This Kind of Love

( 5 )

Editorial Reviews

All Music Guide - Thom Jurek
This Kind of Love is Carly Simon's debut for Starbucks' Hear Music imprint, and it is even stranger than 2007's Into White, where the seed for this recording was sown. Simon was approached by no less than songwriter Jimmy Webb to make a Brazilian record. According to her notes, this was an event of pure synchronicity, as she had been listening to a great deal of Jorge Ben's and Caetano Veloso's music. That may be, but it was on Into White where she recorded Luiz Bonfá's classic "Manha de Carnaval," the theme from the film Black Orpheus. Webb arranged and co-produced the album with Frank Filipetti, who also engineered the session, with musical direction by longtime ...
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Editorial Reviews

All Music Guide - Thom Jurek
This Kind of Love is Carly Simon's debut for Starbucks' Hear Music imprint, and it is even stranger than 2007's Into White, where the seed for this recording was sown. Simon was approached by no less than songwriter Jimmy Webb to make a Brazilian record. According to her notes, this was an event of pure synchronicity, as she had been listening to a great deal of Jorge Ben's and Caetano Veloso's music. That may be, but it was on Into White where she recorded Luiz Bonfá's classic "Manha de Carnaval," the theme from the film Black Orpheus. Webb arranged and co-produced the album with Frank Filipetti, who also engineered the session, with musical direction by longtime collaborator Peter Calo. Some of the session players include the great percussionists Cyro Baptista and Rick Marotta; drummer Robby Ameen; bassist Lincoln Goines; Calo, Ben Mauro, David Saw, and others on guitars; and Webb doing everything from playing bass and acting as concertmaster to playing synth and piano. Simon is part of the band as a player this time out as well, playing piano and Fender Rhodes. Teese Gohl is back again doing orchestrations and Elena Barere acts as concertmaster on most tracks. Inspiration and intention aside, this is not a bossa nova record, nor is it a samba date. Not in the least. Brazilian musicians may be here, but they serve to enhance the spiritual aesthetic of this recording. Brazil and its music are present primarily as inspirations and references to the textures, sounds, atmospheres, and colors that evoke the lush sensuality of its landscape, music, and people. There are Brazilian-style cuts here, such as "Hola Soleil," written by Simon, her son Ben Taylor, and Jacob Brackman. The guitars are pure samba, and the contrapuntal percussion lines of Baptista and Marotta wrap themselves around the sensuous guitar lines that rely as much on jazz as samba, as Simon's vocals are underscored and highlighted by strings and an 11-member children's choir. In contrast, Webb's "The Last Samba," written especially for Simon, uses a stripped-down band led by Webb with Marotta on cahones, a lilting flute solo by Aaron Heick, and a lovely upright bassline by Goines. The rhythms may be samba crisscrossed with bossa, but the melody is pure Webb adult pop. It's slow and sexy, and Simon in her lower register is positively elegant in her delivery. Ben Taylor wrote the truly beautiful "Island," among the album's highlights with its shimmering acoustic guitar lines, percussive interplay by Ameen and Baptista, and the rock-solid bottom bassline of Goines. Simon pulls out the depth of feeling in the tune; she underscores every single sorrowful line with the professionalism and honesty that only a real songwriter can deliver. Daughter Sally Taylor wrote more in the Bahia vein on "When We're Together," which would also be a great selection for Michael Franks to cover. The Dobro touch by Calo is unexpected and quite pleasant, Simon's vocal quavering in its delivery here, offering a scintillating portrait of the first flush of new love. But the real delights are Simon's own songs -- she wrote or co-wrote ten of the 13 on the disc. The aching "So Many People to Love" is a sparse, spontaneous, sadly sweet finger-popping swing tune she wrote with Carole Bayer Sager. It doesn't sound like anything else here, but that's because Wade Robson, who did the vocal arrangement, also produced it and recorded it in a different place. This is the kind of pop song that is perfect for Simon's voice; it slips and slides in the same way Rickie Lee Jones' voice does. And the small graininess in her delivery brings out the soul that none of her standards records could. The skeletal guitar that accompanies her on the first lines of "Hold Out Your Heart" are quietly stunning. When the strings and backing vocals enter, they wipe away the years of "pop music progression" and take listeners back to a purer time -- when lyrics would communicate in sync with music written specifically to offer a dramatic aural portrait of an emotional slice of life or an episodic one. It's graceful and quite beautiful when it reaches up and everything swells. The only thing that doesn't work here is the weird take on rap that is "People Say a Lot," a jumble of Dobro, big strings, programmed loops, and Simon's delivery -- a square, stiff reading of old-school rap for the entire intro that becomes a vocal counterpoint exercise in show music. It should have been left off the set, period. Her wily flamenco-tinged "They Just Want You to Be There," while using simple vernacular, more than makes up for it, though. The set closes with "Too Soon to Say Goodbye," written as a eulogy for Art Buchwald at his request. It's a slow '70s-sounding singer/songwriter balladic waltz, kissed by the New York cabarets and Broadway. For Carly Simon's fans, this will ultimately be a most welcome return to her songwriting form. This is the best album of mostly original material she's cut since 1979's Spy.
Miami Herald
Like the best Simon albums, and this stylistically diverse collection ranks among her most melodic and pleasing, This Kind of Love captures an array of moods and universal conflicts with intelligence and depth.
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Product Details

