh now as when they first discovered his enchanting tales--of Ratty sculling his boat on the River, Badger grumpily entertaining his friends in his comfortable underground home, and the exasperating Toad being driven into one tangle after another by his obsession with motor cars.

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Editorial Reviews

City Parent
Lavishly illustrated.
Library Journal

Originally published in France in 1996, this edition collects the four corresponding English-language volumes that were first issued between 1997 and 2002 by NBM. Plessix's style has been called "detailed impressionism," and the limpid watercolors of his lavish adaptation give that "Somewhere Else" quality to the classic story-2008 is the 100th anniversary of Graham's novel. So many adaptations have so little space to work in that they seem more like CliffsNotes versions. But Plessix has truly adapted the tale with most of the narrative details intact-and a few new twists at the end. And while the anthropomorphic animal characters have a cute, cartoony quality, the overall effect of a timeless, golden world is not thereby disrupted; all the looniness and love of nature from the original come through beautifully. Somehow the world of Mole and his friends suggests an animal Hobbiton in a Ring-less alternative universe, where talking animals and humans coexist amid a gloriously bucolic world of water, woods, and fields based on preindustrial rural England. Unfortunately, the pages are a little too small to showcase the details of Plessix's lush art as it deserves. For all ages.
—Martha Cornog

From the Publisher
"A classic as a classic ought to look.... The illustrations wonderfully fulfill Grahame’s nostalgic vision of life on the River Bank." —School Library Journal, starred review
The Virginian-Pilot
A handsome new hardcover.
Children's Literature - Lois Rubin Gross
Some books are classics for a short time, limited by characterization or the technology they feature (think the original UNIVAC computer in A Wrinkle in Time). And some books are classic and ageless. So it is with Kenneth Grahame's fantasy of small, anthropomorphized woodland creatures having great adventures against the background of Victorian England. The book has gone through numerous incarnations with famous illustrators including Bransom, Rackham, and Hague. There are annotated versions and abridged versions. Most people meet Mr. Toad of Toad Hall when a beloved teacher makes the book the subject of special, shared reading time in first grade. However, David Roberts' gift-intended tome creates an abridged version with illustrations suitable for a younger group of readers. His digital drawings of Toad, Mole, and Badger have whimsical personalities that will reach out to young readers. The characters appear frequently throughout the text, rather than the few, scattered drawings in older versions. Color saturated pages bring the Wild Wood, Toad Hall, and the riverbank vividly to life. Toad dressed as a runaway washerwoman is a delight, as is a page of Christmas caroling mice with lovely long tails and nearly textured red scarves. The historically cumbersome chapter about the god, Pan, is deleted, but Roberts has made a point of secreting images of Pan in his illustrations throughout the book. If you are looking for classic representations of this timeless book or, heaven forbid, the Disney version, this is not it. This is a rendition with a contemporary feel that will introduce the beloved characters to an extended audience, and the elegant language of the original Grahame story is not sacrificed. The final rendition of Mole and Toad literally walking into the sunset with arms wrapped around each other is a fitting close to a delightful and colorful escapade. Reviewer: Lois Rubin Gross
School Library Journal
01/01/2014
Gr 1–4—Grahame's early-20th-century classic is enhanced by lovely watercolor illustrations that provide a contemporary and packed-with-charisma accompaniment. The anthropomorphized characters, all fashionably turned out in Edwardian costume, are vivified with expressive facial features and twinkling eyes. Detailed settings range from Ratty's cozy and colorfully decorated waterside home to the elegant grandeur of Toad Hall to Mole's understated tunnel-shaped abode. The beautifully composed outdoor scenes sparkle with season-appropriate hues: a springtime rowing jaunt down a sunlit river is framed by trailing willow trees, and a wintertime excursion into the Wild Wood is evoked with lavender skies, intertwined tree barks in swirling grays, and an overlay of heavy white snowflakes. In addition to the geometric drawings that embellish each chapter title, designs made from bold shapes and bright constrasting colors appear throughout, adding an Art Deco flair. Ranging from small vignettes to full-bleed double pages, the artwork embellishes almost every spread, engaging independent readers and reeling in younger listeners with entertaining antics, gentle humor, and genial affection.—Joy Fleishhacker, School Library Journal
Kirkus Reviews
2013-08-15
Many famous artists have interpreted the antics and adventures of Mole, Ratty, Toad and Badger. Roberts takes a decidedly modern approach in this gift edition sure to appeal to another generation of readers. From the glimmer of silver-foiled lettering on the front cover to the full-color illustrations liberally dispersed throughout, readers of all ages can fully immerse themselves in Grahame's settings. Images executed in watercolor, ink, pen and pencil perfectly convey the postures of a distraught Mole or a momentarily contrite Toad, while the backgrounds impress with a range of seasons and circumstances. Washes of a dominant color are given fine details and highlights with touches of contrasting color, as when cool, frosty blues give way to a circle of white that glows around a young mouse choir, all snuggled in their vibrant orange-red scarves, as they sing carols. Humor abounds. Giggles will erupt at the picture of Toad alarmed and upside down, with the birds at the bottom of the page and the grassy bank slanting at the top. The variety of full-page, double-page and spot illustrations keeps the experience lively. Although purists may quibble at the omission of the chapter "The Piper at the Gates of Dawn," those new to the book will not miss it (but may inquire who the mischievous boy--the Greek god Pan--is that appears on a few pages). All told, an elegantly designed volume ready to take its rightful place on any child's bookshelf. (Fantasy. All ages)
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Product Details

