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Three Bags Full: A Sheep Detective Story

Three Bags Full: A Sheep Detective Story

3.8 37
by Leonie Swann, Anthea Bell (Translator)

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A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd.

On a hillside near the cozy Irish village of Glennkill, the members of the flock gather around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared for the sheep, reading


A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd.

On a hillside near the cozy Irish village of Glennkill, the members of the flock gather around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared for the sheep, reading them a plethora of books every night. The daily exposure to literature has made them far savvier about the workings of the human mind than your average sheep. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer.

The A-team of investigators includes Othello, the "bad-boy" black ram; Mopple the Whale, a merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the richly talented flock, they engage in nightlong discussions about the crime and wild metaphysical speculations, and they embark on reconnaissance missions into the village, where they encounter some likely suspects. There’s Ham, the terrifying butcher; Rebecca, a village newcomer with a secret and a scheme; Gabriel, the shady shepherd of a very odd flock; and Father Will, a sinister priest. Along the way, the sheep confront their own all-too-human struggles with guilt, misdeeds, and unrequited love.

Editorial Reviews

Barnes & Noble Discover Great New Writers
Even in the crowded arena of physically challenged detectives, the protagonists of Swann's novel are wholly unique. When it comes to solving murder, four legs and a fleecy coat trump Poirot's cane and Ironside's wheelchair in this insightful, giggle-inducing, wholly inventive mystery.

One morning, a beloved shepherd, George, is found in a meadow, a shovel embedded in his body and a suspicious hoof print on his chest. Miss Maple, the most intelligent member of the flock, dispatches her fellow detectives to dig up the dirt on the villagers (while snacking on some conveniently located geraniums along the way). Their suspects include the hated butcher, the local Bible-basher, the shepherd of a nearby flock, and George's recently returned prodigal daughter, among others.

This seamless translation by Anthea Bell miraculously puts the reader, like a wolf, in sheep's clothing. The world is seen (and smelled) from a sheep's perspective, making the traditional roundup of clues completely fresh (and often confounding!). Still, a sheep's mind is expected to wander toward greener pastures, and Swann must play the dual role of keeping her wooly detectives on track while holding readers in suspense, a balancing act she achieves beautifully, liberally seasoning her narrative with clever literary references. We suspect we will be hearing a lot more in the future from Leonie Swann, a writer who makes it easy for us to separate the sheep from the goats. (Fall 2007 Selection)
Publishers Weekly

The mysterious death of their shepherd has sent a flock of sheep into a frenzy trying to piece together "whodunit." Overcoming their "sheepish" ways, the members of the flock realize that they may be the only ones who can solve it. The more intelligent sheep, who have better retention or the intuition to ask the right questions, develop a list of potential suspects. As the investigation continues, the sheep quickly find the conspiracy is quite large, including a significant number of residents of Glennkill, Scotland. The delightful story is chock-full of metaphors and analogies about human behavior, interaction and memory that provide provocative insight. Bailey keeps an excellent pace and tone throughout in a light-almost benevolent-tone that keenly projects the slightly naïve perspective of the sheep. She makes indisputably clear voices for all her characters, including male voices that most would be hard-pressed to discern as coming from a woman. Tantor Media conveniently includes a handy pamphlet that lists the numerous sheep integral to the story along with a brief description of them. Simultaneous release with the Doubleday/Flying Dolphin hardcover (Reviews, Apr. 9). (Aug.)

