Those That Wake

Those That Wake

3.8 8
by Jesse Karp
     
 

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A post-apocalyptic near-future adventure wherein power plant explosion plunges New York into darkness and violence, and two teens struggle to create their future in a world ravaged by ecological disaster and corporate greed.See more details below

Overview

A post-apocalyptic near-future adventure wherein power plant explosion plunges New York into darkness and violence, and two teens struggle to create their future in a world ravaged by ecological disaster and corporate greed.

Editorial Reviews

Publishers Weekly
Karp debuts with a dark and often technophobic thriller that falters a bit with its premise, but nonetheless entertains. In the near future, after a terrorist attack has increased human isolation and dependency on corporations, two teens become the victims of a mysterious entropic force that causes people to be forgotten by everyone who has known them. Mal, 17, has led a tough life, living in foster care and taking out his aggressions in the boxing ring, while Laura's suburban life has been generally happy. As both are cut off from family and friends, they get pulled into a conspiracy involving a government agency, a hidden office building, and powerful mind control. Karp ably ratchets up the suspense, but the book's final revelation defies even generous suspension of disbelief. That stumbling block—as well as the chaotic ending—would be relatively minor if not for the frustrating second-half prominence of obnoxious and a consistently dislikable schoolteacher, who drags down every scene he's in. Mal and Laura's adventure and romance is still compelling, though, for those who stick with it. Ages 12–up. (Mar.)
From the Publisher
"This dystopian mind bender is quite complex, and the steadily building plot takes several mysterious twists. The book begins in a very realistic manner, introducing the teen protagonists as well-developed and likeable characters while systematically adding layers and new characters to their story. As the book nears its conclusion, that sense of reality shifts considerably and sometimes throws the reader off kilter. The story is quick moving and full of action, both physical and intellectual. While reluctant or struggling readers may find this book difficult to follow, it is highly recommended for teen and adult readers who are willing to take on a challenging read for the payoff of a well-written, intricately plotted story."—VOYA

"This first novel is an ambitious, cautionary—and even paranoiac—story of the soul-destroying power of a consumer society run amok and the near-cosmic forces it unleashes. It’s a fascinating premise, and though the page-turning action slows a bit in the second half to explore some of the more abstruse causes behind the mind-bending effects, that doesn’t detract from the great many intriguing, original, and thought provoking ideas at play here.."—Booklist

Children's Literature - Jeanna Sciarrotta
In a time when people seldom, if ever, look into each other's eyes and the world has retreated into individual cell phones and HD screens that plaster the walls, technology slowly usurps hope and emotions. This is the ever present reality for teenagers Mal and Lauren, though each have experienced a very different upbringing. Their worlds begin to crumble even further when Mal's estranged brother disappears and Lauren's overly involved parents have seemingly forgotten that they even had a daughter. When Mal discovers a building hiding in plain sight, filled with doors going everywhere, the quest begins that will change everything for better or for worse. Jesse Karp creates a shockingly familiar sci-fi reality in Those That Wake. Readers will find that many elements of the novel ring truer than we might want to admit, which creates even more of a dramatic pull to the events as they play out until the final pages. Unlike many "end-of-days" novels, Karp chooses not to write a disaster sequence, but instead poignantly delves into the idea of the absolute control that large corporations have over America and the decisions that are made with total disregard to the effect on the quality of human life. Both teens and adults will enjoy this look at the future that could be. Reviewer: Jeanna Sciarrotta
VOYA - Sherrie Williams
In a New York City of the near future, the spirit of the city has been crushed by "Big Black," a horrific power plant explosion. The violence and fear following the apparent terrorist attack have created New Yorkers reliant on the numbing effects of technology. Two teenagers discover that they have been erased from the memories of everyone they once knew, and their search for answers reveals a disturbing truth behind the city, Big Black, and the basis of reality itself. They find that a corporation is manipulating the public, using "memes" (living, evolving ideas that carry human culture like a virus) to change human thinking. The memes mutate over time, forming a being in control of the lives of every person, selectively wiping people from collective memory to serve its own agenda. This dystopian mind bender is quite complex, and the steadily building plot takes several mysterious twists. The book begins in a very realistic manner, introducing the teen protagonists as well-developed and likeable characters while systematically adding layers and new characters to their story. As the book nears its conclusion, that sense of reality shifts considerably and sometimes throws the reader off kilter. The story is quick moving and full of action, both physical and intellectual. While reluctant or struggling readers may find this book difficult to follow, it is highly recommended for teen and adult readers who are willing to take on a challenging read for the payoff of a well-written, intricately plotted story. Reviewer: Sherrie Williams
School Library Journal
Gr 9 Up—Things have been bleak in New York City ever since "Big Black," the explosion that destroyed Con Edison and the two-week aftermath of darkness, rioting, looting, and murder. Residents interact with their cell phones more than with one another. For four New Yorkers, though, things are much worse than bleak. One day Laura wakes to find that no one remembers her existence. Mal's brother is missing, and his only lead is that Tommy was running errands for someone in an empty office tower that doesn't seem to conform to the laws of physics. Jon Remak is an agent for a cooperative of loosely aligned groups that tracks the Global Dynamic, an intricate network of indicators that can be used to predict human history. Mike Boothe is a teacher who finds a door in his high school's basement that did not exist before. The four meet in the course of their investigations and discover that they face an adversary that is bent on controlling all of humanity. Karp has created a terrifically gloomy set and peopled it with both very real characters and others that are eerily unreal. His Global Dynamic smacks of Asimov's psychohistory while the entire tone seems like something from Philip K. Dick. With plenty of action, challenging ideas, and bizarre antagonists, this one should appeal to a broad section of teens.—Eric Norton, McMillan Memorial Library, Wisconsin Rapids, WI
Kirkus Reviews

