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Editorial Reviews
Barnes & Noble - Jon Dolan
On the surface, it seems as if Dave Grohl has made the wrong decision. Just as bands like Creed and Sevendust are hitting Billboard pay dirt by amping, sludging, and, occasionally, hip-hopping up ye auld sounds of Seattle circa 1991, Grohl has decided to explore his more restrained, contemplative side. Sure, the Foo Fighters' third album opens up with a punkified slug fest that could make the Melvins proud, but when it settles down we're whisked off to a weird private space between NEVERMIND and the Zombies' "She's Not There," where Grohl's vocals vacillate from folky tenderness to hopped-up moaning. And so it goes throughout THERE IS NOTHING TO LOSE, where each anthemic ...