Things the Grandchildren Should Know: A Memoir

Things the Grandchildren Should Know: A Memoir

4.4 7
by Mark Oliver Everett

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Growing up in the Virginia suburbs, Mark Oliver Everett was to roam unsupervised with his sister, Liz, while his mother combated depression and his father, the eccentric and acclaimed quantum physicist Hugh Everett, remained distant and obsessed by parallel universes of his own creation. (Everett writes, "As a little kid, I had a hard time with the realization that

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Growing up in the Virginia suburbs, Mark Oliver Everett was to roam unsupervised with his sister, Liz, while his mother combated depression and his father, the eccentric and acclaimed quantum physicist Hugh Everett, remained distant and obsessed by parallel universes of his own creation. (Everett writes, "As a little kid, I had a hard time with the realization that inanimate objects didn't have feelings or thoughts. I remember being on the verge of tears, standing there in the bathroom, as my mom tried to make me understand that the bathroom cabinet wasn't going to be hurt if I closed it too hard. I thought of the bathroom cabinet as one of my friends. Maybe I was confused because I thought of my father as a piece of furniture.") First, the author lost his father to heart failure, and then—in a staggeringly short period of time—his sister to schizophrenia and suicide and his mother to cancer. The author drew upon the relentless tragedies in his life for inspiration in writing highly acclaimed music with his indie rock group, the Eels. Yet this is much more than a musician's tale. A true gem of a memoir, Everett’s story is a rich and poignant narrative on coming of age, love, death, and the creative vision.

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Editorial Reviews

From the Publisher
“One of the best books ever written by a contemporary artist.”—Pete Townshend

“A great big grin of a book, winced out through gritted teeth.”—Kirkus Reviews

“How do you think it felt finding out that one of my favorite rock stars in history is also a better, funnier, and more touching writer than I am after 10 years at Time magazine?”—Joel Stein

“Readers will just be plain enraptured by the story of a gifted man barely surviving tragedy with only his talent to guide him.”—Robert Leleux, author of The Memoirs of a Beautiful Boy

“You trust every word coming off the tips of Everett’s fingers. His book is a subtle, touching thing.”—Sunday Times (UK)

“I kept telling myself, “This guy is the next Kurt Vonnegut!” Things the Grandchildren Should Know shares less with a rock memoir than it does with the likes of The Corrections, Middlesex, and The Ice Storm. It’s unexpectedly uplifting.”—The Word

“Crackling with a staccato rage, he comes clean about bad times, good times and finally getting to be a grown-up on his own terms.”—The Times (UK)

“His unique sensibility is as apparent in his prose as in his music. Even those unfamiliar with, or indifferent to, Everett’s work will still vicariously enjoy meeting him.”—The Independent (UK)

Publishers Weekly

Everett, front man and creative force behind the remarkable indie rock band, the Eels, offers a stunning memoir about his childhood and ultimate rise to international success as a writer and musician. Read by fellow band member the Chet, the story is so jaw-dropping it will have even the most hardcore Eels fans reeling. Everett, the lone survivor of his family after his parents and sister were all killed in separate horrific incidents, manages to emerge from the ashes and use the events as fuel for his music career. The Chet, a natural performer who knows how to connect with his audience, offers a simple, uncomplicated reading yet one that carries a certain poetic intensity. A St. Martin's hardcover. (Dec.)

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School Library Journal

Adult/High School

Everett, also known as E, front man for the alt-rock EELS, has written a compelling memoir in which it is easy to see the songwriter in the author. The songs often feature catchy melodies and lyrics that are variously dark, witty, or just quirky, while the book is a quick read, both funny and tragic, with a distinctive voice: honest, self-deprecating, wistful. The author tells a few stories from his youth-his first drum set, a humiliating teacher, his obsession with Lennon's Plastic Ono Band, a plane crash, his sullen teenage years. At 18, he discovered the dead body of his father, the quantum physicist Hugh Everett. Not long after, he headed for Los Angeles, where he worked a succession of nothing jobs while writing and recording songs on a four-track tape recorder. As he was gaining fame as an alternative rocker, tragedies continued to haunt him. His sister and mother died within months of one another, and friends and fellow musicians followed. Despite the title (also an EELS song), Everett has no children, much less grandchildren, but he says, "it only takes a second for your life to change in huge ways." Fans will certainly want to read this, but so will anyone interested in the music business or just in how one interesting guy lives life from day to day, trying to understand who he is and how he got there.-Sarah Flowers, Santa Clara County Library, CA