Laura and Mal have both lost their families; Laura's parents have mysteriously forgotten their only child, and Mal's brother vanished suddenly. Stuck in a dismal technocentric, corporation-controlled New York City, the two teens join up with disillusioned schoolteacher Mike and shadowy researcher Jon on a quest to find the Librarian, the one person who can explain the strange happenings. Karp's gray and dispassionate setting unfortunately carries over to the narrative and the characters, as though both plot and people are obscured by fog. Mal is anger incarnate, with attempts at subtler character development providing only the thinnest veneer; Laura's personality, meanwhile, vanishes as easily as her identity. Instead of engaging with concerns over the cultural acceptance of technology, à la Cory Doctorow's Little Brother (2008), Karp seems to adopt a Luddite position, categorizing all forms of gadgetry as a detriment to society. Both the burned-out–teacher and powerful-librarian tropes appear to be an authorial insider joke to adult readers rather than critical elements of the plot. For more compelling tales of corporate malfeasance, try Max Barry's Jennifer Government (2003) or Scott Westerfeld's So Yesterday (2004) instead of this rather bland offering in a field overrun with dystopias. (Dystopia. YA)

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Product Details

ISBN-13:
9780547550794
Publisher:
Houghton Mifflin Harcourt
Publication date:
03/21/2011
Sold by:
Barnes & Noble
Format:
NOOK Book
Pages:
336
Lexile:
880L (what's this?)
File size:
1 MB
Age Range:
12 Years

Read an Excerpt

MAL

Mal looked in the mirror and saw a road map of mistakes. Scars traced a fractured route down his face, splintering across his torso. The worn paths were interrupted by fresh welts and discolorations, the result of his most recent misstep: three rounds, bare-knuckles, with a guy who had ten years’ experience on him. That was good for the deep yellow around the eye and the welt on the forehead. But it had been a sorry-looking mug to begin with, scarred across the bridge of the nose and along the cheekbone, crowned by dark, somber eyes. It fit poorly over the seventeen-year-old face; instead of lending it wisdom, it seemed to rob it of something vital. Beneath the blue veins riding up his arms in relief and the taut flesh of his chest, the muscles were tight, but they ached with the echo of fierce impact. It wasn’t a promising picture, so he smiled at it, showing teeth over his hard jaw.

A crack ran through the reflected smile, making it into two dislocated halves of good spirit, sloppily sewn together by some depraved surgeon. The mirror didn’t have a crack when he left just a few hours ago. It was just the mirror’s time, he supposed. Like the glass, his smile cracked and then fell away.

He touched the tender spots on his torso, figured he’d wrap his ribs with medical tape. He slipped from the gloomy little bathroom, down the short hallway. The limp he had just acquired did not help much in keeping quiet past the door of his foster parents’ room. Were they light sleepers? He hadn’t been with them long enough to know. His foster parents, who were named Gil and Janet Foster. It was ridiculous, but of all the foster parents in all the world, some of them had to be named the Fosters, didn’t they?

He made it into his own claustrophobic little cubbyhole without incident. He pulled the first aid kit out of his bag, but found he just didn’t have the strength for it. He put it back in and dropped himself into bed.

Sleep, ornery and evasive, eluded him. It was in the second hour of shifting position in the darkness that he turned and saw the message LED blinking on his forsaken cell phone. Already an ancient model at two years old, he had never bothered to learn how to employ most of its features, thus didn’t have the cool, polite female voice to inform him that he had a message waiting. He’d slipped out of the apartment for the gym at 11:30 and never carried the phone with him to a fight. The call had come between then and his return at two a.m. No one called that late unless something awful had happened.