Copyright 2007 Reed Business Information
VOYA - Jamie S. Hansen
Sheep do not always receive proper respect. Although these simple herbivores are often considered sheepish, easily led, or even woolly-minded, this droll and enchanting novel originally published in Germany will change readers' perceptions forever. Meeting such thoughtful and observant creatures as Mopple the Whale, Miss Maple, Othello, Sir Richfield, Melmoth, Cloud, Zora, and the rest of George Glenn's extraordinary flock is an enlightening experience that no reader should miss. When the flock discovers the murdered corpse of their beloved shepherd, they immediately put their not-so-woolly heads together to plan. As a sheepherder, George was the best: He read to the flock, named them, and talked to them as equals. His flock now owes it to George's memory to bring his killer to justice. Using their hilarious and amazingly perceptive observations of the activities and behavior of the human inhabitants of their Irish village, these ovine detectives set out to solve the murder. To succeed, the sheep must overcome their instinctive fear of butchers and ghost wolves, must sometimes act as individuals, and must enter the Smartest Sheep in Glenkill contest, acting out a play based on the murder. Written wholly from the flock's point of view, this novel is a lovely romp of a book that offers real insight into the way animals might perceive the mystifying behavior of humans. Readers will never again look at peacefully grazing sheep in quite the same way. Offer this title to sophisticated teen readers who appreciate quirky humor.
Library Journal

It's morning in the seemingly bucolic Irish village of Glennkill, and a flock of sheep has just come across the murdered body of its shepherd. Initial consternation (there's a bit of panic about wolves, although the crime was clearly committed by a human) gives way to resolve—the flock will solve the murder. Led by the very smart Miss Maple, Othello, Melmoth, Mopple the Whale, and the rest of the group struggle to understand who killed George and why. The sheep are not cuddly sweet or highly anthropomorphized; they approach each problem in the investigation from a sheep's point of view, which makes for a fresh take on the mystery genre. The outsider perspective is reminiscent of that portrayed by Mark Haddon in The Curious Incident of the Dog in the Night-Time—often amusing but frequently hinting at a much darker reality, unlike Jasper Fforde's lighter nursery crime mysteries. Swann peppers the text with literary allusions that add humor and lighten the existential gloom of both people and sheep. An international best seller, this quirky philosophical mystery is highly recommended for all public libraries.
—Devon Thomas

School Library Journal

Adult/High School-Like smart sheep everywhere, those of Glennkill, Ireland, cherish their routines. They want their pasture time, their barn time, and their romance-novel time. Well, perhaps they are unique in that last desire-most sheep never develop a taste for the genre. But George's animals owe much of their understanding of the world, and particularly their knowledge of those strange human flocks that inhabit the nearby village and countryside, to his regular reading of the "Pamela novels." They are content in their world, and extra happy because they have a dream they share with their good shepherd: to go to Europe, where there are endless fields of fresh grass and orchards of ripe apples. Then the unimaginable happens. George is pinned to the ground with a spade. Their shepherd is dead. Outraged, his charges set their minds to finding his killer. Led by Miss Maple, the smartest sheep in Glennkill (and perhaps the world) summon their considerable talents and, bit by bit, piece together the puzzle. First-time novelist Swann had tons of fun writing this, and all of it transfers seamlessly to readers. Teens will laugh out loud as the sheep decide who God is and what goes on in God's house. They also contemplate the nature of the Abyss, and Cloud Sheep, and why humans spend so much time, effort, and money hiding foul-tasting dried-up clumps of grass from one another. This lighthearted mystery is fresh, bold, engaging, and a joy to read.-Robert Saunderson, Berkeley Public Library, CA

Copyright 2007 Reed Business Information
Kirkus Reviews
Just when you thought you'd seen a detective in every guise imaginable, here comes one in sheep's clothing. For years, George Glenn hasn't been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven't had much experience with this sort of thing, they're determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can't talk to people; they can only listen in on conversations between George's widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They're afraid to confront suspects like butcher Abraham Rackham and Gabriel O'Rourke, the Gaelic-speaking charmer who's raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don't know how to tell the Glennkill citizenry. All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.
From the Publisher
"Swann's quirky premise is well-executed by Bailey, who develops the identity of each member of the flock, young and old, ram and ewe.... Touching fare delivered with aplomb." ---AudioFile

Product Details

Gale Group
Publication date:
Thorndike Reviewers' Choice Series
Edition description:
Large Print
Product dimensions:
5.60(w) x 8.50(h) x 1.10(d)

Read an Excerpt


Othello Boldly Grazes Past

'He was healthy yesterday,' said Maude. Her ears twitched nervously.

