Thinking Dead : What the Zombie Apocalypse Means

Overview

Zombies are everywhere these days. We are consuming zombies as much as they are said to be consuming us in mediated apocalyptic scenarios on popular television shows, video game franchises and movies. The “zombie industry” generates billions a year through media texts and other cultural manifestations (zombie races and zombie-themed parks, to name a few). Zombies, like vampires, werewolves, witches and wizards, have become both big dollars for cultural producers and the subject of audience fascination and ...
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Thinking Dead: What the Zombie Apocalypse Means

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Overview

Zombies are everywhere these days. We are consuming zombies as much as they are said to be consuming us in mediated apocalyptic scenarios on popular television shows, video game franchises and movies. The “zombie industry” generates billions a year through media texts and other cultural manifestations (zombie races and zombie-themed parks, to name a few). Zombies, like vampires, werewolves, witches and wizards, have become both big dollars for cultural producers and the subject of audience fascination and fetishization. With popular television shows such as AMC’s The Walking Dead (based on the popular graphic novel) and movie franchises such as the ones pioneered by George Romero, global fascination with zombies does not show signs of diminishing.

In The Thinking Dead: What the Zombie Apocalypse Means, edited by Murali Balaji, scholars ask why our culture has becomes so fascinated by the zombie apocalypse. Essays address this question from a range of theoretical perspectives that tie our consumption of zombies to larger narratives of race, gender, sexuality, politics, economics and the end of the world. Thinking Dead brings together an array of media and cultural studies scholars whose contributions to understanding our obsession with zombies will far outlast the current trends of zombie popularity.

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Editorial Reviews

Matthew P. McAllister
Thinking Dead is about brains, in both the zombie and scholarly sense. YA zombies, Chinese zombies, queer zombies, and porn zombies are effectively critiqued for their cultural meanings as are their more well-known shuffler siblings 28 Days Later, The Walking Dead, and Zombieland. Taking an eclectic media and cultural studies perspective, editor Balaji and his contributors persuasively and engagingly decompose zombies as ideological tales about race, gender, class, colonialism, consumption, social media, teen romance, and neoliberalism.
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Product Details

  • ISBN-13: 9780739183823
  • Publisher: Rowman & Littlefield Publishers, Inc.
  • Publication date: 9/26/2013
  • Pages: 248
  • Product dimensions: 6.10 (w) x 9.00 (h) x 1.10 (d)

Meet the Author

Murali Balaji is assistant professor of media studies and production at Temple University.
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Table of Contents

Table of Contents
Introduction - Thinking Dead: Our obsession with the Undead and Its Implications
Murali Balaji, Ph.D
Part I: Zombies as the Other and Ourselves
Chapter 1:Perfect Strangers: The Zombie Imaginary and the Logic of Representation
Gordon Coonfield, Ph.D
Chapter 2: The Social Dead: How Our Zombie Baggage Threatens to Drag Us into the Crypts of Our Past
Angela Cirucci
Chapter 3: "Fight the Dead, Fear The Living": Zombie Apocalypse or Libertarian Paradise?
Jennifer M. Proffitt, Ph.D
Rich Templin, Ph.D
Chapter 4: Simulating Zombies in Popular Culture and Media
Patrick Hamilton, Ph.D
Part II: The Zombie Apocalypse and Social, Technological and Psychological Space
Chapter 5: Return to Darkness: Representations of Africa inResident Evil 5
Hanli Geyser
Chapter 6: Same as it ever was: Savior Narratives and the Logics of Survival inThe Walking Dead
Martina Baldwin
Mark McCarthy
Chapter 7: The Zombie Monster's Evolution to Empty Undead Signifier
Ryan Lizardi, Ph.D
Chapter 8: Gothic Monster and Chinese Cultural Identity: Analysis ofThe Note of Ghoul
Meijiadai Bai
Chapter 9: Zombies and the Modern American Family: Surviving the Destruction of Traditional Society inZombieland
Cassie Ozog
Chapter 10: Leave it all Behind: The post-Apocalyptical Renunciation of Technology in theWalking Dead
Alicia Kozma
Chapter 11:Space Junk and the Second Event: The Cosmic Meaning of the Zombie Apocalypse
Barry Vacker, Ph.D
Part III: Eating the Undead: Consumption and Cultural Industries
Chapter 12: The Necropolitics of the Apocalypse: Queer Zombies in the Cinema of Bruce LaBruce
Arnau Roig
Chapter 13: XXXombies: Economies of Desire and Disgust
Steve Jones, Ph.D
Chapter 14: Teen Movies and Summit Entertainment's Construction ofWarm Bodies
Cate Buckley
Chapter 15: Eating the Dead: AMC's use of Synergy to Cultivate Zombie Consumption
Murali Balaji, Ph.D
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