This Is How You Die: Stories of the Inscrutable, Infallible, Inescapable Machine of Death

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Overview

If a machine could predict how you would die, would you want to know? This is the tantalizing premise of This Is How You Die, the brilliant follow-up anthology to the self-published bestseller, Machine of Death.

THIS IS HOW YOU DIE
Stories of the Inscrutable, Infallible, Inescapable Machine of Death

The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could...

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This Is How You Die: Stories of the Inscrutable, Infallible, Inescapable Machine of Death

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Overview

If a machine could predict how you would die, would you want to know? This is the tantalizing premise of This Is How You Die, the brilliant follow-up anthology to the self-published bestseller, Machine of Death.

THIS IS HOW YOU DIE
Stories of the Inscrutable, Infallible, Inescapable Machine of Death

The machines started popping up around the world. The offer was tempting: with a simple blood test, anyone could know how they would die. But the machines didn't give dates or specific circumstances-just a single word or phrase. DROWNED, CANCER, OLD AGE, CHOKED ON A HANDFUL OF POPCORN. And though the predictions were always accurate, they were also often frustratingly vague. OLD AGE, it turned out, could mean either dying of natural causes, or being shot by an elderly, bedridden man in a botched home invasion. The machines held onto that old-world sense of irony in death: you can know how it's going to happen, but you'll still be surprised when it does.

This addictive anthology—sinister, witty, existential, and fascinating—collects the best of the thousands of story submissions the editors received in the wake of the success of the first volume, and exceeds the first in every way.

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Editorial Reviews

From Barnes & Noble

Close your eyes and imagine a machine that could predict how you would die. Its prognostications are infallible, but vague: "cancer"; "old age"; "drowned"; "choked". Would you accept the dare to learn the end of the final chapter of your life? Would learning it lift your anxieties or leave you on tenterhooks? This trade paperback and NOOK Book original anthology enables you to watch in comfort as very mortal fictional beings contemplate final eventualities. A surprisingly witty, sinister, captivating look at the least avoidable topic. (P.S. This gathering is the much-requested follow-up to the surprise top-seller Machine of Death.)

Publishers Weekly
This sequel to Machine of Death presents more tales and comics about the infallible contraption that tells you how you will die, but not when or where. The predictions are often cryptic—“old age” could mean getting gunned down by an angry senior citizen—but always enlightening. Sherlock Holmes encounters an MoD in John Takis’s “Apitoxin,” while another is preserved into the far future in Erika Hammerschmidt’s ”Furnace.” An intrepid PI uses MoD result slips to hunt a serial killer in Daliso Chaponda’s “Screaming, Crying, Alone, and Afraid.” Richard Salter’s choose-your-own-adventure-styled “Your Choice” lets the reader select an ending. Not every story ends with death, but each does an interesting job of presenting characters’ reactions—resignation, defiance, joy—to acquiring this incredible knowledge. This fun, thoughtful, and sometimes dark anthology will stir readers to wonder about their own “results.” (July)
From the Publisher
Praise for THIS IS HOW YOU DIE:

"THIS IS HOW YOU DIE is a brilliantly addictive book that reads like a series of existential, death-obsessed Twilight Zone episodes. It's a book that can somehow make "brain toxoplasmosis" jump right off the page. It's fun and twisted, but also surprisingly deep and almost meditative in parts. Very highly recommended." -Seth Grahame-Smith, New York Times bestselling author of Abraham Lincoln: Vampire Hunter and Unholy Night

"This volume takes the already cool concept and pushes it in dozens of fantastic new directions." -Brandon Sanderson, #1 New York Times bestselling author of the Mistborn trilogy and Robert Jordan's The Wheel of Time series

Praise for Machine of Death:

"Machine of Death is a marvelous collection, riddled with intelligence, creative reach, and a frankness that makes the best use of the central gimmick."
The Onion A.V. Club

"Recalls the best writings of Harlan Ellison and Charles Beaumont.... Machine of Death brought me laughs, terror and tears....Highly recommended."
Paradox Magazine

From the Publisher
Praise for THIS IS HOW YOU DIE:

"THIS IS HOW YOU DIE is a brilliantly addictive book that reads like a series of existential, death-obsessed Twilight Zone episodes. It's a book that can somehow make "brain toxoplasmosis" jump right off the page. It's fun and twisted, but also surprisingly deep and almost meditative in parts. Very highly recommended." -Seth Grahame-Smith, New York Times bestselling author of Abraham Lincoln: Vampire Hunter and Unholy Night

