There Will Be Blood [Original Soundtrack]

( 2 )

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Paul Thomas Anderson's fifth film There Will Be Blood is too monumental and odd to not provoke sharply divided opinions but all reviews, from raves to revulsion, agree on two points: Daniel Day Lewis' performance as oilman Daniel Plainview is astonishing, and Jonny Greenwood's score is extraordinary. Lewis dominates the film, appearing in all but one scene, and Greenwood's music is used far more sparingly yet it's no less indelible. From the moment the film fades open to a spare, unrelenting Californian landscape, Greenwood's tense, coiled score mirrors the eerie emotional undercurrent to the film, pulling suppressed feelings to the surface, often with an almost...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Paul Thomas Anderson's fifth film There Will Be Blood is too monumental and odd to not provoke sharply divided opinions but all reviews, from raves to revulsion, agree on two points: Daniel Day Lewis' performance as oilman Daniel Plainview is astonishing, and Jonny Greenwood's score is extraordinary. Lewis dominates the film, appearing in all but one scene, and Greenwood's music is used far more sparingly yet it's no less indelible. From the moment the film fades open to a spare, unrelenting Californian landscape, Greenwood's tense, coiled score mirrors the eerie emotional undercurrent to the film, pulling suppressed feelings to the surface, often with an almost operatic sense of drama. This is grand music, but it's also controlled, unleashing its furious clashes of dissonance with precision. Greenwood has demonstrated such mastery of mood as the guitarist within Radiohead but There Will Be Blood is superficially far removed from that band's restless experiments with electronic music. There are no electric instruments here at all -- this is all orchestral music, created on instruments that were available at the film's setting of the beginning of the 20th century, yet Greenwood doesn't attempt to re-create turn-of the-century mores: he writes music that taps into the rotten heart of Daniel Plainview. This is magnificently unsettling music, whether it's used within the film or heard on its own terms -- either way, it's impossible to forget after it's been heard.
The New Yorker - Alex Ross
An unearthly, beautiful score.... The music is at once terrifying and enrapturing, alien and intimate.... [Greenwood] has emerged with a fascinating synthesis of twentieth-century sounds -- avant-garde Romanticism, you could call it.
San Francisco Chronicle - David Wiegand
A richly haunting series of symphonic and chamber poems that show their influences (Britten, Stravinsky) and cut their own paths as well.... Exquisite performances by the BBC Concert Orchestra, Empire Quartet, Dale and pianist Michael Dussek showcase the dark brilliance of Greenwood's music.

A richly haunting series of symphonic and chamber poems that show their influences (Britten, Stravinsky) and cut their own paths as well.... Exquisite performances by the BBC Concert Orchestra, Empire Quartet, Dale and pianist Michael Dussek showcase the dark brilliance of Greenwood's music.
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Product Details

  • Release Date: 12/18/2007
  • Label: Nonesuch
  • UPC: 075597995787
  • Catalog Number: 369020
  • Sales rank: 129,770

Album Credits

Performance Credits
Jonny Greenwood Primary Artist
BBC Concert Orchestra Performing Ensemble
Caroline Dale Cello
Michael Dussek Piano
Robert Ziegler Conductor
Emperor Quartet String Quartet
Martin Burgess Violin
Technical Credits
Jonny Greenwood Composer
Simon Rhodes Engineering
Graeme Stewart Engineer, Score Producer, Audio Production, Engineering
Shin Katan Artwork
Daniel Day-Lewis Drawing
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Customer Reviews

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( 2 )
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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Magnificent movie and music

    I am a connoisseur for orchestrated music. My teenage daughter plays the violin and the piano. "There will be blood" was written and directed extremely well. A well deserved Oscar winner for best actor and cinematography.

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  • Anonymous

    Posted October 1, 2010

    A reviewer

    Jonny Greenwood is not your typical film composer. His collaboration here with P.T. Anderson has produced one of the years very best scores--unfairly disqualified for Academy Award consideration due to crazy restrictions. The music is inspired heavily by the classical composer Krzysztof Penderecki. It works wonders in the film and holds up well on album. This is intense, challenging, sometimes beautiful music written mostly for string ensembles. Highly Recommended!

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Sort by: Showing all of 2 Customer Reviews