Table of Contents
Acknowledgments vi
Foreword Marjorie Agosín 1
Introduction 3
I Woman as Nature
1 Gender and Nation from Past to Present: From María to Macabéa Héctor Fernándex-L'Hoeste 14
2 Intoxicating Outlaws: Dominance and Sexuality in Rómulo Gallegos' Doña Bárbara Patricia L. Swier 30
3 Through the Eyes of the Child: The Narrator of Balún Canán Jeanie Murphy 46
II Woman in History
4 María Eugenia Alonso: The Modern Iphigenia Sacrificed to Society RoseAnna Mueller 60
5 Jesusa in the Context of Testimonios: Witness to an Age or Witness to Herself? Linda Ledford-Miller 74
6 La cómplice oficial: Catalina in Angeles Mastretta's Arráncame la vida Alice Edwards 86
7 Cultural and Literary Ethos as Represented in García Lorca's La casa de Bernarda Alba Jeffrey Oxford 101
III Woman as the Perverse Powers of Race and Sex
8 Blackness, Otherness, Woman(ness): Sierva María de Todos los Ángeles or the Death Throes of Colonial Cartagena Leonora Simonovis 116
9 Gabriela, or Freedom Versus Marriage Linda Ledford-Miller 129
IV Woman and the Burden of Globalization
10 Sex and the Two Cartagenas in Óscar Collazos' Rencor Aldona Pobutsky 146
11 Reality by the Garbage Truckload: The Case of Unica Oconitrillo Jerry Hoeg 162
V Woman as the Unknowable Other
12 Women in Borges: Teodelina Villar in "El Zahir" María Fernández-Lamarque 178
13 Life Amidst the Ashes: Irene's Search for Meaning and Connection in María Flora Yáñez's Las cenizas Lisa Merschel 194
14 Can the Feminine Speak? Narrating Madalena and Macabéa Marcus V.C. Brasileiro 207
About the Contributors 223
Index 227