'That doesn't mean anything,' pointed out Sir Ritchfield, the oldest ram in the flock. 'He didn't die of an illness. Spades are not an illness.'

The shepherd was lying in the green Irish grass beside the hay-barn, not far from the path through the fields. He didn't move. A single crow had settled on his woolly Norwegian sweater and was studying his internal arrangements with professional interest. Beside the crow sat a very happy rabbit. Rather further off, close to the edge of the cliff, the sheep were holding a meeting.

They had kept calm that morning when they found their shepherd lying there so unusually cold and lifeless, and were extremely proud of it. In the first flush of alarm, naturally there had been a few frantic cries of, 'Who's going to bring us hay now?' and, 'A wolf! There's a wolf about!' But Miss Maple had been quick to quell any panic. She explained that here on the greenest, richest pasture in all Ireland only idiots would eat hay in midsummer anyway, and even the most sophisticated wolves didn't drive spades through the bodies of their victims. For such a tool was undoubtedly sticking out of the shepherd's insides, which were now wet with dew.

Miss Maple was the cleverest sheep in all Glennkill. Some even claimed that she was the cleverest sheep in the world. But no one could prove it. There was in fact an annual Smartest Sheep in Glennkill contest, but Maple's extraordinary intelligence showed in the very fact that she did not take part in such competitions. The winner, after being crowned with a wreath of shamrock (which it was then allowed to eat), spent several days touring the pubs of the neighbouring villages, and was constantly expected to perform the trick that had erroneously won it the title, eyes streaming as it blinked through clouds of tobacco smoke, with the customers pouring Guinness down its throat until it couldn't stand up properly. Furthermore, from then on the winning sheep's shepherd held it responsible for each and every prank played out at pasture, since the cleverest animal was always going to be the prime suspect.

George Glenn would never again hold any sheep responsible for anything. He lay impaled on the ground beside the path while his sheep wondered what to do next. They were standing on the cliffs between the watery-blue sky and the sky-blue sea, where they couldn't smell the blood, and they did feel responsible.

'He wasn't a specially good shepherd,' said Heather, who was still not much more than a lamb, and still bore George a grudge for docking her beautiful lamb's tail at the end of last winter.

'Exactly!' That was Cloud, the woolliest and most magnificent sheep ever seen. 'He didn't appreciate our work. Norwegian sheep do it better, he said! Norwegian sheep give more wool! He had sweaters made from foreign wool sent from Norway -- it's a disgrace! What other shepherd would insult his own flock like that?'

There ensued a discussion of some length between Heather, Cloud, and Mopple the Whale. Mopple the Whale insisted that you judged a shepherd's merits by the quantity and quality of the fodder he provided, and in this respect there was nothing, nothing whatsoever, to be said against George Glenn. Finally they agreed that a good shepherd was one who never docked the lambs' tails, didn't keep a sheepdog, provided good fodder and plenty of it, particularly bread and sugar, but healthy things too like green stuff, concentrated feed and mangel-wurzels (for they were all very sensible sheep), and who clothed himself entirely in the products of his own flock, for instance an all-in-one suit made of spun sheep's wool, which would look really good, almost as if he were a sheep himself. Of course it was obvious to them all that no such perfect being was to be found anywhere in the world, but it was a nice idea all the same. They sighed a little, and were about to scatter, pleased to think that they had cleared up all outstanding questions.

So far, however, Miss Maple had taken no part in the discussion. Now she said, 'Don't you want to know what he died of?'

Sir Ritchfield looked at her in surprise. 'He died of that spade. You wouldn't have survived it either, a heavy iron thing like that driven right through you. No wonder he's dead.' Ritchfield shuddered slightly.

'And where did the spade come from?'

'Someone stuck it in him.' As far as Sir Ritchfield was concerned, that was the end of the matter, but Othello, the only black sheep in the flock, suddenly began taking an interest in the problem.

'It can only have been a human who did it -- or a very large monkey.' Othello had spent his youth in Dublin Zoo, and never missed an opportunity to mention it.

