Thirst

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Overview

Thirst, a collection of forty-three new poems from the Pulitzer Prize-winner Mary Oliver, introduces two new directions in the poet's work. Grappling with grief at the death of her beloved partner of over forty years, she strives to experience sorrow as a path to spiritual progress, grief as part of loving and not its end. And within these pages she chronicles for the first time her discovery of faith, without abandoning the love of the physical world that has been a hallmark of her work for four decades. In three stunning long poems, Oliver explores the dimensions and tests the parameters of religious doctrine, asking of being good, for example, "To what purpose? / Hope of Heaven? Not that. But to enter / the other kingdom: grace, and imagination, / and the multiple sympathies: to be as a leaf, a rose,/ a dolphin."

Editorial Reviews

From Barnes & Noble
In an earlier poem, Mary Oliver wrote, "When we die the body breaks open / like a river; / the old body goes on, climbing the hill." In Thirst, Oliver moves forward in the wake of her beloved partner's death. As always, the Pulitzer Prize-winning poet hinges her reflections on the natural world, never allowing them to dwindle into pointy sentiments or maudlin thoughts. A major collection from one of our most gifted poets.
Publishers Weekly
Consoling, and intense interaction with the natural world abounds in the 43 poems of Pulitzer Prize-winner Oliver's new collection, as her many readers might expect. The trees whisper, a ribbon snake imparts lessons and the poet is likened to a swimming otter. What has changed, though, is that Oliver's new work reflects her faith in God and her grief over the death of her longtime partner. Those who do not share her brand of faith may or may not find its terms difficult to accept-"Everything is His./ The door. The door jamb"-but the loss of a loved one is more universal: of grief, she writes, "I went closer, / and I did not die." Still, many of these poems mention or court cataclysmic loss while refusing to dwell in it. At times, Oliver's will-to-gratitude can feel like preaching or admonishment; Oliver describes a luna moth with "a pale green wing whose rim is like a musical notation," before adding, "Have you noticed?" The role of danger or evil in this Eden is mostly unacknowledged: "... the things of this world / ... are kind, and maybe// also troubled." (Oct.) Copyright 2006 Reed Business Information.
From The Critics
Oliver, an award-winning "nature poet" with an eclectic following, here reveals an early desire that may come as a surprise to some readers: "I had such longing for virtue, for company./I wanted Christ to be as close as the cross I wear. I wanted to read and serve, to touch the altar linen." Some poems address God, while others discuss the world: a delicate moth, a dear friend, the dog, Percy. Bereft after the death of her longtime partner, Oliver finds strength in a stoic struggle toward pure love that transcends one person. In this frame of mind, even a late-day walk in a snow storm brings comfort: "this world,/which is falling apart now,/which is white and wild,/which is faithful beyond all our expressions of faith." In these self-effacing poems, Oliver continues her work of loving the world, acknowledging that not all love is returned and that "in matters of love/of this kind/there are things we long to do/but must not do." For all collections.
—E.M. Kaufman

Product Details

  • ISBN-13: 9780807068960
  • Publisher: Beacon
  • Publication date: 10/4/2006
  • Edition description: None
  • Pages: 88
  • Sales rank: 443,439
  • Product dimensions: 6.50 (w) x 8.85 (h) x 0.55 (d)

Meet the Author

Mary Oliver is one of the most celebrated and best-selling poets in America. Her books include Red Bird; Our World; Thirst; Blue Iris; New and Selected Poems, Volume One; and New and Selected Poems, Volume Two. She has also published five books of prose, including Rules for the Dance and, most recently, Long Life. She lives in Provincetown, Massachusetts.

Customer Reviews
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  • Anonymous

    Posted April 8, 2010

    Is Oliver Thirsty Enough?

    No.

    1 out of 1 people found this review helpful.

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  • Posted February 20, 2010

    THIRST IS ELOQUENT AND MYSTICAL

    I was drawn to the title because living in the desert thirst is an ever present concern.

    I was delighted when I began reading THIRST to find it was about the other unquenchable THIRST in one's life, the search for peace and joy, and a higher being.

    Mary Oliver creates from her palate of words some of the most wonderful places a reader would want to go. The poetry style is easy reading. I would classify her writing as excerpts of insights rather than poems.

    Mary Oliver's THIRST enlightened my mind and delighted my soul. I would encourage anyone who is seeking peace, quite, and perhaps even their God, to read THIRST, Poems by Mary Oliver.

    1 out of 1 people found this review helpful.

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  • Posted May 16, 2009

    more from this reviewer

    Deeply moving

    I found Thirst to feels like a book of prayers and not poetry. It was warm and welcoming and just what I needed to help me through a dark time in life.

    1 out of 1 people found this review helpful.

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  • Posted April 9, 2010

    I Also Recommend:

    Oliver touches my soul once again

    OLIVER, Mary. Thirst: Poems by Mary Oliver. Beacon Press. 2006. 71 p. 5 stars.

    Winner of the National Book Award and the Pulitzer Prize for Poetry, Mary Oliver has penned another collection of forty-three moving and meaningful poems. Coping with the loss of her lifelong partner, Oliver's latest book contains poems full of grief, confusion and spiritual hope. Similar to her other works (of which there are over 20), Thirst focuses on the themes of the natural world, the fluid physical environment and living beings; as a result Oliver presents us with a heart-felt, basic and pure way of looking at life (and death as a part of life). "Wherever else I live-in music, in words, in the fires of the heart, I abide just as deeply in this nameless, indivisible place, this world, which is falling apart now, which is white and wild, which is faithful beyond all our expressions of faith, our deepest prayers" (2-3). As always, Oliver is able to describe what we feel and see in a pure and remarkable way. She is not gratuitous with her words (some poems are only two sentences long) yet she conveys a sentiment or thought beautifully.
    The book's layout is simplistic; there are no illustrations except for the cover photograph. The cover art is made to mimic a linen journal. The font is the same throughout and basic in style. The reader is forced to focus on Oliver's poems, her words. Her basic themes and simple style allow readers new to the genre to approach poetry without feeling lost or overwhelmed. This volume would be suitable for high school readers and should be available to anyone with an appreciation for nature or life's trials and triumphs. After completing this collection, I can only say I was thirsty for more.

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  • Anonymous

    Posted October 13, 2010

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    Posted March 18, 2011

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    Posted November 6, 2009

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    Posted June 13, 2011

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