Theological Aesthetics: God in Imagination, Beauty, and Art

Overview

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesaus goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of ...

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Overview

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesaus goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology—from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy—Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.

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Editorial Reviews

From the Publisher

"Theological Aesthetics is a carefully argued, scholarly, theologically astute, and distinctive study, and makes a noteworthy contribution to a field that has only recently begun to receive the sustained attention that it deserves. It has a kind of integrity and depth that is all too rare in books on theology and the arts."--Frank Burch Brown, editor of The Oxford Handbook of Religion and the Arts

"...Bracingly intelligent."--Commonweal

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Product Details

  • ISBN-13: 9780195126228
  • Publisher: Oxford University Press, USA
  • Publication date: 3/28/1999
  • Edition description: New Edition
  • Pages: 320
  • Lexile: 1510L (what's this?)
  • Product dimensions: 6.40 (w) x 9.30 (h) x 1.30 (d)

Meet the Author

Richard Viladesau is Professor of Theology at Fordham University.

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Table of Contents

Abbreviations
1 Theology and Aesthetics 3
2 God in Thought and in Imagination: Representing the Unimaginable 39
3 Divine Revelation and Human Perception 73
4 God and the Beautiful: Beauty as a Way to God 103
5 Art and the Sacred 141
6 The Beautiful and the Good 183
App Original Texts of Poetry Quoted in Translation 215
Notes 221
Index 287
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