  • ISBN-13: 9780486310657
  • Publisher: Dover Publications
  • Publication date: 10/24/2012
  • Series: Dover Children's Thrift Classics
  • Sold by: Barnes & Noble
  • Format: eBook
  • Pages: 96
  • Sales rank: 589,234
  • File size: 7 MB

Meet the Author

Kenneth Grahame (1859–1932) was born in Edinburgh, Scotland, the third of four children. When he was five, his mother died, and his father sent the children to live with relatives in England. Kindly treated yet emotionally isolated, the Grahame children constructed a world of childhood pleasures. Although Kenneth left that world at the age of nine when he went to St. Edward’s School, its memory remained alive, even when he found no equal happiness in his adult life. Lack of funds ended his dream of attending Oxford and forced him to take a position with the Bank of England, where he had a successful career. In 1891, he anonymously published the first of his evocations of childhood, The Olympians, in The National Observer. The Golden Age (1895) and Dream Days (1898) established his fame. The Wind in the Willows, written to entertain his son, Alastair, was published in 1908. He wrote little thereafter, spending his remaining years in extensive traveling and in final retreat to the tranquility of the English countryside.

Luanne Rice is the New York Times bestselling author of more than thirty novels, including The Lemon Orchard, Summer of Roses, Silver Bells, and Beach Girls. Her books have inspired television movies on TNT, CBS, and Hallmark Hall of Fame and a six-hour miniseries on Lifetime. She lives in New York City and Southern California.

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Read an Excerpt

Playing Pilgrims


"Christmas won't be Christmas without any presents,"grumbled Jo, lying on the rug.

"It's so dreadful to be poor!"sighed Meg, looking down at her old dress.

"I don't think it's fair for some girls to have lots of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.

"We've got father and mother, and each other, anyhow,"said Beth, contentedly, from her corner.

The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly?

"We haven't got father, and shall not have him for a long time." She didn't say "perhaps never,"but each silently added it, thinking of father far away, where the fighting was.

Nobody spoke for a minute; then Meg said in an altered tone, "You know the reason mother proposed not having any presents this Christmas, was because it's going to be a hard winter for every one; and she thinks we ought not to spend money for pleasure, when our men are suffering so in the army. We can't do much, but we can make our little sacrifices, and ought to do it gladly. But I am afraid I don't;"and Megshook her head, as she thought regretfully of all the pretty things she wanted.

"But I don't think the little we should spend would do any good. We've each got a dollar, and the army wouldn't be much helped by our giving that. I agree not to expect anything from mother or you, but I do want to buy Undine and Sintram for myself; I've wanted it so long,'said Jo, who was a bookworm.

"I planned to spend mine in new music,"said Beth, with a little sigh, which no one heard but the hearth-brush andkettle-holder.

"I shall get a nice box of Faber's drawing pencils; I really need them," said Amy, decidedly.

"Mother didn't say anything about our money, and she won't wish us to give up everything. Let's each buy what we want, and have a little fun; I'm sure we grub hard enough to earn it,"cried Jo, examining the heels of her
boots in a gentlemanly manner.

"I know I do, teaching those dreadful children nearly all day, when I'm longing to enjoy myself at home," began Meg, in the complaining tone again.

"You don't have half such a hard time as I do," said Jo. "How would you like to be shut up for hours with a nervous, fussy old lady, who keeps you trotting, is never satisfied, and worries you till you''e ready to fly out of the window or box her ears?"

"It's naughty to fret, but I do think washing dishes and keeping things tidy is the worst work in the world. It makes me cross; and my hands get so stiff, I can't practise good a bit." And Beth looked at her rough hands with a sigh that any one could hear that time.

"I don't believe any of you suffer as I do," cried Amy; "for you don't have to go to school with impertinent girls, who plague you if you don't know your lessons, and laugh at your dresses, and label your father if he isn't rich, and insult you when your nose isn't nice."

"If you mean libel I'd say so, and not talk about labels, as if pa was a pickle-bottle," advised Jo, laughing.

