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Above ground, the sandhogs--black, white, Irish, Italian--keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless ...
Above ground, the sandhogs--black, white, Irish, Italian--keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless and curse the next three generations.
Years later, Treefrog, a homeless man driven below by a shameful secret, endures a punishing winter in his subway nest. In tones ranging from bleak to disturbingly funny, Treefrog recounts his strategies of survival--killing rats, scavenging for discarded soda cans, washing in the snow.
"As luminescent as its name, resplent with dignity, this is one of the few novels in recent memory that I mourned even as I read." (Gail Caldwell, The Boston Globe)
"A rarity in this cool era-the urban saga with a social conscience, employing the large canvas once used by Steinbeck and Algren." (Ambrose Clancy, The Washington Post)
"Gritty, disturbing, and powerful . . . McCann is a fiercely original talent and a major one." (Andy Solomon, San Francisco Chronicle)
On the evening before the first snow fell, he saw a large bird frozen in the waters of the Hudson River. He knew it must have been a goose or a heron, but he decided that it was a crane. Its neck was tucked under its wingpit and the head was submerged in the river. He peered down at the water's surface and imagined the ancient ornamental beak. The bird's legs were spread out and one wing was uncurled as if it had been attempting to fly through ice.
Treefrog found some bricks at the edge of the path that ran along the waterfront, lifted them high, and flung them down around the bird. The first brick bounced and skidded on the ice, but the second broke the surface and animated the crane for just a moment. The wings skipped minutely. The neck moved in a stiff, majestic arc and the head emerged from under the water, gray and bloated. He rained the bricks down with ferocious intent until the bird was free to move beyond the ice to where the river flowed.
Tipping his sunglasses up on his forehead, Treefrog watched the bird float away. He knew it would sink to the sands of the Hudson or get frozen in the ice once more, but he turned his back and walked away through the empty park. He kicked at some litter, touched the icy bark of a crab-apple tree, reached the tunnel entrance, and removed both his overcoats. He squeezed his way into a gap in the iron gate and crawled through.
The tunnel was wide and dark and familiar. There was no sound. Treefrog walked along the railway tracks until he came to a large concrete column. He touched the column with both hands and waited a moment for his eyes to adjust; then he grabbed onto a handhold and, with spectacular strength, hauled himself up. He walked along the beam with perfect balance, reached another catwalk, and shunted himself upward once more.
In his dark nest, high in the tunnel, Treefrog lit a small fire of twigs and newspaper. It was late evening. A train rumbled in the distance.
A few pellets of ratshit had collected on the bedside table, and he swept them off before opening the table drawer. From the depths of the drawer Treefrog took out a small purple jewelry bag, undid the yellow string. For a moment he warmed the harmonica in his gloved fist above the fire. He put it to his mouth, tested its warmth, and pulled in a net of tunnel air. The Hohner slipped along his lips. His tongue flickered in against the reeds, and the tendons in his neck shone. He felt the music was breathing him, asserting itself through him. A vision of his daughter whipped up--she was there, she was listening, she was part of his music, she sat with her knees tucked up to her chest and rocked back and forth in childish ecstasy--and he thought once again of the frozen crane in the river.
Sitting there, in his nest, in the miasmic dark, Treefrog played, transforming the air, giving back to the tunnels their original music.
Posted September 8, 2009
This is a very interesting, but also very scary book. At times it was confusing to keep the players straight, so I read it through, then read it again with a note pad to understand it all -- the timeline, characters, different sects, etc. it was a good book group read since I could get other peoples opinions.
It did not know much about Mormons except they liked plural marriages, and what I'd read in the papers about the high-profile cases involving the fundamentalists. This book appears to go into the entire history of the religion, from it's very beginnings to the present. It discusses not only the fundamentalists but the mainstream Mormons also, giving you a good overview.
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Posted June 22, 2005
This book lacks both, but does contain clunky prose, awkward phrasing, and predictable plot lines. Read Birdsong by Sebastian Faulks if you want to read about tunnelers.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 17, 2002
Simply the best book I have read in years -- dark, challenging, redemptive, profound and quite simply a good read. As an African-American myself, I was surprised to find out he was notWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 21, 2001
Just wonderful. The language, the imagery, the human emotion. Dramatic, yes, but the emotions are real. The depiction of worlds and times previously unknown in such a personal intimate way really drew me in and I believed it all existed as he said! As incredible and romanticized as it all was. My new favorite book and I think it will be for awhile...Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 6, 2009
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