Kirkus Reviews
What it's like to be quite talented and yet very alone. One of those musicians whose work regularly graces critics' year-end polls, Everett records sometimes as E but more famously as head of the forward-looking alt-rock ensemble Eels. Normally that resume would be the loudest of warnings for readers to stay far away from this man's memoir. In defiance of expectations, however, it turns out to be a straightforward and resolutely unpretentious take on a life overflowing with gratuitous tragedy. Graced with brooding, inattentive parents and a loving but terminally unhinged sister, all of whom were dead before he could enjoy middle age, Everett grew up in the D.C. suburbs working lousy jobs and wheel-spinning away his life. An impulsive cross-country road trip to Los Angeles and three further years of miserable employment followed. A couple lucky breaks later, he was recording an album, touring the world and calling the likes of Aimee Mann his friends. This could have been just another self-indulgent musician's attempt to commit to prose some autobiographical songs. Instead, it's a harrowing mantra of loss and solitude, as depression and death dispose of one family member after another until Everett has nobody left but himself and the occasional crazy girlfriend. He delivers the bad news in exemplary prose, a calmly assured march of simple declarative sentences, scrubbed nearly clean of any artifice. This is entirely on purpose: "Out of respect for you, gentle reader," he writes, "I'm going to stick with the direct approach." There are times when Everett's style can be too simple, leading some sections to sound more like a tour diary than a memoir. But his refusal to wallow in self-pity-orself-indulgent writing-is both refreshing and bracing. A great big grin of a book, winced out through gritted teeth. Agent: Matthew Guma/The Guma Agency

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Product Details

St. Martin's Press
Publication date:
Edition description:
First Edition
Product dimensions:
5.70(w) x 8.30(h) x 0.90(d)
Age Range:
15 - 18 Years

Read an Excerpt

Chapter One

Summer of Love

I WAS DRIVING THROUGH THE PITCH BLACK VIRGINIA night, down the perfectly flat blacktop that was once a railroad track, across that high bridge over the ravine, thinking about the details of how one night I was going to drive off it. I was sure I’d never live to the age of eighteen, so I never bothered making any plans for the future. Eighteen had come and gone a year ago, but I was still breathing. And things were only getting worse.

The summer of 1982. That disgusting, sticky, humid weather where your back soaks through your shirt just from taking a short drive. By midsummer everything was a mess. My sister Liz’s boyfriend flipped out in our kitchen one night and attacked me with a butcher knife. Soon after, Liz tried to kill herself for the first of many times. Swallowed a bunch of pills. Her heart stopped the moment we got her to the hospital, but they were able to revive her.

Pretty soon after that, Liz and my mom went out of town to visit relatives and I found my father’s dead body lying there sideways on my parents’ bed, fully dressed in his usual shirt and tie, with his feet almost on the floor, like he just sat down to die at fifty-one. I tried to learn CPR from the 911 operator on the phone, carrying my father’s already-stiff body across the bedroom floor. It was weird touching him. That was the first time we had any physical contact that I could remember, other than the occasional cigarette burn on my arm while squeezing by him in the hallway.

I figured driving off the bridge might be the best way to deal with the crushing, lost, and empty feeling of being me. A dramatic way to go, of course. I was a kid. Later in life it would usually be a gun I imagined using on myself. Not quite as dramatic as driving off a bridge in your home-town. You can chart my development this way. In more recent years I would think about pills most often. That dramatic stuff is for kids. I’m mature now.

At the end of the summer, which I had already started referring to as The Summer of Love, I drove my gold ’71 Chevy Nova away from home for the first time. I had bought the car that I called "Old Gold," complete with a stop sign used in place of its rusted-out floorboard, for a hundred bucks from my hot, blonde cousin Jennifer, who years later would die on the plane that hit the Pentagon September 11, 2001. She was a flight attendant. Sent a postcard from Dulles Airport that morning that read "Ain’t Life Grand?" in big letters on the front.

My father worked at the Pentagon back around the time I was born. If I believed in curses, I’d have to wonder if the plane hit the part of the building where my father’s office once was. But I don’t believe in curses. Life is full of ups and downs. There have been some extremes in my life’s case but, considering I had no plan, and very little of the kind of self-esteem you need to get by in this world, things could be worse. I’m just wandering through here, seeing what happens.

I don’t know what happens when you die and I don’t expect to find out until I die. Probably nothing, but you never know. For now, I’m still alive, and I’ve come to realize that some of the most horrible moments of my life have led to some of the best, so I’m not one for eating up people’s melodrama. Just another day to me.

It felt weird leaving my mom and Liz in the house, but it was time for me to get out of there. I had long ago become the man of the house, since no one else was laying down the law, and when my father died that really cemented my status. But I knew if I didn’t get out of there soon, I may never get out.