'A human.' Maple nodded, satisfied. 'I think we ought to find out what kind of human. We owe old George that. If a fierce dog took one of our lambs he always tried to find the culprit. Anyway, he was our shepherd. No one had a right to stick a spade in him. That's wolfish behaviour. That's murder.'

Now the sheep were feeling alarmed. The wind had changed, and the smell of fresh blood was drifting towards the sea.

'And when we've found the person who stuck the spade in,' asked Heather nervously, 'then what?'

'Justice!' bleated Othello.

'Justice!' bleated the other sheep. And so it was decided that George Glenn's sheep themselves would solve the wicked murder of their own shepherd.


First Miss Maple went over to examine the body. She did it reluctantly. In the summer sun of Ireland, George had already begun to smell bad enough to send a shudder down any sheep's spine.

She started by circling the shepherd at a respectful distance. The crow cawed and fluttered away on black wings. Maple ventured closer, inspected the spade, sniffed George's clothes and face. Finally -- as the rest of the flock, huddling together at a safe distance, held their breath -- she even stuck her nose in the wound and rooted around. At least, that was what it looked like from where the others stood. She came back to them with blood on her muzzle.

'Well?' asked Mopple, unable to stand the suspense any longer. Mopple never could stand strain of any kind for long.

'He's dead,' replied Miss Maple. She didn't seem to want to say any more just now. Then she looked back at the path.

'We have to be prepared. Sooner or later humans are going to turn up here. We must watch what they do. And we'd better not all stand around in a crowd. It looks suspicious. We ought to act naturally.'

'But we are acting naturally,' objected Maude. 'George is dead. Murdered. Should we be grazing right beside him where the grass is still sprinkled with his blood?'

'Yes, that's exactly what we ought to be doing.' The black figure of Othello came between them. His nostrils contracted as he saw the horrified faces of the others. 'Don't worry, I'll do it. I spent my youth near the carnivores' enclosure. A little more blood won't kill me.'

At that moment Heather thought what a particularly bold ram Othello was. She decided to graze near him more often in future -- though not until George had been taken away and fresh summer rain had washed the meadow clean, of course.

Miss Maple decided who would keep watch where. Sir Ritchfield, whose eyesight was still good in spite of his advanced age, was stationed on the hill. You could see across the hedges to the paved road from there. Mopple the Whale had poor eyes but a good memory. He stood beside Ritchfield to remember everything the old ram saw. Heather and Cloud were to watch the path that ran through the meadow: Heather took up her post by the gate nearest to the village, Cloud stood where the path disappeared into a dip in the ground. Zora, a Blackface sheep who had a good head for heights, stationed herself on a narrow rocky ledge at the top of the cliff to keep watch on the beach below. Zora claimed to have a wild mountain sheep in her ancestry, and when you saw how confidently she moved above the abyss you could almost believe it.

Othello disappeared into the shadow of the dolmen, near the place where George lay pinned to the ground by the spade. Miss Maple did not keep watch herself. She stood by the water trough, trying to wash the traces of blood off her nose.

The rest of the sheep acted naturally.


A little later Tom O'Malley, no longer entirely sober, came along the footpath from Golagh to Glennkill to favour the local pub with his custom. The fresh air did him good: the green grass, the blue sky. Gulls pursued their prey, calling, wheeling in the air so fast that it made his head spin. George's sheep were grazing peacefully Picturesque. Like a travel brochure. One sheep had ventured particularly far out, and was enthroned like a small white lion on the cliff itself.

'Hey there, little sheep,' said Tom, 'don't you take a tumble, now. It'd be a shame for a pretty thing like you to fall.'

The sheep looked at him with disdain, and he suddenly felt stupid. Stupid and drunk. But that was all a thing of the past now. He'd make something of himself. In the tourism line. That was it, the future of Glennkill lay in the tourist trade. He must go and talk it over with the boyos in the pub.

But first he wanted to take a closer look at the fine black ram. Four horns. Unusual, that. George's sheep were something special. However, the black ram wouldn't let him close enough, and easily avoided Tom's hand without even moving much.

Then Tom saw the spade.

