The World Made Straight: A Novel

The World Made Straight: A Novel

by Ron Rash
The World Made Straight: A Novel

The World Made Straight: A Novel

by Ron Rash

Paperback(First Edition)

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Overview

Vivid, harrowing yet ultimately hopeful, The World Made Straight is Ron Rash's subtlest exploration yet of the painful conflict between the bonds of home and the desire for independence.

NOW A MAJOR MOTION PICTURE STARRING NOAH WYLE, JEREMY IRVINE, MINKA KELLY, ADELAIDE CLEMENS, STEVE EARLE, AND HALEY JOEL OSMENT.

"ONE OF THE MAJOR WRITERS OF OUR TIME."—THE ATLANTA JOURNAL-CONSTITUTION

Travis Shelton is seventeen the summer he wanders into the woods onto private property outside his North Carolina hometown, discovers a grove of marijuana large enough to make him some serious money, and steps into the jaws of a bear trap. After hours of passing in and out of consciousness, Travis is discovered by Carlton Toomey, the wise and vicious farmer who set the trap to protect his plants, and Travis's confrontation with the subtle evils within his rural world has begun.

Before long, Travis has moved out of his parents' home to live with Leonard Shuler, a one-time schoolteacher who lost his job and custody of his daughter years ago, when he was framed by a vindictive student. Now Leonard lives with his dogs and his sometime girlfriend in a run-down trailer outside town, deals a few drugs, and studies journals from the Civil War. Travis becomes his student, of sorts, and the fate of these two outsiders becomes increasingly entwined as the community's terrible past and corrupt present bear down on each of them from every direction, leading to a violent reckoning—not only with Toomey, but with the legacy of the Civil War massacre that, even after a century, continues to divide an Appalachian community.


Product Details

ISBN-13: 9780312426606
Publisher: Picador
Publication date: 03/20/2007
Edition description: First Edition
Pages: 304
Sales rank: 1,135,622
Product dimensions: 5.50(w) x 8.20(h) x 0.85(d)
Age Range: 14 - 18 Years

About the Author

Ron Rash is the author of the prize-winning novels One Foot in Eden, Saints at the River and The World Made Straight, as well as several collections of poetry and short stories. He is the recipient of an O. Henry Prize and the James Still Award from the Fellowship of Southern Writers. For Saints at the River he received the 2004 Weatherford Award for Best Novel and the 2005 SEBA Best Book Award for Fiction. Rash holds the John Parris Chair in Appalachian Studies at Western Carolina University and lives in Clemson, South Carolina.

Reading Group Guide

About this Guide

The following author biography and list of questions about The World Made Straight are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach The World Made Straight.


Discussion Questions

1. Each chapter in the novel ends with an entry from the doctor's journal. How does the information in the entries relate to the events of the present-day story? Did they change your understanding of the events at Shelton Laurel and their significance to Travis, Leonard, Toomey and the other characters in the novel?

2. "The boy had stirred up all sorts of things inside Leonard that he'd thought safely locked in the past." (pg. 51) What is it about Travis that stirs these things in Leonard? What do the two men have in common when they meet that draws them together? In the end, considering all that happens by the end of the story, do you think they're better off for having met?

3. Carlton Toomey, for all his brutality, is an eminently rational man with his own ideas about right and wrong. What do you think motivates him? Did you find him to be a sympathetic character at any point in the story.

4. When the two of them first visit Shelton Laurel, (pg. 86) Leonard tells Travis that "you know a place is haunted when it feels more real than you are," and Travis agrees. Why do you think Shelton Laurel feels more real to these men than their own lives? How does their susceptibility to the past, the ghosts and the legacy of the war, change by the end of the novel?

5. Travis' first confrontation with the Toomeys leads directly to his moving out of his parents' house, moving in with Leonard, and beginning to learn about the Civil War and the larger world. What do you think is the connection between these events in his mind? What would do you think would have happened to Travis in the coming years if he hadn't stepped in the bear trap on the Toomey's property?

6. What is the significance of the book's epigraph, from Moby Dick? What does it say about the relationship between good and evil in the novel?

7. Why does Leonard plead guilty to the charges in Illinois? Look at his conversation with Kera (pg. 156); which of her explanations for his actions seems right? What do you think he should have done? Despite his crimes and his weakness, did you find Leonard to be a sympathetic character?

8. Why do you think Dena decides to go with Toomey (176)? Do you think Leonard should have stopped her?

9. After leaving his family dinner and confronting his father (pg 234), Travis spurns Lori, drops her off, and begins the rampage that will lead to Leonard's death as well as Toomey's. Aside from his anger at his father, what is driving Travis on that night? How is his anger connected to what he's learned from Leonard? Is his attempt to save Dena and punish Toomey a sign of progress, of bravery, or just a regression?

10. "Landscape is destiny," Leonard remarks at one point in the story. How does the landscape where these characters live affect their lives in this story, their relationships and their ideas about the world? How might your own life be different if you had grown up, or lived now, in a drastically different landscape?

11. In a conversation with Shank during the early days of his lessons with Leonard, Travis decides not to tell his old friend everything he's been worrying about, and instead thinks to himself that "words ruin everything" (pg. 142). How do you reconcile Travis' excitement about learning with his frustration with language? How does the conflict between words and actions come into play elsewhere in this novel?

12. Look at page 159, where Leonard is listening to Handel's Messiah. "Even the words proclaimed an order, "he thinks. "The crookedness of the wthink has the author chosen this as the title?

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