"This volume takes the already cool concept and pushes it in dozens of fantastic new directions." -Brandon Sanderson, #1 New York Times bestselling author of the Mistborn trilogy and Robert Jordan's The Wheel of Time series

Praise for Machine of Death:

"Machine of Death is a marvelous collection, riddled with intelligence, creative reach, and a frankness that makes the best use of the central gimmick."
--The Onion A.V. Club

"Recalls the best writings of Harlan Ellison and Charles Beaumont.... Machine of Death brought me laughs, terror and tears....Highly recommended."
--Paradox Magazine

Library Journal
Using a simple blood test to calculate mortality patterns in individuals, the Machine of Death produces slips of paper identifying a person's manner of death. How that demise takes place—or when—is the subject of 31 stories and 13 comic strips contributed by authors, illustrators, and graphic artists selected by the editorial committee. This follow-up to Machine of Death: A Collection of Stories About People Who Know How They Will Die demonstrates that knowing is not always understanding. Each story is paired with a full-page illustration, while single-page comic strips tell their own compressed stories with wit and skill. VERDICT Most of the stories here show an ingenious approach to the anthology's theme; together, they construct a compulsively readable journey into the uncertain future.
Kirkus Reviews
In this anthology, contributions from authors across a spectrum of genres yield stories about a fantastical Machine of Death, "which can predict anybody's ultimate fate based on a simple blood test." This is the follow-up volume to the popular self-published anthology Machine of Death (2010). To recap, in 2007, Bennardo, Malki and North solicited stories from contributors, with one caveat: Each story had to involve the Death Machine, a device that would analyze a drop of blood, then would generate a slip of paper telling the person how he or she would die. In this second volume, the editors narrowed over 1,700 submissions down to 31 stories, punctuated by 13 comics. While readers might expect a wide swath of sci-fi, the entries (with names like "Bite Wound," "Got Too Extreme" and "Massive Blood Loss") are more diverse than that. "Apitoxin" unreels a classic Sherlock Holmes whodunit, while "Lazarus Reactor Fission Sequence" is old-school sci-fi in the flavor of Harry Harrison or Martin Caidin. One of the great stories, "Cancer," tells the tale of a woman whose cells hold a secret à la Henrietta Lacks, and "Your Choice" offers a Choose-Your-Own-Adventure mortality story. Whether the cause of death is "Screaming, Crying, Alone, and Afraid," "Blunt Force Trauma Delivered by Spouse," "Peacefully" or "Old Age," none of the stories unravel in the way one might think. Funny, frightening, clever; no one in these stories emerges unscathed.
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Product Details

  • ISBN-13: 9781455529391
  • Publisher: Grand Central Publishing
  • Publication date: 7/16/2013
  • Pages: 512
  • Sales rank: 366,211
  • Product dimensions: 6.12 (w) x 8.82 (h) x 1.30 (d)

Meet the Author

Matthew Bennardo is a writer and editor from Cleveland. His short fiction has been appearing in print and online for over a decade, with pieces in Asimov's, Strange Horizons, Daily Science Fiction, Shimmer, among others.

David Malki ! is the Los Angeles-based author of Wondermark, a comic strip available online and in collections from Dark Horse Books, one of which was nominated in 2009 for the Eisner Award (the highest honor in comics) for "Best Humor Publication." He also holds the distinction of having written the longest article ever published by Poets & Writers Magazine.

Ryan North is the Toronto-based author of the online Dinosaur Comics, one of the internet's most popular comic strips. He's also currently the writer of the Adventure Time comic book from BOOM! Studios, based on the television show.

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Read an Excerpt

This Is How You Die

Stories of the Inscrutable, Infallible, Inescapable Machine of Death


By Matthew Bennardo, David Malki, Ryan North

Grand Central Publishing

Copyright © 2013 Matthew Bennardo David Malki Ryan North
All rights reserved.
ISBN: 978-1-4555-2939-1



CHAPTER 1

OLD AGE, SURROUNDED BY LOVED ONES


The "coming soon" sign was gone, and in its place stood a shining silver booth. Leah stopped, fascinated, looking at the machine.

For a brief moment, she waffled over the decision, but it wasn't in her nature to be indecisive. Leah got things done. Every performance appraisal she had ever received had said so—though sometimes there was a gentle hint that she didn't always have to act immediately, that she could allow herself to think things over a little more.

But even that slight criticism had never been partnered with any real examples of when she'd made the wrong decision.

Leah had instinct.

Had anyone who'd known her been nearby when Leah Cole stepped into the small booth, they wouldn't have been surprised. She read the instructions, swiped her credit card, agreed to the terms and conditions without really reading them, and then watched as the machine ran through its cleaning cycle and presented her with a single sharp needle.