He reached out and keyed for the message.

"Uh, hey." A face he didn’t recognize flickered onto the screen. "It’s Tommy." Mal sat up straight in his bed. Tommy. His brother. Whose face he no longer recognized. "Where are you at one o’clock?" Tommy paused for a long stretch, uncertain. There was the sound of strong wind, or something rushing, maybe water, but the image on the small screen was grainy and dark behind the face. "What am I doing calling at one o’clock, right? Maybe . . . ah . . . maybe you could call me when you get this? Doesn’t matter what time it is. Okay, so . . . you can give me a call." There was another long pause, but instead of a goodbye, the image flickered out and the cell voice informed him that the call had come in at "One. Twenty. Two. A. M."

The geolocator app was being blocked from Tommy’s end, which left no way to see where the call had come from. He dialed the number that showed on his screen and let it ring twelve maddening times before he keyed off and dialed again, this time giving it only six rings.

He stared out the grimy window and listened to a garbage truck rumble away down the dark, dirty street. Far in the distance across the water, a large insectlike shape blotted a small part of Manhattan’s silhouette of glittering lights. There was only one person who would know how to get hold of Tommy. So he got back in bed, because he wouldn’t call anyone else at three in the morning. And he wouldn’t call her anyway. Tommy hadn’t seen Mal in over two years, had done just fine without him for a lot longer than that. Tommy would do just fine without him now.

But if that was so, then how much trouble must he be in to call a brother he hadn’t seen for so long now, in the middle of the night?

Mal sat up again and picked up the cell and stared at it. He gripped it so hard that his fingers and knuckles turned white, bringing the dozens of nicks and scars into wiry relief. He keyed the goddamned number. It rang twice and he closed his eyes tight when it picked up, the small screen lighting with a man’s surprised and disheveled face.

"Hello?" The face was dulled by sleep and the voice was thick and rough.

"George, it’s Mal," he whispered, for fear of rousing the Fosters, just a slim wall away.

"What? Who is this?" George was squinting angrily into the screen.

"It’s Mal," he said stiffly. "I need to speak to Sharon."

George’s face gaped exhaustion, then shook in disbelief and moved offscreen. There was heavy breathing and then shifting and muffled voices. An ad for a sleeping pill, now available in extra-strength form, scrolled along the side of the screen.

"Mal." Her face was heavy with more than just fatigue. Her voice was hoarse and he couldn’t help wondering, despite the hour, if she was exhausted or hung over. Whatever the case, the syllable of his name came out with the same old mixture of impatience and barely contained disappointment.

"I need to find Tommy and I don’t have his number," he said without preamble.

"You need to find Tommy at three in the morning?" Even pulled from sleep, her disgust with him was evident.

"He called me up and asked me to get back to him as soon as I could, but he’s not answering at the number he called from."

She glared at him. He could see numerous responses cross her features.

"Hold on," she finally said. Her attention shifted downward while she searched the cell for the information. George asked her something and her face turned. They went back and forth for a moment and his final comment was loud and wheedling. Mal watched as the advertisement shifted, now offering medicated bandages that "soothed as they healed." There was more movement, and then she was back. "I have his number here." She gave it to him.

"That’s the number he left me," Mal said. "But he isn’t there."

"Well, that’s the number I’ve got."

"Have you spoken to him lately? Is he okay?"

"I haven’t spoken to him in months."

"Months?" He hadn’t meant to sound incredulous; certainly not, considering how long it had been since he’d spoken to Tommy himself.

"He and George," she sounded more tired now, in simply pausing, than she had when she first got on the line. "He and George had some trouble. He left, and I haven’t heard from him but twice since then. Once he gave me his new number and address and once to tell me that he was going to come by work and see me, but he didn’t." She didn’t seem very impressed with Tommy or, for that matter, with George.

"He left?" Mal’s voice was hard and accusatory, and he didn’t bother trying to hide it.

"Yes, Mal. He left. Figured he could do it all on his own, just like his brother."

They stared into the screens at each other, far more distant than the miles of space that separated them.

"Give me his address," he said.

"You’re going to go there now?"

"No. In the morning. I’m sure he’s fine."

"Sure. He’s always fine." She gave him the address, and they didn’t bother with goodbyes. He slammed the phone down, punching it into the bed as hard as he could. He got dressed in the same jeans and hooded sweatshirt he had worn to go fight. Sneaking out of a foster home twice in the same night was no record for him, not even close. Now he was bone tired, of course. If he closed his eyes, he’d be out in a second. He took off.

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