A good spade. He could do with a spade like that. He decided to consider it his spade in future. For now he'd hide it under the dolmen, and come back to fetch it after dark. He didn't much like the idea of going to the dolmen by night. People told tales about it. But he was a modern man, and this was an excellent spade. When he grasped the handle, his foot struck something soft.

It was a long time since Tom O'Malley had attracted such an attentive audience in the Mad Boar as he did that afternoon.


Soon afterwards, Heather saw a small group of humans running along the path from the village. She bleated: a short bleat, a long bleat, another short bleat, and Othello emerged rather reluctantly from under the dolmen.

The group was led by a very thin man whom the sheep didn't know. They looked hard at him. The leader of the flock is always important. Behind him came the butcher. The sheep held their breath. Even the scent of him was enough to make any sheep go weak at the knees. The butcher smelled of death. Of screams, pain and blood. The dogs themselves were afraid of him.

The sheep hated the butcher. And they loved Gabriel, who came right behind him, a small man with a shaggy beard and a slouch hat, walking fast to keep up with the mountain of flesh just ahead. They knew why they hated the butcher. They didn't know why they loved Gabriel, but he was irresistible. His dogs could do the most amazing tricks. He won the sheepdog trials in Gorey every year.. It was said he could talk to the animals, but that wasn't true. At least, the sheep didn't understand it when Gabriel spoke Gaelic. But they felt touched, flattered, and finally seduced into trotting trustfully up to him when he passed their meadow on his way along the path through the fields.

Now the humans had almost reached the corpse. The sheep forgot about looking natural for a moment, and craned their necks to see. The thin man leading the humans stopped several lamb's leaps away from George, as if rooted to the ground. His tall figure swayed for a moment like a branch in the wind, but his eyes were fixed, sharp as pins, on the spot where the spade stuck out of George's guts.

Gabriel and the butcher stopped a little way from the body too. The butcher looked at the ground for a moment. Gabriel took his hands out of his trouser pockets. The thin man removed his cap.

Othello boldly grazed his way past them.

Then, puffing and panting, her face scarlet and her red hair all untidy, Lilly came along the path too, and with her a cloud of artificial lilac perfume. When she saw George she uttered a small, sharp scream. The sheep looked at her calmly. Lilly sometimes came to their meadow in the evening, and uttered those short, sharp screams at the least little thing. When she trod in a pile of sheep droppings. When her skirt caught on the hedge. When George said something she didn't like. The sheep were used to it. George and Lilly often disappeared to spend a little time inside the shepherd's caravan. Lilly's peculiar little shrieks didn't bother them any more.

But then the wind suddenly carried a pitiful, long-drawn-out sound across the meadow. Mopple and Cloud lost their nerve and galloped up the hill, where they felt ashamed of themselves and tried to look natural again.

Lilly fell to her knees right beside the body, ignoring the grass, which was wet with last night's rain. She was the person making this dreadful noise. Like a couple of confused insects, her hands wandered over the Norwegian sweater and George's jacket, and tugged at his collar.

The butcher was suddenly beside her, pulling her roughly back by her arm. The sheep held their breath. The butcher had moved as quickly as a cat. Now he said something. Lilly looked at him with tears in her eyes. She moved her lips, but not a sound was heard in the meadow. The butcher said something in reply. Then he took Lilly's sleeve and drew her aside. The thin man immediately began talking to Gabriel.

Othello looked round for help. If the ram stayed close to Gabriel he would miss whatever was going on between the butcher and Lilly - and vice versa. one of the sheep wanted to get close to the body or the butcher, which both smelled of death. They preferred to concentrate on the job of looking natural.

Miss Maple came trotting over from the water trough and took over observation of the butcher. There was still a suspicious red mark on her nose, but as she had been rolling in the mud she now just looked like a very dirty sheep.

'… ridiculous fuss,' the butcher was just saying to Lilly. 'And never mind making a spectacle of yourself. You've got other worries now, sweetheart, believe you me.' He had taken her chin in his sausage-like fingers, and raised her head slightly so that she had to look straight into his eyes.

'Why would anyone suspect me?' she asked, trying to get her head free. 'George and I got along fine.'

