This Is All: The Pillow Book of Cordelia Kenn

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Overview

“The masterpiece of one of young-adult literature’s greatest living writers.”—Booklist, starred review

Using a pillow book as her form, nineteen-year-old Cordelia Kenn sets out to write her life for her unborn daughter. What emerges is a portrait of an extraordinary girl who writes frankly of love, sex, poetry, nature, and, most of all, of herself in the world. As she attempts to capture “all” of herself on paper, Cordelia maddens, fascinates, and ultimately seduces the reader in this tour de force from a writer who has helped redefine literature for young adults. A book not to be missed by any serious reader.

Editorial Reviews

Publishers Weekly

While waiting for her baby to arrive, 19-year-old Cordelia Kenn constructs a pillow book, a collection of writings on various topics, "a portrait of myself as a teenager." She hopes that when her daughter (she knows it's a girl) turns 16, the two can read the book together, to "find out how similar we are and how different." After a brief introduction, Cordelia begins recounting her experiences from three months before her 16th birthday, when she selects 18-year-old William Blacklin as her first boyfriend for "all-out, all-in-all, all-the-way-sex," prompted by a magazine article stating that "the average age when girls... `lost their virginity' was sixteen years and three months." Chambers (Postcards from No Man's Land) starts with a promising premise: the tender relationship that grows between Will and Cordelia. The ensuing discussions (between Cordelia and Will, and also between Cordelia and her aunt) about first love and the role sex plays in a relationship provides much food for thought. However, this 800-page tome starts to ramble after about 200 pages, and may cause readers to lose interest in Cordelia's ruminations. Her narration chronicles her sexual history not only with Will, but with a 50-year-old man, plus her kidnapping and attempted rape by an acquaintance. Readers may well ask why, out of the myriad experiences a teen may wish to record for posterity with the express idea of sharing it with her child, would the heroine choose to focus almost exclusively on her sexual experiences. Ages 16-up. (Oct.) Copyright 2006 Reed Business Information.

Children's Literature - Elisabeth Greenberg

Cordelia Kenn's engaging voice leaps right into your brain, capturing all the focus and contradiction of adolescence. Intimate and revelatory, her narrative to her unborn child plays with words and concepts as she picks through the minefield of her life from fifteen to nineteen, showing just how and when and why her child was conceived. The first section of the book covers Cordelia's decision to lose her virginity before the "average" sixteen years and three months cited in a newspaper. She carefully targets her boy-man and entices him with a request to practice an oboe-piano duet. Then she is overtaken with sheer love … or is it lust? Together Cordelia and William Blacklin discover honesty and truth, love, passion, ritual, ceremony, and the delights of a sexual relationship. Laced with Cordelia's own private writings (Cordelia's Mopes) and excerpts from Japanese poetry and pillow books, this complex book works on many levels--plot, psychology, language, humor, passion, poetry--to engage adolescent readers who are themselves figuring out who they are and who they want to become. This book would work well in a mother/daughter book club to assist in addressing a thoughtful transition to sexual maturity, but will most likely be read by girls on their own. It is labeled "for the mature reader" and has been marketed to adults as well as adolescents.

VOYA - Florence H. Munat

As the title suggests, this volume is a compilation of thoughts, actions, and reflections of Cordelia Kenn, from age fifteen when she falls in love with Will Blacklin until she is almost twenty and pregnant. Inspired by the thousand-year-old Pillow Book of Sei Shonagon, a gift from her best friend Izumi, Cordelia combines her writings from this period with words addressed to her unborn daughter. She plans to give this pillow book to her daughter on her sixteenth birthday. Much of the novel describes her relationship with Will-from awkward teenagers playing Schumann's pieces for piano and oboe, to tender lovers, to their devastating break-up after Will goes to college, to their reunion and decision to live together. But there is also much about her relationships with her widowed father, her maternal aunt Doris, Will's gay friend Ariel, her thirty-year-old married employer with whom she has a disastrous affair, a female teacher who becomes her best friend, and others. Sections of the book contain Cordelia's ruminations on meditation, religion, masturbation, worrying, and more. Book Two (The Green Pillow Box) assumes an unusual format: The narrative continues on the right-hand page (marked "b" under each page number), while the left-hand pages ("a") contain a collection of stories, poems, lists, and reflections by Cordelia, which are only peripherally related to the plot. Thus, to follow the story line, one reads the "b" pages only. This odd structure is not easy to figure out and might deter readers or cause some to quit. If there is a book that presents a more comprehensive picture of a teenaged girl's psyche-with its inherent confusions, conflicts, insights, maturities, andimmaturities-this reviewer has not found it. Cordelia is smart, funny, wise, compassionate, talented-and fearful, willful, childish, exasperating, inexperienced. Chambers is masterful at getting inside a young girl's head and exploring her life. The story never hits a false note as it details the conflicted nature of adolescence. This lengthy book will attract older teens seeking a leisurely, rewarding read.

