This Is All Yours

This Is All Yours

by Alt-J
     
 

View All Available Formats & Editions

The 2012 Mercury Prize winners begin their sophomore outing with the subversively titled "Intro," a four-and-a-half-minute highlight reel of what's to come that pairs the monastic chanting that prefaced An Awesome Wave's first single, "Fitzpleasure," with a pastiche of new age and worldbeat-blasted ambient pop that suggests

Overview

The 2012 Mercury Prize winners begin their sophomore outing with the subversively titled "Intro," a four-and-a-half-minute highlight reel of what's to come that pairs the monastic chanting that prefaced An Awesome Wave's first single, "Fitzpleasure," with a pastiche of new age and worldbeat-blasted ambient pop that suggests Mogwai by way of Peter Gabriel's Real World studios circa 1990 -- it's both planetarium laser light show and art installation ready. The muted yet equally heady "Arrival in Nara," all fingerpicked electric guitar and diffusive synths, and its more muscular yet no less monkish second half, "Nara," do little to rein in the holistic atmosphere that's so decisively laid out in the remarkably potent This Is All Yours' opening moments, which makes the arrival of the punchy, carnally minded "Every Other Freckle" and the meaty, Anglo-Motown thump of "Left Hand Free" so thrilling, but hardly unexpected. After all, this is a band that proved with its debut that it can go from icy, distant, and often excruciatingly beautiful to downright feral at the crack of a snare drum (or pots and pans, as the group's humble, dorm room beginnings often required), and This Is All Yours does little to tarnish their reputation as choirboys with dark passengers. That penchant for edgy refinement, along with frontman Joe Newman's elastic voice, remains the band's most effective weapon, but it's hard to pinpoint where and when that magic occurs, as it's so effortlessly woven into the group's sound. It's somewhere in between the autumnal and apocalyptic, Miley Cyrus-sampling "Hunger of the Pine," the bucolic, recorder-led "Garden of England," and the oddly soulful, midnight-black posturing of "The Gospel of John Hurt," and it gets under your skin, where it somehow manages to both hurt and heal.

Product Details

Release Date:
09/23/2014
Label:
Atlantic
UPC:
0075678672132
catalogNumber:
544502
Rank:
10826

Related Subjects

Tracks

Album Credits

Performance Credits

Alt-J   Primary Artist
Conor Oberst   Vocals
Trevor Mires   Euphonium,Bass Trombone,Tenor Trombone
Lianne La Havas   Vocals
Kirsty Mangan   Violin,Viola
Rachael Lander   Cello
Brett Cox   Guitar
Sivu   Vocals
Marika Hackman   Vocals
Angela Ricci   Background Vocals
Laura Barnes   Background Vocals
Deborah Hamilton   Background Vocals
Beth Higham-Edwards   Marimbas
Tim Rundle   Penny Whistle,Tenor Recorder

Technical Credits

Bill Withers   Composer
Skip Scarborough   Composer
Pharrell Williams   Composer
Charlie Andrew   Programming,Producer,Engineer
Miley Cyrus   Composer
Thom Green   Composer
Cornell Haynes   Composer
John Bayley   Composer,Lyricist
Kirsty Mangan   String Arrangements
Alt-J   String Arrangements
Brett Cox   Engineer
Joe Newman   Composer
Gus Unger-Hamilton   Composer
Will Gardner   Arranger

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >