The Yellow Sign: Part I of The King in Yellow Cycle

The Yellow Sign is a two-act horror play inspired by the works of Robert W. Chambers, Arthur Machen and H.P. Lovecraft. It occurs over a 3-4 day period in the lives of three friends who live in the time and place of its performance. It explores themes of technology, the power of ideas to shape our reality, and the effects of worldview on our relationships. It is written for a cast of 4 males and 2 females, in their 20-40s, a seventh player who can be a male or female adult, and an ensemble of 4 males and 4 females who need to be passable dancers.

There is a single original song that is sung by one of the female cast members in the alto range. There are three short (3-4 minute) dance sequences that are integral to the plot. The play includes several situations that breach the fourth wall; one of the revelations of the play is that the audience is actually an essential part of the performance, and all of the performers except for the Director and the Lurker are originally seated in the audience.

The plot follows Alex, a local reporter and his friends Bryce and Jennifer as they become aware of a production of the play "The King in Yellow" at a local community theater. When Alex investigates the production, he meets the Director, a mysterious foreigner who is evasive as to the plot or theme of the play. Research by Alex and his friends reveals the play has a scandalous reputation, and was banned in Europe in the last century due to the effect that it had on the audience. Alex interrupts a rehearsal, and meets Cassilda, the leading lady, who appears to be mentally unbalanced. The audience will also notice the Lurker, a black-clad figure with a pale mask who appears to be following Cassilda.

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The Yellow Sign: Part I of The King in Yellow Cycle

The Yellow Sign is a two-act horror play inspired by the works of Robert W. Chambers, Arthur Machen and H.P. Lovecraft. It occurs over a 3-4 day period in the lives of three friends who live in the time and place of its performance. It explores themes of technology, the power of ideas to shape our reality, and the effects of worldview on our relationships. It is written for a cast of 4 males and 2 females, in their 20-40s, a seventh player who can be a male or female adult, and an ensemble of 4 males and 4 females who need to be passable dancers.

There is a single original song that is sung by one of the female cast members in the alto range. There are three short (3-4 minute) dance sequences that are integral to the plot. The play includes several situations that breach the fourth wall; one of the revelations of the play is that the audience is actually an essential part of the performance, and all of the performers except for the Director and the Lurker are originally seated in the audience.

The plot follows Alex, a local reporter and his friends Bryce and Jennifer as they become aware of a production of the play "The King in Yellow" at a local community theater. When Alex investigates the production, he meets the Director, a mysterious foreigner who is evasive as to the plot or theme of the play. Research by Alex and his friends reveals the play has a scandalous reputation, and was banned in Europe in the last century due to the effect that it had on the audience. Alex interrupts a rehearsal, and meets Cassilda, the leading lady, who appears to be mentally unbalanced. The audience will also notice the Lurker, a black-clad figure with a pale mask who appears to be following Cassilda.

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The Yellow Sign: Part I of The King in Yellow Cycle

The Yellow Sign: Part I of The King in Yellow Cycle

by Christopher Poor
The Yellow Sign: Part I of The King in Yellow Cycle

The Yellow Sign: Part I of The King in Yellow Cycle

by Christopher Poor

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Overview

The Yellow Sign is a two-act horror play inspired by the works of Robert W. Chambers, Arthur Machen and H.P. Lovecraft. It occurs over a 3-4 day period in the lives of three friends who live in the time and place of its performance. It explores themes of technology, the power of ideas to shape our reality, and the effects of worldview on our relationships. It is written for a cast of 4 males and 2 females, in their 20-40s, a seventh player who can be a male or female adult, and an ensemble of 4 males and 4 females who need to be passable dancers.

There is a single original song that is sung by one of the female cast members in the alto range. There are three short (3-4 minute) dance sequences that are integral to the plot. The play includes several situations that breach the fourth wall; one of the revelations of the play is that the audience is actually an essential part of the performance, and all of the performers except for the Director and the Lurker are originally seated in the audience.

The plot follows Alex, a local reporter and his friends Bryce and Jennifer as they become aware of a production of the play "The King in Yellow" at a local community theater. When Alex investigates the production, he meets the Director, a mysterious foreigner who is evasive as to the plot or theme of the play. Research by Alex and his friends reveals the play has a scandalous reputation, and was banned in Europe in the last century due to the effect that it had on the audience. Alex interrupts a rehearsal, and meets Cassilda, the leading lady, who appears to be mentally unbalanced. The audience will also notice the Lurker, a black-clad figure with a pale mask who appears to be following Cassilda.


Product Details

ISBN-13: 9798855681710
Publisher: Barnes & Noble Press
Publication date: 12/02/2023
Series: The King in Yellow Cycle , #1
Pages: 120
Product dimensions: 5.50(w) x 8.25(h) x 0.28(d)

About the Author

Christopher Poor is a fan of cosmic horror of all sorts, but most fascinated by the King in Yellow. The idea that something as simple as a play, or a book, could drive a person to madness as described in the stories of Robert W Chambers is incredible. He woke one morning after a particularly striking dream, and had to write down what he had seen. The result is The Yellow Sign. Perhaps the madness is not madness after all, but clarity.
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