This Connection of Everyone with Lungs: Poems / Edition 1

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Overview


Part planetary love poem, part 24/7 news flash, the hypnotic poems of This Connection of Everyone with Lungs wrap with equal, angular grace around lovers and battleships. These poems hear the tracer fire in a bird's song and capture cell division and troop deployments in the same expansive thought. They move through concentric levels of association and embrace --from the space between the hands to the mesosphere and back again--touching everything in between. The book's focus shifts between local and global, public and private, individual and social. Everything gets in: through all five senses, through windows, between your sheets, under your skin.
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Editorial Reviews

Huffington Post - Seth Abramson

“Spahr's sprawling paean to humankind is by turns spiritual and political, philosophical and practical. Few books attempt this sort of range, and fewer still succeed as dramatically as does this one. . . . Those who worry that contemporary poetry has lowered its sights from the peaks of previous epochs—opting for form and technique over the grandeur of the human imagination—can read this book and be heartened.”
Joel Brouwer
The hard-won verdict that ends the book, ''all of us / with all of that,'' is ambivalent, emotionally difficult, as it must be. The book seems, finally, like poetry from the 21st century, poised between trying to vault from the flatness of this new world and trying to inhabit it fully.
&3151; The New York Times
Publishers Weekly
Innovative, incantatory, politically charged and decidedly accessible, Spahr's new volume consists of two linked prose poems, "Poem Written After Sept. 11, 2001" and the longer, more ambitious "Poem Written from November 30, 2002 to March 27, 2003." Both efforts imagine contemporary America ("how lovely and how doomed") as a polity nearly (but not quite) capable of collective action; as just one part of an interconnected globe; and as a place of isolated citizens, trying or failing to work together, especially in the protests that preceded-and failed to prevent-the war in Iraq. Like Claudia Rankine's Don't Let Me Be Lonely, Spahr's work suggests a wartime diary, though it's a diary that incorporates many rhetorical devices (anaphora, prosopopoeia, quasi-Homeric lists), along with many snippets from the daily news. In addition to two prior volumes of poetry, Spahr (Response) has published an influential critical study (Everybody's Autonomy) and co-edits a prominent journal, Chain, devoted to international mixed-genre writing. The openness, and the fire, Chain readers cherish also informs Spahr's smart, angry poetic prose. "I speak of those dead in other parts of the world who go unreported," Spahr insists, and "of those moments when we do not understand why we must remain separated." Addressing her readers as "Beloveds," Spahr returns over and over to "the unanswerable questions of political responsibility." If she finds few answers, she certainly knows how to ask. (June) Copyright 2005 Reed Business Information.
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Product Details

  • ISBN-13: 9780520242951
  • Publisher: University of California Press
  • Publication date: 4/1/2005
  • Series: New California Poetry Series
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 86
  • Product dimensions: 5.50 (w) x 8.25 (h) x 0.38 (d)

Meet the Author


Juliana Spahr is a poet, critic, and editor. Among her books of poems are Fuck You—Aloha—I Love You and Response, winner of the National Poetry Series Award. She coedits the international arts journal Chain with Jena Osman.
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Table of Contents


Acknowledgments

Poem Written after September 11, 2001
Poem Written from November 30, 2002, to March 27, 2003

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