The butcher still held her chin in a firm grip. 'Got along fine. So you did. That'll be enough for them. And who else got along fine with George? Wait for his Last Will and Testament, then we'll see just how fine you two got along. I don't suppose that cosmetics stuff earns you a fortune, and you won't get rich sleeping around in this dump either. So you be nice to old Ham and you won't need to worry about this mess any more.'

Gabriel said something. Ham turned abruptly and marched back to the others, leaving Lilly where she was. She drew her shawl more closely round her shoulders, trembling. For a moment she looked as if she was going to burst into tears. Maple knew how she felt. Being touched by the butcher - it must be like having death grab you by the ear.

The four humans were exchanging words again, but the sheep were too far away to catch anything. There was a pointed, awkward silence. Gabriel turned and strolled back in the direction of the village, with the thin man close on his heels. Lilly seemed to think for a moment and then hurried off after the two men.

Ham took no notice of the others. He went right up to George. Slowly, he raised one of his great butcher's paws until it was hovering directly above the body like a fat bluebottle. With his fingers he traced two lines above George in the air . A long one from George's head to his stomach, and a shorter one from shoulder to shoulder. When Gabriel called him again he went off in the direction of the village.


Later, three policemen came to take photos. They brought a highly perfumed woman journalist with them. She took photos too, far more photos than the policemen. She even went to the edge of the cliffs and photographed Zora on her rocky ledge, and later she took pictures of Ritchfield and Mopple grazing in front of the dolmen. The sheep were used to the occasional attention of tourists with backpacks, but all this press interest soon made them uncomfortable. Mopple was the first to lose his nerve; he ran uphill, bleating loudly. His panic infected the others, even Miss Maple and Othello. Within a few minutes they were all huddled together on the hill, feeling slightly ashamed of themselves.

The policemen took no notice of the sheep. They pulled the spade out of George, wrapped both him and it in large plastic bags, crawled about on the ground a little more, and then disappeared into a white car. Not long after that it began to rain. Soon the meadow looked as if nothing had happened.

The sheep decided to go into the hay-barn. They all went together, because just now, so soon after George's death, the barn seemed to them a little gloomy and sinister. Only Miss Maple stayed outside in the rain a little longer, letting it wash the mud off her, and in the end it washed off the last small bloodstain too.

When she went into the barn, the sheep had gathered around Othello and were bombarding him with questions, but the ram was biding his time. Heather bleated in alarm, 'How could you stand it, being so close to the butcher? I'd have died of fright. I almost did die of fright just watching him come down the path!'

Miss Maple rolled her eyes. But you had to give the black ram credit: he seemed unimpressed by the admiration of his flock. Sounding very matter of fact, he turned to Miss Maple.

'The butcher spoke first. "Swine," that's what he said.'

The sheep looked at each other in amazement. No pig had ever set trotter on their pasture! The butcher's remarks made no sense. But Othello was very sure of himself.

'He smelled very angry. And frightened. But mostly angry. The thin man was afraid of him. Gabriel wasn't.' Othello seemed to be reflecting on Gabriel's fearlessness for a moment. Then he continued.

'Lilly didn't say anything sensible. Just "Oh, George." And "Why now?" and "Why are you doing this to me?" Perhaps she didn't realise he was dead. Then the butcher pulled her away by her arm. "No one's to touch him," he said. So then she said quite quietly, "Please, I only want a moment alone with him." None of the others said a word, only the butche,. "If anyone had that right it'd be Kate." He sounded nasty, and then he hauled her away.'

The sheep nodded . They themselves had had a good view of it all. Suspicion instantly turned against the butcher. But Miss Maple shook her head impatiently, and Othello went on.

'The moment the butcher was far enough off, the thin man began talking to Gabriel. He smelled funny, of whiskey and Guinness, but not as if he'd been drinking. More on his body and his clothes. Specially his hands.'

'He dunnit!' bleated Rameses, a very young ram with a lively imagination. 'He poured whiskey over his hands because he couldn't stand the smell of the blood any more.'

'Maybe,' said Miss Maple, hesitantly.