School Library Journal

Gr 9 Up-Cordelia Kenn is 19 and happily expecting a baby girl. She writes a series of pillow books-Japanese diaries of total disclosure-to her unborn daughter. First, she describes her courtship with Will, her first love. The lengthy second book tells two stories, one on every other page. The remaining books describe her affair with a married man, an intimate friendship with a female teacher, and her reunion with her beloved. Cordelia writes of her life and desires with thrilling abandon and unabashed sexuality, and her first book-with its breathless pace, come-hither conversation, and chase and catch-is a whirling, delicious sex bomb. The form of the second book is jarring and infuriating if read in sequence, yet it's too disheartening, in a book of this size, to read one story and turn back 200 pages for the other. The real challenge for teens, though, is pages and pages of Cordelia's bad poetry and precious, banal, and often crushingly boring musings. Chambers's male characters are perfectly realized, and he hits bright, insecure Will right on the familiar, frustrating male teenage head. Unfortunately, Cordelia reeks of male fantasy, and Chambers's strings are evident as she and a friend write on each other and roll around naked; as she purports to love menstruation; as she expounds upon breasts ad nauseum. By the last third of the novel, even the formerly crisp dialogue often sounds like philosophical discourse. Cordelia's excruciating musings continue to intrude upon her last three books, and the electric promise of the first section is never fulfilled.-Johanna Lewis, New York Public Library Copyright 2006 Reed Business Information.

Kirkus Reviews

With profound respect for readers, Chambers again stretches the YA genre to its edges and beyond. As a future gift to her almost-born daughter, Cordelia records the stormy, passionate story of her life from age 15 to 20 in the form of Japanese "pillow books." She's a great fan of Shakespeare and Dickinson; her own voice is philosophical and meaty, cerebral and emotional. She intellectually chooses schoolmate Will as partner for her "first sex" but falls head-over-heels in love with him, and here lies the story's heart. Chambers makes Cordelia utterly frank about sexual and biological details. Other arcs include Cordelia's enigmatic bond with a teacher (never fully graspable), her musings about the roles of poetry and piano in her life, and Will's passion for trees. Some reflections are written directly after an event, others with years of perspective; it is these years, not always identifiable, that render the piece a YA/adult crossover. Characters are intricate and sometimes infuriating, moments of horror stunning and unforeshadowed. Ambitious, imperfect, challenging and powerfully affecting. (Fiction. YA)

Product Details

ISBN-13: 9780810995505
Publisher: Abrams, Harry N., Inc.
Publication date: 5/1/2008
Pages: 832
Sales rank: 464,177
Age range: 12 years
Lexile: 900L (what's this?)
Product dimensions: 5.25 (w) x 8.50 (h) x 2.13 (d)

Meet the Author

Aidan Chambers is the author of the highly acclaimed sequence of young adult novels that began with Breaktime and continued through Dance on My Grave, Now I Know, The Toll Bridge, Postcards from No Man’s Land, and This Is All, the last in the sequence. Aidan has won numerous awards, including the Carnegie Medal, the Michael L. Printz Award, and the prestigious Hans Christian Anderson Prize for his body of work. He lives in Gloucester, England, with his American wife, Nancy. Visit his Web site at www.aidanchambers.com.

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Editorial Reviews

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Children's Literature - Elisabeth Greenberg

VOYA - Florence H. Munat

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This Is All: The Pillow Book of Cordelia Kenn

Overview

Pick Up In Store

All Available Formats & Editions

Customers Who Bought This Also Bought

More About This Book

Overview

Editorial Reviews

Publishers Weekly

Children's Literature - Elisabeth Greenberg

VOYA - Florence H. Munat

School Library Journal

Kirkus Reviews

Product Details

Meet the Author

Customer Reviews

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great read, worth the cash