However crazy things got, I could always lose myself down in my room in the basement (walls painted black), reading Ralph Ellison’s Invisible Man with the headphones over my ears cranking The Who Live at Leeds or John Lennon’s Plastic Ono Band or what ever it was I was into that year. Even at this terrible stage in The Summer of Love, I could transport myself, driving Old Gold and watching the sun go down while I listened to Sly Stone sing "Hot Fun in the Summertime" nice and loud on the shitty cassette deck duct-taped under the dashboard.

I got to Richmond and enrolled in school. I had no interest in school, but everyone else seemed to be doing it and I had no other plans. Because my grades were so bad in high school, due to complete disinterest on my part, I was only accepted on a part-time basis. Felt totally alone and miserable.

One night I was walking past one of the city campus buildings and heard the sound of pianos. I walked in to discover it was the music section of the school. I wasn’t interested in studying music that way but was dying to play something, anything. I began sneaking into one of the piano practice rooms every day or night, always worried about being caught, since I wasn’t supposed to be there. It was the only time I felt good, banging away on the keys, making up little songs as I went along. Sometimes I’d imagine a lot of people listening to what I was playing, and liking it. One night I got into it so much that I broke one of the big, low piano strings, which made a sound like a shotgun going off. I quickly left the building before I got in trouble.

I was sinking deeper and deeper into despair. I wasn’t the least bit interested in any of my classes. My only relief was music. I began to feel what could almost be described as a lust for writing and recording music. I would walk dazed through the streets of Richmond, dreaming of going back to my mother’s piano and setting up a tape recorder and microphone.

SOME NIGHTS, ALL THESE YEARS LATER, I’LL SIT here and think about when I was really young and how great it felt when things were OK and we were all there in the house: my father reading the paper, Liz playing Neil Young over and over in her room, my mom laughing her goofy laugh at something that wasn’t that funny to begin with. When I think about the feeling of being in the middle of that, I’m overwhelmed with desire, like I’d give anything to spend a night back there again.

Life is so full of unpredictable beauty and strange surprises. Sometimes the beauty is too much for me to handle. Do you know that feeling? When something is just too beautiful? When someone says something or writes something or plays something that moves you to the point of tears, maybe even changes you. It’s nice when a non believer has to question his doubts. That might be what led me to music in the first place. It was like magic. I could transcend the shitty situations around me and even turn them into something positive just by setting them to music.

Maybe I don’t like people as much as the rest of the world seems to. Seems like the human race is in love with itself. What kind of ego do you have to have to think that you were created in God’s image? I mean, to invent the idea that God must be like us. Please. As Stanley Kubrick once pointed out, the discovery of more intelligent life somewhere other than Earth would be catastrophic to man, simply because we would no longer be able to think of ourselves as the center of the universe. I guess I’m slowly becoming one of those crusty old cranks who thinks animals are better than people. But, occasionally, people will pleasantly surprise me and I’ll fall in love with one of them, so go figure.

So what kind of an ego do you have to have to write a book about your life and expect anyone to care? A huge one! But not so big that I think I was created in God’s image. Unless God is a hairy ectomorph with bad posture (God forbid I don’t use the almighty uppercase "G"). And I know I’m not the most famous guy in the world. People aren’t making up rumors about gerbils getting stuck up my ass or anything like that. Some people think I’ve deliberately shot my fame in the foot with some of my "career" decisions, but that’s really not the case. I never wanted to be famous for the sake of being famous. I decided to try and make something good in the world, as best as I could anyway, and that was the only goal. So, I only do what I want to do, and I spend a lot of my time on Earth saying "no" to all the stupid things I’m asked to do that I know are a bad idea for me. I’m not a really famous guy, and that’s who usually writes books about their lives, but, nonetheless, I’ve been through some situations and I’ve decided it’s time to write them down. This isn’t the story of a famous guy. It’s just the story of a guy (who occasionally finds himself in situations that resemble a famous guy’s life). There’s an inherent ME, I’M SO IMPORTANT thing about doing this that makes me uncomfortable. But I wouldn’t do it if I didn’t think it happened to be a peculiar story. I’m not so important.

Thanks to my ridiculous, sometimes tragic, and always unsteady upbringing, I was given the gift of bone-crushing insecurity. One thing you’ll notice about people with mental problems is the constant self-absorption. I think that’s because it’s such a struggle just to be who they are, so they have a hard time getting past it. I am no exception to this rule. But luckily for me, I found a way to deal with myself and my family by treating it all like a constant and ongoing art project, for you all to enjoy. Enjoy! You’re welcome!

Also, judging by my family history, midlife may have been a long time ago for me. So I do feel like maybe I better write this all down now, just in case I don’t beat the odds. Don’t want to wait too long.

