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| Queen | Primary Artist |
| Fred Mandel | Synthesizer, Piano |
| Freddie Mercury | Composer |
| Queen | Producer |
| Brian May | Composer, Executive Producer |
| Roger Taylor | Composer, Executive Producer |
| Jim Beach | Management |
| Michael Beiriger | Engineer |
| John Deacon | Composer |
| Nick Froome | Engineer |
| Bob Ludwig | Mastering |
| Fred Mandel | Programming, Synthesizer Arrangements |
| Nigel Mills | Engineer |
| Adam Ayan | Mastering |
| Gregg Brooks | Sleeve Notes |
| Deacon | Composer |
| Bill Smith | Sleeve Design |
| Gary Taylor | Sleeve Notes |
Editorial Reviews
All Music Guide - Greg Prato
Following the disappointing commercial performance of the dance-oriented Hot Space in 1982, Queen took 1983 off to get refocused and work on a follow-up that would put the band back on track. While the songwriting had definitely improved on the resulting The Works in 1984, the album sonically lacked the punch of such earlier releases as News of the World and The Game strangely, Hot Space even had a better overall sound. Although the album only peaked at number 23 on the U.S. album charts, it was a Top Ten hit in just about every other area of the world, producing the huge single "Radio Ga Ga." Three other tracks were hits in Queen's native England -- the uplifting "I Want to...