She pressed her thumb against it, feeling the slight sting of the needle. The machine beeped, and she pulled her thumb away. The needle retracted.

A moment later, there was a slight hum and a small piece of paper clicked with finality into the tray. Leah reached down and picked it up with her other hand, tucking her pricked thumb into her mouth. Just as she pulled the small white piece of paper free, there was another hum and a second piece of paper clicked into the tray.

Leah blinked, then took the second piece of paper as well. She read them both.

After work, Leah dialed the 800 number on the back of the slips of paper and waited.

"Alexandria Corporation," a gentle-voiced man answered the phone. "This is Nicolas. How may I direct your call?"

"I took the test this morning at the new booth in the Byward Market," Leah said. "But I think your machine is defective."

Nicolas didn't sound bored exactly, but he certainly didn't sound worried about the state of the machine. "In what way do you think there's a defect?"

"It gave me two contradictory results, on separate papers."

Nicolas paused. When he spoke next, he sounded interested. "Two results?"

"Yes," Leah said. "And it wasn't someone else leaving a copy behind in the machine—they both printed out after I gave my blood sample. I checked your website—the ID codes printed at the bottom of the paper are identical. It generated two results for me."

"I'm going to transfer you," Nicolas said.

Leah waited.

Nicolas transferred her to a woman named Alia, who then transferred her to a Dr. Lindsay Brine. Leah was growing impatient—not an unusual state—but she forced herself to take a breath and explained everything to the doctor.

Again.

The response sent a shiver up her spine.

"Are you a twin?" she asked.

Leah swallowed. Her throat felt tight. "Yes."

"Identical, I'd assume?" Dr. Brine pressed.

"We're mirror twins, if you know what that means."

"I do," Dr. Brine replied. "This has happened once or twice before. If you ask your twin to take the test and you get the same results, I'm afraid that's the only answer we can give you. I'll have my assistant, Audrey, refund your activation fee."

Leah said nothing. Her mind spun.

"Miss Cole?"

"Yes," Leah said. "Thank you."

"You're welcome." Dr. Brine seemed anxious to end the call.

Leah obliged.

Then she called Julia.

"Not on your life," Julia said.

Leah sipped her latte, looking at her sister with the same mix of feelings she always had: love, protectiveness, and total frustration.

Julia had kept her hair long once the twins had been old enough to make their own decisions. Their mother had always dressed them in matching outfits and given them the same short haircut, and while that hadn't bothered Leah, it had driven Julia crazy. Now that they were adults, Julia's chestnut hair fell just past her shoulders, unlike Leah's chic Hepburn style. Julia wore soft pastels where Leah favored rich jewel tones. Julia wore no jewelry aside from her wedding band. Leah decorated her ears, throat, wrists, and fingers with simple silver pieces she'd had made personally for herself.

And still the waitress had exclaimed, "You two are twins, right?"

"No," Leah had said. "This is my girlfriend." The waitress had flushed and stammered and taken their order.

Julia had given Leah a rare smile of conspiracy. "You're terrible."

Leah had shrugged and then launched into her reason for calling. "So. Here's what happened."

Julia had listened, frowning with distaste when Leah had begun the tale and then glaring by the end of the description of what had happened.

"And that's the problem," Leah said. "I've got two results, and they're mutually exclusive, so the doctor asked if I was an identical twin, which would mean that one of them is for me, and one is for you."

"I don't want to know what either of them says," Julia snapped, holding up a hand.

Leah sighed. "You don't?"

"Don't sigh at me. And no, I don't." Julia put her coffee down with finality. "I don't know why anyone would want to know. It's ... morbid. What if it said something like 'childbirth'? Tristan and I are trying for a child—you know that. It would change everything."

"Well." Leah had frowned, thinking that Julia was missing the point entirely—you couldn't avoid death, she felt. Knowing ahead of time at least meant you could live accordingly. "It helps you plan ahead."

"Some of us like surprises."

Leah crossed her arms. "The doctor said that if you took the test and it gave the same two answers, then I'd know that this was the reason for the two results."

Julia hadn't taken any time to ponder the question. As she shut Leah down, Leah couldn't help but think that this was one instance where they were indeed identical.

Left with no way to confirm a flaw in the machine—or to confirm that she'd have to be happy with two options for her life's ultimate end—Leah had gone back to work, tucking the two slips of paper into her purse and pulling them out every now and then to look at them.