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Table of Contents



Contents

1. The River Bank
2. The Open Road
3. The Wild Wood
4. Mr. Badger
5. Home, Sweet Home
6. Mr. Toad
7. Toad's Adventures
8. The Further Adventures of Toad
9. Toad Hall Recaptured
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First Chapter

The Wind in the Willows Book and Charm

Chapter One

The Mole had been working very hard all the morning, spring cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said "Bother!" and "O blow!" and also "Hang spring cleaning!" and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the graveled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, "Up we go! Up we go!" till at last, pop! his snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.

"This is fine!" he said to himself. "This is better than whitewashing!" The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.

"Hold up!" said an elderly rabbit at the gap. "Sixpence for the privilege of passing by the private road!" He was bowled over in an instant by the impatient and contemptuous Mole, who trotted along the side of the hedge chaffing the other rabbits as they peeped hurriedly from their holes to see what the row was about. "Onion sauce! Onion sauce!" he remarked jeeringly, and was gone before they could think of a thoroughly satisfactory reply. Then they all started grumbling at each other. "How stupid you are! Why didn't you tell him--" "Well, why didn't you say--" "You might have reminded him--" and so on, in the usual way; but, of course, it was then much too late, as is always the case.

It all seemed too good to be true. Hither and thither through the meadows he rambled busily, along the hedgerows, across the copses, finding everywhere birds building, flowers budding, leaves thrusting -- everything happy, and progressive, and occupied. And instead of having an uneasy conscience pricking him and whispering, "Whitewash!" he somehow could only feel how jolly it was to be the only idle dog among all these busy citizens. After all, the best part of a holiday is perhaps not so much to be resting yourself, as to see all the other fellows busy working.

He thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before -- this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again. All was a-shake and a-shiver -- glints and gleams and sparkles, rustle and swirl, chatter and bubble. The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spellbound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.

As he sat on the grass and looked across the river, a dark hole in the bank opposite, just above the water's edge, caught his eye, and dreamily he fell to considering what a nice snug dwelling place it would make for an animal with few wants and fond of a bijou riverside residence, above flood level and remote from noise and dust. As he gazed, something bright and small seemed to twinkle down in the heart of it, vanished, then twinkled once more like a tiny star. But it could hardly be a star in such an unlikely situation; and it was too glittering and small for a glowworm. Then, as he looked, it winked at him, and so declared itself to be an eye; and a small face began gradually to grow up round it, like a frame round a picture.

A brown little face, with whiskers.

A grave round face, with the same twinkle in its eye that had first attracted his notice.

Small neat ears and thick silky hair.

It was the Water Rat!

Then the two animals stood and regarded each other cautiously.

"Hullo, Mole!" said the Water Rat.

"Hullo, Rat!" said the Mole.

"Would you like to come over?" inquired the Rat presently.

"Oh, it's all very well to talk," said the Mole, rather pettishly, he being new to a river and riverside life and its ways.

The Rat said nothing, but stooped and unfastened a rope and hauled on it; then lightly stepped into a little boat which the Mole had not observed. It was painted blue outside and white within, and was just the size for two animals; and the Mole's whole heart went out to it at once, even though he did not yet fully understand its uses ...

The Wind in the Willows Book and Charm. Copyright © by Kenneth Grahame. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
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Customer Reviews

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Sort by: Showing all of 3 Customer Reviews
  • Anonymous

    Posted August 17, 2000

    Willows Magic

    The Wind in the Willows is a classic story of animals and their world. It is a bit confusing on how they relate to humans in the story but it is also very enjoyable. I have this book and find it very interesting. It talks of the liberty of life and of the wild. Imagine being in this book and you would feel total peace with the world. Toad is the livliest of the characters with a passion for everything new and exciting. Mole and Rat are both mostly practical in thier ways but still have their own personalities. Badger is the wise old one of them all and seems to rule them. They are all sweet and magnificent characters, although I find the sequal, the Willows in Winter, somewhat different than the first book, I still enjoyed it too. It is strange but it makes everything seem enchanted with the pull of nature.

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  • Anonymous

    Posted February 21, 2000

    Willows Begining

    Finally, people who have read the book. My grevious apologies, but I did not find this book to be of the same standards of the works of William Horwood, the writer that continued the series. People may argue that it is plagerism, but he did do a very fine job. This is the begining of a series, a classic. It is the story of animals that go off and ammuse themselves by having adventures. It was a good book, but a bit odd in parts. I cannot complain because I grew up enjoying the story. Over all, it is a pleasing story.

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  • Anonymous

    Posted February 11, 2000

    A great book.

    I love The Wind in the Willows. It is such a fun book. It is about the adventures of the comical Mr. Toad and his three friends who try to help him: A. MacBadger, Mr. Moley, and Mr.Ratty. They are very funny characters and it is a delightful book.

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