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Leyerle argues that Chrysostom used images and tropes drawn from the theater to persuade religious men and women that spiritual marriage was wrong. In addition to her analysis of the significance of the rhetorical strategies used by Chrysostom, Leyerle gives a thorough discussion of the role of the theater in late antiquity, particularly in Antioch, one of the gems among late antique cities. She also discusses gender in the context of late antique religion, shedding new light on early Christian attitudes toward sexuality. Throughout Leyerle weaves an ongoing conversation with contemporary theory in film and gender studies that gives her study an important analytic dimension.