Now, there are different ways I can go about this. I could do it kind of "poetic" for you. Like this:

As I stood there on the porch I noticed the pungent smell of fresh-cut grass and I could hear the faint hum of lawn mowers all over the neighborhood. The air-conditioning poured out on me as I waited. Finally, Mary came down. I never made it inside. She broke up with me right there. I walked home with the cicadas singing, oblivious to my pain.

Or I could turn it up a notch and get really flowery for you. Like this:

In the distance I could hear the faint hum of lawn mowers. Golden, waxen-chested boys, sweating in the sun, a last experience with genuine physical labor before they bundle duffel bags and ship off to Yale or Brown. I could hear Mary’s footsteps on the stairs, she hesitates. I notice a cricket—no, it’s a grasshopper—at my shoe. I don’t know how Mary feels about me, but this little one sees me for who I really am. We connect for a moment and he hops away. I’m alone now. Mary appears. She’s going to break up with me, I can see it on her face. She’s going to take the unbridled and wholly unconditional love I’ve offered her and throw it to the ground, shattering it into thousands of tiny, useless shards. I steady myself. I steady myself. (Chapter end.)

Or I could just be straight with you. Like this:

One day in July I went over to Mary’s house to hang out for a while. She answered the door but I never even made it inside. She broke up with me on the front porch.

I don’t want to waste your time with the flowery shit, so, out of respect for you, gentle reader, I’m going to stick with the direct approach.

I never had an interest in keeping a diary. I had my hands full just trying to live life, so I never kept one. And I didn’t feel like I could handle reliving a lot of it. But that’s exactly what suddenly appealed to me when my friend Anthony urged me for the thousandth time to write a book about my life. I have this strange mechanism that activates when I think something is off-limits: I know I have to go there. Even if it means painstakingly recalling all the events my selective memory can muster.

In elementary school I was a skinny little kid with long hair who was often mistaken for a girl and was the last, or second to last, to be chosen for school sports teams. Now I’m a grown man, spending the second half of his first midlife crisis hiding behind security guards that try to protect him from the latest obsessed stalker at his rock concerts. How did I get here?

Excerpted from Things the Grandchildren Should Know by Mark Oliver Everett.

Copyright © 2008 by Mark Oliver Everett.

Published in 2008 by St. Martin’s Press

All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the publisher.

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Meet the Author

Mark Oliver Everett is the lead singer, guitarist, and keyboardist of indie rock band The Eels. Rolling Stone magazine called Everett "the Kurt Vonnegut of the rock world." The author is the son of physicist Hugh Everett III, originator of the "Many Worlds" theory of quantum physics. While coping with the deaths of every member of his immediate family, Everett turned tragedy into the impetus for recording such acclaimed albums Electro-Shock Blues and Blinking Lights and Other Revelations.

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Things the Grandchildren Should Know 4.4 out of 5 based on 0 ratings. 7 reviews.
Anonymous More than 1 year ago
I knew of the author from the Eels, but even readers who have never heard of him before will one appreciate how special this book is. It's a rare memoir that can speak candidly of such heartbreaking events while making you laugh out loud at the same time. Readers will be surprised by this unique, charming, poignant story.
Guest More than 1 year ago
An excellent book for eels fans everywhere whether you've been there since the beginning or if you're new to the music. The memoir is a fast and engaging read. It feels as if E is speaking the words of the story to you, rather than you reading it. This book leaves the reader with a greater understanding and appreciation of the 'crazy, tragic and beautiful world' of Mark Oliver Everett.
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Frisbeesage More than 1 year ago
This book is a fascinating glimpse of a world, or even several worlds, that most of us will never know first hand. It begins with the childhood and adolescence of Mark Oliver Everett. His crazy upbringing complete with genuis physicist father and suicidal sister will bring Augusten Bouroughs to mind. In fact Mark faces his problems and loses with humor and perserverance. As his family, one by one, sucumb to various tragedies, it is music that ultimately saves him from a similar fate. Unexpectedly hopeful and optimistic Mark transforms himself into "E" lead singer of the indid rock band the Eels. Through sheer determination he convinces people to listen to his songs and to believe in him.
I listened to this book on audio and especially enjoyed the songs included. After Mark describes the circumstances leading up to his writing a particular song, a clip of it is played. The reading is well done and the story is an interesting and inspiring one. It's impossible to relate to the things Mark has gone survived, but it's equally impossible not to empathize with him and to be happy for his success. I know nothing about indie rock, so I found look at that world interesting. If you are a fan of indie rock I'm sure the familiar names will make it all the more captivating.
Anonymous More than 1 year ago