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The Wonderful and Frightening World of the Fall

Editorial Reviews

All Music Guide - Ned Raggett
The Fall made the leap to a semi-major label -- Beggars Banquet -- with The Wonderful and Frightening World of the Fall, hooking up with noted producer John Leckie to create another smart, varied album. Contemporaneous with the slightly friendlier "Oh! Brother" and "C.R.E.E.P." singles without actually including them, Wonderful and Frightening World makes few concessions to the larger market -- every potential hook seemed spiked with the band's usual rough take-it-or-leave-it stance. Mark E. Smith's audible, tape-distorting spit on the descending chord blast of "Elves" -- already spiked with enough vocal craziness as it is -- gives a sense of where the album as a whole ...
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Editorial Reviews

All Music Guide - Ned Raggett
The Fall made the leap to a semi-major label -- Beggars Banquet -- with The Wonderful and Frightening World of the Fall, hooking up with noted producer John Leckie to create another smart, varied album. Contemporaneous with the slightly friendlier "Oh! Brother" and "C.R.E.E.P." singles without actually including them, Wonderful and Frightening World makes few concessions to the larger market -- every potential hook seemed spiked with the band's usual rough take-it-or-leave-it stance. Mark E. Smith's audible, tape-distorting spit on the descending chord blast of "Elves" -- already spiked with enough vocal craziness as it is -- gives a sense of where the album as a whole aims. Brix Smith co-writes about half the tracks, creating a strong partnership with many highlights. It may start with a semi-low-key chant, but when "Lay of the Land" fully kicks in, it does just that, Craig Scanlon in particular pouring on the feedback at the end over the clattering din. Smith sounds as coruscating and side-splittingly hilarious as ever, depicting modern Britain with an eye for the absurdities and failures and crucially, no empathy -- it's all about a gimlet eye projected at everyone and everything. Two further standouts appear on the second half -- "Slang King," a snarling portrayal of a cool-in-his-mind dude and his increasingly pathetic life, and the concluding "Disney's Dream Debased." Though unquestionably the most conventionally attractive tune on the album, ringing guitars and all, Smith's lyrics portray a Disneyland scenario in hell, however softly delivered. Elsewhere, Gavin Friday from the Virgin Prunes takes a bow with his own unmistakable, spindly vocals on the trebly Krautrock chug of "Copped It" and the slightly more brute rhythm of "Stephen Song." [The CD version, in an admirable move by Beggars Banquet, contains seven extra tracks to fill the disc out, including "Oh! Brother" and "C.R.E.E.P.," along with associated B-sides and the Call for Escape Route EP.]
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Product Details

  • Release Date: 8/12/1997
  • Label: Beggars Uk - Ada
  • UPC: 607618005825
  • Catalog Number: 80058
  • Sales rank: 67,111

Tracks

Disc 1
  1. 1 Lay of the Land (7:45)
  2. 2 2 by 4 (3:36)
  3. 3 Copped It (4:15)
  4. 4 Elves (4:47)
  5. 5 Oh! Brother (4:01)
  6. 6 Draygo's Guilt (4:29)
  7. 7 God-Box (3:18)
  8. 8 Clear Off! (4:40)
  9. 9 C.R.E.E.P. (3:08)
  10. 10 Pat-Trip Dispenser (4:00)
  11. 11 Slang King (5:20)
  12. 12 Bug Day (4:58)
  13. 13 Stephen Song (3:04)
  14. 14 Craigness (3:03)
  15. 15 Disney's Dream Debased (5:17)
  16. 16 No Bulbs (7:51)
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Album Credits

Performance Credits
The Fall Primary Artist
Gavin Friday Vocals
Brix Smith Guitar, Rhythm Guitar, Vocals
Karl Burns Bass, Percussion, Drums
Paul Hanley Drums, Keyboards
Steve Hanley Acoustic Guitar, Bass
Craig Scanlon Guitar, Rhythm Guitar
Mark E. Smith Vocals
Technical Credits
Brix Smith Composer
Joe Gillingham Engineer
John Leckie Producer
Mark E. Smith Composer
Claus Castenskiold Artwork
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