If ever a book was brought to life by a reading, it is this presentation of O'Brien's posthumously published classic. Norton individually crafts voices and personalities for each character in such a way that a listener might imagine an entire cast of voice talent working overtime. This is a comic/surreal tale of a one-legged gentleman farmer who participates in a poorly planned botched robbery-turned-murder, only to find himself having a long conversation with the dead man shortly after the deed. In addition he hears from his own soul, who he names "Joe." Joe's voice is that of a wry observer with a voice of calm, removed authority, whereas dead man Mathers' voice is completely nasal, at once sickly and droll. Mathers sends the farmer to a two-dimensional barracks of three metaphysical policemen. Here he finds himself in a world where people can become bicycles and eternity is within walking distance. Norton's rendition of the main policeman, Sergeant Pluck, tips the reading into a full-out performance. The enormous blustery fellow with red cheeks and brushy mustache and eyebrows is portrayed like a jolly yet dangerous Disney walrus. Norton's Irish brogue, accentuated to different degrees with the various characters, ties the ribbon on a perfect presentation of this absurd and chilling masterpiece. (Apr.)Copyright 2007 Reed Business Information
The Third Policemanby Flann O'Brien
The Third Policeman is Flann O'Brien's brilliantly dark comic novel about the nature of time, death, and existence. Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles and contradictions that three eccentric policeman present to him. The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.
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THE THIRD POLICEMAN
By FLANN O'BRIEN
DALKEY ARCHIVE PRESS Not everybody knows how I killed old Phillip Mathers, smashing his jaw in with my spade; but first it is better to speak of my friendship with John Divney because it was he who first knocked old Mathers down by giving him a great blow in the neck with a special bicycle-pump which he manufactured himself out of a hollow iron bar. Divney was a strong civil man but he was lazy and idle-minded. He was personally responsible for the whole idea in the first place. It was he who told me to bring my spade. He was the one who gave the orders on the occasion and also the explanations when they were called for.
Copyright © 1967 Evelyn O'Nolan.
All rights reserved.
I was born a long time ago. My father was a strong farmer and my mother owned a public house. We all lived in the public house but it was not a strong house at all and was closed most of the day because my father was out at work on the farm and my mother was always in the kitchen and for some reason the customers never came until it was nearly bed-time; and well after it at Christmas-time and on other unusual days like that. I never saw my mother outside the kitchen in my life and never saw a customer during the day and even at night I never saw more than two or three together. But then I was in bed part of the time and it is possible that things happened differently with my mother and with the customers late at night. My father I do not remember well but he was a strongman and did not talk much except on Saturdays when he would mention Parnell with the customers and say that Ireland was a queer country. My mother I can recall perfectly. Her face was always red and sore-looking from bending at the fire; she spent her life making tea to pass the time and singing snatches of old songs to pass the meantime. I knew her well but my father and I were strangers and did not converse much; often indeed when I would be studying in the kitchen at night I could hear him through the thin door to the shop talking there from his seat under the oil-lamp for hours on end to Mick the sheepdog. Always it was only the drone of his voice I heard, never the separate bits of words. He was a man who understood all dogs thoroughly and treated them like human beings. My mother owned a cat but it was a foreign outdoor animal and was rarely seen and my mother never took any notice of it. We were all happy enough in a queer separate way.
Then a certain year came about the Christmas-time and when the year was gone my father and mother were gone also. Mick the sheepdog was very tired and sad after my father went and would not do his work with the sheep at all; he too went the next year. I was young and foolish at the time and did not know properly why these people had all left me, where they had gone and why they did not give explanations beforehand. My mother was the first to go and I can remember a fat man with a red face and a black suit telling my father that there was no doubt where she was, that he could be as sure of that as he could of anything else in this vale of tears. But he did not mention where and as I thought the whole thing was very private and that she might be back on Wednesday, I did not ask him where. Later, when my father went, I thought he had gone to fetch her with an outside car but when neither of them came back on the next Wednesday, I felt sorry and disappointed. The man in the black suit was back again. He stayed in the house for two nights and was continually washing his hands in the bedroom and reading books. There were two other men, one a small pale man and one a tall black man in leggings. They had pockets full of pennies and they gave me one every time I asked them questions. I can remember the tall man in the leggings saying to the other man:
`The poor misfortunate little bastard.'
I did not understand this at the time and thought that they were talking about the other man in the black clothes who was always working at the wash-stand in the bedroom. But I understood it all clearly afterwards.