Just in case, she decided to stop drinking alcohol, though the rational part of her mind reminded her that so far, no one had ever managed to avoid what was printed on the little pieces of paper the booths handed out. They were always right. But if that particular result was hers, there was no way to know if she could at least delay things. She decided to try.

Life went on. Her sister and Tristan had her over for dinner for the big announcement and then e-mailed her pictures of Julia's ever-expanding belly over the weeks that followed. Leah immediately bought expensive clothes that Julia insisted were too much and too stylish for a baby to wear—especially since the baby would grow out of them so quickly.

Leah helped her sister decorate the nursery once they'd learned they were having a little boy and tried not to comment too strongly on the stereotypical blue color or the cowboy theme. After they'd finished putting up the borders, the two sisters had moved to the kitchen and sat down at Julia's table.

"Being pregnant suits you," Leah said with a smile.

Julia burst into tears.

Leah jumped up, embracing her sister out of habit, but lost as to the cause.

"What's wrong?" she asked, squeezing Julia's shoulders tightly.

"I took the stupid test!" Julia wailed. "I kept thinking about what we talked about, and then I started wondering, what if there was something horrible that was going to happen to me before our baby grew up? And then I thought about how our dad died when we were little, and how horrible that was ... and I couldn't help it ..." Julia sniffled, wiping her nose. "But I can't do it." She sighed. "I just ... I just can't do it."

"I don't understand," Leah said.

Julia pulled out her purse and opened it. She dug inside, pulling out an envelope that she'd obviously gotten from an ATM.

"I didn't look at them; I just put them in here," Julia said. She took a shaky breath. "It gave me two. All I want to know ..." She swallowed and handed the envelope to Leah. "All I want to know is that it has nothing to do with being pregnant. And that it doesn't say I'll die before I get to see my baby grow up."

Leah opened the envelope and pulled out the two slips of paper.

"They're the same as mine," she said, then looked up at her sister. "And don't worry. Neither of them is about pregnancy, and they don't say anything about dying young. In fact—"

"Stop!" Julia raised a hand. "I don't want to know."

Leah bit her lip, considering. Then she nodded and put the slips back into the envelope.

"If you call the company and tell them what happened, they'll refund your test payment," she said.

"I never want to think about that again," Julia said.

Graham was born, and Leah found out that she did have a mothering gene after all—though she truly enjoyed handing Graham back to her sister when she was ready to go home and have a long hot bath. Tristan was a natural at being a dad, and Julia had never seemed happier.

"I'm a mother," Julia kept repeating whenever Graham was sleeping in her arms. "I'm a mother." From her sister's lips, Leah thought this sounded like the highest accomplishment of humankind. Leah felt a surge of fierce love for her sister, and the two were closer than they'd been in years, spending more time together than they had since they were teens.

When Julia bobbed her hair short, Leah began growing hers out. Julia must have noticed, but she didn't say anything.

Leah babysat on Saturday nights, so her sister and Tristan could enjoy an evening out—usually just dinner and a movie. It wasn't a chore, even when Graham was grumpy and refused to sleep. Leah generally read a book, the baby monitor tucked on the table beside her, and found herself feeling oddly content.

The phone rang harshly on one of those nights, and she scooped it up, annoyed at herself for forgetting to turn off the ringer and hoping that it hadn't woken Graham.

"Hello?" she asked, ready to tear out the throat of a telemarketer.

"Leah?" Leah barely recognized the voice, it was so ragged and raw.

"Tristan?" Her heart began to pound. "What's wrong? Where are you?"

"We're at the hospital."

A truck had run a red light and slammed into the passenger side of their car. Tristan's head was wrapped with bandages, two cracked ribs were bundled tight, and he was covered in small scrapes and cuts.

Julia had been in surgery for nearly three hours.

Tristan lay in his hospital bed, staring out the window of his room into the night.

Leah sat beside him, waiting for the doctor to return. Graham was bundled in a carrier and fast asleep despite the background noises of the hospital.

When the doctor came in, his face said it all.

"No," Tristan said, and his eyes grew wet.

Leah rose. "Tell me."

The doctor regarded her a moment, then spoke. "There are some major internal injuries. She lost a lot of blood. We had to remove her spleen and one of her kidneys. And the other kidney ..." He took a breath. "We had to stop surgery. But her remaining kidney has also been damaged. Once she's well enough for surgery again, we can go in and we might be able to correct the damage, but—"

Leah's eyes blurred. She gripped the arms of the chair and tried to hold on to consciousness. This couldn't be happening.

"—would be the preferred option."

Leah frowned, coming back. "What did you say?"

Beside her, Tristan was crying quietly.