  • Release Date: 4/29/2008
  • Label: Hear Music
  • UPC: 888072306622
  • Catalog Number: 30662
  • Sales rank: 138,391

Album Credits

Performance Credits
Carly Simon Primary Artist, Synthesizer, Acoustic Guitar, Bass, Guitar, Percussion, Piano, Electric Piano, Background Vocals
William Galison Harmonica
Vaneese Thomas Background Vocals
Jill Dell'Abate Background Vocals
Tawatha Agee Background Vocals
Robby Ameen Drums
Cyro Baptista Percussion
Elena Barere Conductor, Concert Master
Peter Calo Acoustic Guitar, Dobro, Guitar, Mandolin, Electric Guitar, Background Vocals, Musical Direction
Frank Filipetti Background Vocals
Lincoln Goines Bass, Bass Guitar
Teese Gohl Synthesizer
Aaron Heick Alto Flute, English Horn, Saxophone
Rick Marotta Percussion, Cahones
Fonzi Thornton Background Vocals
Michael Lockwood Guitar, Soloist
Benson John Brooks Children's Chorus
T-Bone Wolk Bass
Ben Taylor Acoustic Guitar, Background Vocals
Ben Mauro Guitar
Sherree Ford Brown Background Vocals
David Saw Guitar, Background Vocals
Technical Credits
Carly Simon Composer, Producer, Engineer, Liner Notes
Carole Bayer Sager Composer
Jimmy Webb Audio Production
Peter Calo Composer
Frank Filipetti Producer, Engineer, Audio Production
Teese Gohl Arranger, Orchestration, String Arrangements, Strings Orchestrator
Bob Ludwig Mastering
Sammy Merendino Programming
Sally Taylor Composer
Tommy Steele Art Direction
Jacob Brackman Composer
Wade Robson Composer, Producer, Vocal Arrangements, String Arrangements
Ben Taylor Producer, Engineer
David Saw Composer
Meghan La Roque Personal Assistant
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Customer Reviews

Average Rating 5
( 5 )
Rating Distribution

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(4)

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(1)

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Sort by: Showing all of 5 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Welcome Back Carly

    This is Carly's best CD in a long time. The writing, the performance, the arrangements, the variety -- all bring out a great musical delivery.

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  • Anonymous

    Posted October 1, 2010

    Great

    This CD is GREAT with the exception of track 3, this song should be given to a Hip Hop/Rapper, it was a total waste of a beautiful voice. Was it added to fill a gap ?

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  • Anonymous

    Posted October 1, 2010

    Some aweome songs

    I think its worth getting this cd at the Libray for tracks1,4,7,9-13 or buy. The rest of the songs just fell short of past cds& theses tracks not mentioned wre just ok.George

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  • Anonymous

    Posted October 1, 2010

    New classics from a great

    This is the best CD I have bought in years. Plenty of great songs, a beautiful voice, and great arrangements. One tends to forget quite easily how wonderful it can be to listen to truly gorgeous melodies, sung with gusto and intelligence. This is a must.

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  • Anonymous

    Posted October 1, 2010

    Cool Class from a Classic

    This legendary singer-song writer remains a classic for generations past, present and future, and this new release is consistent with that reputation. The mix is amazing: there is a song for just about everyone out there. I can't imagine anyone being disappointed accept to say it'll be hard to agree on which their favorite is. There's also clearly a little ode to Bossa Nova "maybe she's hip to the 50th anniversary of Bossa's birth this year"--"This Kind of Love", "Island " (Ben Taylor), "Hola Soleil","When We’re Together" (Sally Taylor) ,"Sangre Dolce" all have a distinct Bossa/Samba feel--gracefully not over done but rather true to both the artist as well as the genre. The eclectic mix from hip-hop/rap-like "People Say a Lot", to an epic "Last Samba" and the ballad "Too Soon to Say Goodbye" all are, again, an array of genres that very few artists could successfully pull off. "How can you ever forget" a David Saw very Brit-feeling creation is a very catchy less than 3 minute package of a melody you can't forget at all. This whole album has a feel of something really outstanding, some of the best new songs Ms Simon's written in years--which is saying something for an Oscar/Golden Globe/Multi- Grammy platinum artist that's part of the rare few that have remained at the top for almost 40 years.

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Sort by: Showing all of 5 Customer Reviews