After a few days I was brought away myself on an outside car and sent to a strange school. It was a boarding school filled with people I did not know, some young and some older. I soon got to know that it was a good school and a very expensive one but I did not pay over any money to the people who were in charge of it because I had not any. All this and a lot more I understood clearly later.
My life at this school does not matter except for one thing. It was here that I first came to know something of de Selby. One day I picked up idly an old tattered book in the science master's study and put it in my pocket to read in bed the next morning as I had just earned the privilege of lying late. I was about sixteen then and the date was the seventh of March. I still think that day is the most important in my life and can remember it more readily than I do my birthday. The book was a first edition of Golden Hours with the two last pages missing. By the time I was nineteen and had reached the end of my education I knew that the book was valuable and that in keeping it I was stealing it. Nevertheless I packed it in my bag without a qualm and would probably do the same if I had my time again. Perhaps it is important in the story I am going to tell to remember that it was for de Selby I committed my first serious sin. It was for him that I committed my greatest sin.
I had long-since got to know how I was situated in the world. All my people were dead and there was a man called Divney working the farm and living on it until I should return. He did not own any of it and was given weekly cheques of pay by an office full of solicitors in a town far away. I had never met these solicitors and never met Divney but they were really all working for me and my father had paid in cash for these arrangements before he died. When I was younger I thought he was a generous man to do that for a boy he did not know well.
I did not go home direct from school. I spent some months in other places broadening my mind and finding out what a complete edition of de Selby's works would cost me and whether some of the less important of his commentators' books could be got on loan. In one of the places where I was broadening my mind I met one night with a bad accident. I broke my left leg (or, if you like, it was broken for me) in six places and when I was well enough again to go my way I had one leg made of wood, the left one. I knew that I had only a little money, that I was going home to a rocky farm and that my life would not be easy. But I was certain by this time that farming, even if I had to do it, would not be my life work. I knew that if my name was to be remembered, it would be remembered with de Selby's.
I can recall in every detail the evening I walked back into my own house with a travelling-bag in each hand. I was twenty years of age; it was an evening in a happy yellow summer and the door of the public house was open. Behind the counter was John Divney, leaning forward on the lowdown porter dash-beard with his fork, his arms neatly folded and his face looking down on a newspaper which was spread upon the counter. He had brown hair and was made handsomely enough in a small butty way; his shoulders were broadened out with work and his arms were thick like little tree-trunks. He had a quiet civil face with eyes like cow's eyes, brooding, brown, and patient. When he knew that somebody had come in he did not stop his reading but his left hand strayed out and found a rag and began to give the counter slow damp swipes. Then, still reading, he moved his hands one above the other as if he was drawing out a concertina to full length and said:
A schooner was what the customers called a pint of Coleraine blackjack. It was the cheapest porter in the world. I said that I wanted my dinner and mentioned my name and station. Then we closed the shop and went into the kitchen and we were there nearly all night, eating and talking and drinking whiskey.
The next day was Thursday. John Divney said that his work was now done and that he would be ready to go home to where his people were on Saturday. It was not true to say that his work was done because the farm was in a poor way and most of the year's work had not even been started. But on Saturday he said there were a few things to finish and that he could not work on Sunday but that he would be in a position to hand over the place in perfect order on Tuesday evening. On Monday he had a sick pig to mind and that delayed him. At the end of the week he was busier than ever and the passing of another two months did not seem to lighten or reduce his urgent tasks. I did not mind much because if he was idle-minded and a sparing worker, he was satisfactory so far as company was concerned and he never asked for pay. I did little work about the place myself, spending all my time arranging my papers and re-reading still more closely the pages of de Selby.
A full year had not passed when I noticed that Divney was using the word `we' in his conversation and worse than that, the word `our'. He said that the place was not everything that it might be and talked of getting a hired man. I did not agree with this and told him so, saying that there was no necessity for more than two men on a small farm and adding, most unhappily for myself, that we were poor. After that it was useless trying to tell him that it was I who owned everything. I began to tell myself that even if I did own everything, he owned me.
Four years passed away happily enough for each of us. We had a good house and plenty of good country food but little money. Nearly all my own time was spent in study. Out of my savings I had now bought the complete works of the two principal commentators, Hatchjaw and Bassett, and a photo-stat of the de Selby Codex. I had also embarked upon the task of learning French and German thoroughly in order to read the works of other commentators in those languages. Divney had been working after a fashion on the farm by day and talking loudly in the public house by night and serving drinks there. Once I asked him what about the public house and he said he was losing money on it every day. I did not understand this because the customers, judging by their voices through the thin door, were plentiful enough and Divney was continually buying himself suits of clothes and fancy tiepins. But I did not say much. I was satisfied to be left in peace because I knew that my own work was more important than myself.