"Oh, thank God," he said.

The doctor repeated himself.

Leah made a decision.

At Graham's first birthday, Julia watched him frown at the candle and laughed when Tristan tried to get him to blow it out. None of the children really seemed to understand what the party was about, but the parents had fun, and the cleanup wasn't so bad. None of the kids had much cake, and Julia knew she'd probably end up throwing most of it out—assuming her husband didn't eat it all in the next two days.

The presents had all been opened—an excruciatingly slow process given Graham's preoccupation with the shiny red paper on the first gift, which he would have been happy to play with for the entire afternoon. There was only one thing left, and Julia was dreading it with her entire being.

But Tristan took Graham for his nap, and she was alone.

Now or never, she thought.

She pulled the sealed envelope from her purse and looked at the handwriting. Her sister's perfect penmanship had always annoyed her as a child. Leah's impulsiveness seemed at odds with her perfectly crafted letters, and Julia's own handwriting was terrible. Tristan said she should have been a doctor.

Open Me at Graham's First Birthday, the envelope said.

For a long moment, she wondered if she should just throw it out, but she knew she wouldn't. Finally, she slid open the envelope and pulled out the letter. It was a single page alongside two small pieces of paper, which were folded in half. Julia swallowed when she recognized them.

The letter wasn't long, which both relieved and saddened her.

Julia,

The difference between certainty and a chance is love. I never thought I'd wish with all my heart to be the one getting the second result, but right now I do. I hope you will understand why I'm doing this, and I hope that you'll read this someday. The doctor said he could operate on your kidney and he might be able to save it. Or I could give you one of mine. I'm going to give you one of mine. I know what that might mean for me, but I know what it might mean for you, too. I promise you that I thought this decision through.

Kiss Graham for me.

Love, Leah


Julia swallowed a lump and then fished out the two pieces of paper. She sighed, closing her eyes for a moment, and then opened the first.

Kidney operation, it said.

Julia felt her eyes brim with tears and allowed herself to cry. She opened the second.

It said, Old age, surrounded by loved ones.

"Thank you," Julia whispered, and then went to kiss her son.

Story by 'Nathan Burgoine

Illustration by Danica Novgorodoff


ROCK AND ROLL

"okay, kids, it'll be just another five minutes or so. You just sit tight, now." The man flashed a hurried smile to the three young teens before disappearing once again. His unnaturally dyed hair portrayed an almost pitiful desire to look much younger than he was, to fit in with these kids who were easily thirty years his junior. His hair was matched by his shiny leather vest and spastically accessorized pants.

The man's words made Amanda suddenly aware that the three of them had been sitting in complete silence the entire time. She had been gazing at the laminated badge she had been given, attached to a green fabric neck strap. "Backstage Pass," it read in bold letters at the top, with the logo of the tour printed beneath it. The colors of the logo didn't quite line up, making the graphic appear as though it had purple shading on the left side and bottom.

The girl next to Amanda seemed to have the same realization and turned quickly to Amanda. "I'm Julie," she said, sticking out her hand.

"Amanda," she replied, clasping Julie's hand. Amanda blushed a little as she realized that her hand was sweaty because she was so nervous, especially compared to Julie's oddly cold palm. She let go perhaps a little early, embarrassed, and was flustered when Julie held on for another awkward second. Amanda thought she saw the hint of a smirk in Julie's face.

"I'm Austin," said the boy on the other side of Amanda. He was in a wheelchair and wore thick-framed, yellowish-tinted glasses. As Amanda turned to shake his hand, she was thrown off a little by his eyes, one of which seemed to focus on a point a little behind her. His hand was a little warmer than Amanda's, which felt a little weird—but she held on this time, determined not to have the same problem she had with Julie. She looked back at Julie, expecting her to reach over and shake hands with Austin, but she didn't; Julie just looked at him as if to acknowledge his presence while still holding on to the faint smile from before.

"I like your purse," Amanda offered, turning again toward Julie and trying to regain some of the power that the handshake faux pas had taken from her. She didn't really feel strongly one way or the other about the purse, but it did seem to be an expensive designer bag, or at least a knock-off. Either way it struck Amanda as being something Julie must be proud of.


(Continues...)

Excerpted from This Is How You Die by Matthew Bennardo, David Malki, Ryan North. Copyright © 2013 Matthew Bennardo David Malki Ryan North. Excerpted by permission of Grand Central Publishing.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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  • Anonymous

    Posted July 22, 2013

    OMG!!!!

    This book came out one my birthday this year!!!

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    Posted July 17, 2013

    Great!

    Great!

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