One day in early winter Divney said to me:
`I cannot lose very much more of my own money on that bar. The customers are complaining about the porter. It is very bad porter because I have to drink a little now and again myself to keep them company and I do not feel well in my health over the head of it. I will have to go away for two days and do some travelling and see if there is a better brand of porter to be had.'
He disappeared the next morning on his bicycle and when he came back very dusty and travel-worn at the end of three days, he told me that everything was all right and that four barrels of better porter could be expected on Friday. It came punctually on that day and was well bought by the customers in the public house that night. It was manufactured in some town in the south and was known as `The Wrastler'. If you drank three or four pints of it, it was nearly bound to win. The customers praised it highly and when they had it inside them they sang and shouted and sometimes lay down on the floor or on the roadway outside in a great stupor. Some of them complained afterwards that they had been robbed while in this state and talked angrily in the shop the next night about stolen money and gold watches which had disappeared off their strong chains. John Divney did not say much on this subject to them and did not mention it to me at all. He printed the wordsBeware of Pickpocketsin large letters on a card and hung it on the back of shelves beside another notice that dealt with cheques. Nevertheless a week rarely passed without some customer complaining after an evening with `The Wrastler'. It was not a satisfactory thing.
As time went on Divney became more and more despondent about what he called `the bar'. He said that he would be satisfied if it paid its way but he doubted seriously if it ever would. The Government were partly responsible for the situation owing to the high taxes. He did not think that he could continue to bear the burden of the loss without some assistance. I said that my father had some old-fashioned way of management which made possible a profit but that the shop should be closed if now continuing to lose money. Divney only said that it was a very serious thing to surrender a licence.
It was about this time, when I was nearing thirty, that Divney and I began to get the name of being great friends. For years before that I had rarely gone out at all. This was because I was so busy with my work that I hardly ever had the time; also my wooden leg was not very good for walking with. Then something very unusual happened to change all this and after it had happened, Divney and I never parted company for more than one minute either night or day. All day I was out with him on the farm and at night I sat on my father's old seat under the lamp in a corner of the public house doing what work I could with my papers in the middle of the blare and the crush and the hot noises which went always with `The Wrastler'. If Divney went for a walk on Sunday to a neighbour's house I went with him and came home with him again, never before or after him. If he went away to a town on his bicycle to order porter or seed potatoes or even `to see a certain party', I went on my own bicycle beside him. I brought my bed into his room and took the trouble to sleep only after he was sleeping and to be wide-awake a good hour before he stirred. Once I nearly failed in my watchfulness. I remember waking up with a start in the small hours of a black night and finding him quietly dressing himself in the dark. I asked him where he was going and he said he could not sleep and that he thought a walk would do him good. I said I was in the same condition myself and the two of us went for a walk together into the coldest and wettest night I ever experienced. When we returned drenched I said it was foolish for us to sleep in different beds in such bitter weather and got into his bed beside him. He did not say much, then or at any other time. I slept with him always after that. We were friendly and smiled at each other but the situation was a queer one and neither of us liked it. The neighbours were not long noticing how inseparable we were. We had been in that condition of being always together for nearly three years and they said that we were the best two Christians in all Ireland. They said that human friendship was a beautiful thing and that Divney and I were the noblest example of it in the history of the world. If other people fell out or fought or disagreed, they were asked why they could not be like me and Divney. It would have been a great shock for everybody if Divney had appeared in any place at any time without myself beside him. And it is not strange that two people never came to dislike each other as bitterly as did I and Divney. And two people were never so polite to each other, so friendly in the face.
I must go back several years to explain what happened to bring about this peculiar situation. The `certain party' whom Divney went to visit once a month was a girl called Pegeen Meets. For my part I had completed my definitive `De Selby Index' wherein the views of all known commentators on every aspect of the savant and his work had been collated. Each of us therefore had a large thing on the mind. One day Divney said to me:
`That is a powerful book you have written I don't doubt.'
`It is useful,' I admitted, and `badly wanted.' In fact it contained much that was entirely new and proof that many opinions widely held about de Selby and his theories were misconceptions based on misreadings of his works.
Excerpted from THE THIRD POLICEMAN by FLANN O'BRIEN. Copyright © 1967 by Evelyn O'Nolan. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Meet the Author
Flann O'Brien, whose real name was Brian O'Nolan, also wrote under the pen name of Myles na Gopaleen. He was born in 1911 in County Tyrone. A resident of Dublin, he graduated from University College after a brilliant career as a student (editing a magazine called Blather) and joined the Civil Service, in which he eventually attained a senior position. He wrote throughout his life, which ended in Dublin on April 1, 1966. His other novels include The Dalkey Archive, The Third Policeman, The Hard Life, and The Poor Mouth, all available from Dalkey Archive Press. Also available are three volumes of his newspaper columns: The Best of Myles, Further Cuttings from Cruiskeen Lawn, and At War.
Denis Donoghue is University Professor and Henry James Chair of English and American Letters at New York University.
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The Third Poiceman was simply amazing. Laugh-out-loud funny, amazingly profound and absolutely unpredictable. Very few times in my life have I found myself mentally reviewing chapters from a book as often as I did with this one. The less you know about this book going into it, the better. I made the mistake of reading a letter from the author at the end before I finished the book and it gave away the twist ending. That didn't stop me from enjoying the book immensely though because the ending is really not what this story is about. 'The Third Policeman' is the type of book that creates a bit of an internal struggle within a person. On the one hand you will want to tell all your friends about this book so they can enjoy it too. On the other hand you won't want to tell anyone about it because you'll want to keep it your own little secret. For those who enjoy mind boggling, hilarious and infinitely creative literature; look no further. As a side note: I purchased this book because the B&N website suggested I would enjoy it. After I started reading and enjoying it immensely I did some research and found that it was featured on an episode of the TV series 'LOST'. I have not seen the show so I cannot verify this fact, but if it truly does feature books like this then it must be pretty great.
This book is hilarious throughout, especially the mad ramblings of the philosoper named de Selby and the frustrated efforts of his academic ... more » readers to rationalize his wild theories. de Selby writes vague commentary full of ironic litotes- for example: "he indicates that 'the happy state is not unassociated with water' and that 'water is rarely absent from any wholly satisfactory situation' ... He praises the equilibrium of water, its circumambiency, equiponderance and equitableness, and declares that water, 'if not abused', can achieve 'absolute superiority.'" The recorded responses of the expert panel of his readers constantly either bombastically claim conspiracy against them by other experts or declare that the piece of writing under scrutiny is a forgery and not written by de Selby. Their work is hampered by the fact that nobody can seem to find the definitive volume of his works, and furthermore the libraries they do have are completely illegible. It's impossible to read through the pages-long footnotes referencing de Selby's work without falling into fits of giggles at the absurdity of completely inappropriate word choices and the respect with which they delicately criticize de Selby's insane ideas. Additionally, nearly every line of dialogue with the enormously fat policemen is full of ridiculous malapropisms. The policeman are alarmed continuously by arbitrary readings "of uncalculable perilousness" they take from clocks and levers, and their ramblings about figures and graphs never cease to consternate the narrator and amuse the reader.
However the overall theme of the book is not one of humor but one of confusion and frustration, and, ultimately, terror. At every turn the narrator is confronted with inexplicable phenomena that are rendered even more inscrutable by the policemen's confidently preposterous explanations. His confusion and desperation to return home rises throughout the novel, exacerbated by his extremely narrow escape from his execution. Near the end of the story the reader can palpably feel the horror of the narrator every time the third policeman says something seeming to hint that he knows about the narrator's crime of murder. Frantic with prolonged stress and unexplainable surprises (such as that the third policeman seems to be the man he murdered) he finally makes it home safely on a female bicycle, but not to the peace he so desperately wanted. His roommate dies of fright at seeing the narrator, revealing at the last that during one of the previous events of the story he had killed the narrator with a mine, and that the narrator's fiendishly inexplicable experiences including encounters with ghosts and intricate manipulation by the third policeman were explained by the narrator being dead and in hell. Filled with horror the narrator runs blindly down road towards the police station, unwittingly setting the stage for the story to repeat again. The narrator is presumably trapped in this cycle of torture without end.
This is by no means an exhaustive summary of the book's plot; it includes such things as an enormous underground network of tunnels constructed by the third policeman, an attempted riot by one-legged men who tie themselves together so as to have two legs per fighting unit, and endless discussion with the policemen on the unusual and ubiquitous topic of bicycles.
...for his equally effective, if not superior, depiction of the all too confused state of a dream world where things are at once hilarious and terrifying, where you never know what to believe. One difference between O'Brien's style and Kafka's with respect to this kind of nighmare is that O'Brien is more obviously funny, but that just serves to obscure the sinister events, making them more unexpected. If you like absurd, surreal, funny, plot-twisting, pseudo-scientific murder mysteries, let me know, because I haven't found another.