Maude, who had the best sense of smell in the whole flock, shook her head. 'Human beings don't scent blood the way we do. They can't really scent anything at all.'

'We don't know whether the murderer had bloodstained hands or not,' said Miss Maple. 'We don't know anything much.' She looked inquiringly at Othello.

'Then the thin man told Gabriel, very quietly, "He still had so much he was going to do, , his head was full of crazy plans. I don't suppose anything will come of them now, do you?" He spoke very fast, so fast that I couldn't remember it all at one go. He kept on talking about George's plans. I think he wanted to worm something out of Gabriel. But Gabriel didn't reply.'

Othello put his head thoughtfully on one side. 'I'd say the thin man annoyed him. That's why Gabriel called the butcher back. When the butcher came closer the thin man immediately stopped talking. Then they all started up again at the same time. Lilly said, "Someone ought to tell his wife." Gabriel said, "Someone ought to fetch the police." And the butcher said, "I'll stay with him till they come." Then the thin man said, quickly, "No one's staying here alone." The other men stared at the butcher the way you stare another ram down before a duel. The butcher went very red in the face. But then he nodded.'


Miss Maple started to collect questions. She told all the sheep to say what they didn't understand and what they'd like to know. Maple stood in the middle of the flock with Mopple the Whale beside her. When she thought a question was worth remembering, she looked at Mopple and nodded, and the stout ram memorised the question. Once Mopple had memorised something he never forgot it.

'Why did they take photographs of us?' asked Maude.

'Why did it rain?' asked Cloud.

'Why did George come to the meadow in the night?' asked Heather. Maple nodded at Mopple. Heather glanced proudly at Othello.

'Why did the butcher come here?' asked Maude.

'What does the butcher want from Lilly?' asked Othello. Miss Maple nodded.

'What's a Last Will and Testament?' asked Lane, and Miss Maple nodded again.

'When will we be able to graze where George was lying again?' asked Cloud.

'Are they going to drive pigs into our pasture?' asked Maude.

'Why use a spade? The murderer could have pushed him off the cliffs,' said Zora. Miss Maple nodded.

'What about the wolf?' asked Sara. 'Will he be a danger to the lambs -- or us?' Miss Maple hesitated for a moment, but she gave Mopple no sign. 'Why doesn't someone murder the butcher?' asked Cloud. Several sheep bleated approvingly, but Miss Maple didn't nod.

'How long had he been lying in the meadow?' asked Mopple the Whale. Miss Maple nodded at him, and Mopple beamed.

A lamb trotted forward. He had no name yet. The sheep were given names only when they had lived through their first winter. 'Will George's ghost come back?' asked the lamb shyly. Cloud leaned soothingly down to him and let him snuggle up to her thick fleece. 'No, little one, George's ghost won't come back. Human beings don't have souls. No soul, no ghost. Simple.'

'How can you say that?' protested Mopple. 'We don't know whether humans have souls or not..'

'Every lamb knows that your soul is in your sense of smell. And human beings don't have very good noses.' Maude herself had an excellent sense of smell, and often thought about the problem of souls and noses.

'So you'd only see a very small ghost. Nothing to be afraid of.' Othello leaned down to the lamb too, amused.

'But I've seen it already!' bleated the lamb. 'It was very big, much bigger than me, and I have a very good sense of smell. It was shaggy and it danced. At first I thought it was a wolf's ghost, but now George is dead I know it must have been his. I was so scared, I thought this morning I must have been dreaming.'

Miss Maple looked keenly at the lamb. 'How do you know George was dead by then?'

'I saw him.'

'You saw George dead and didn't tell us?'

'No, it wasn't like that.' The lamb sniffed. 'I saw the spade. But George must have been lying underneath it, mustn't he?' The lamb looked thoughtful. 'Or do you think he fell on top of the spade later?'

There was no more to be got out of the lamb, who had slipped out of the barn in the night, and couldn't say why. In the moonlight, he had seen the spade and the shaggy wolf's ghost, but he couldn't describe it in any more detail. He was so frightened that he fell asleep at once.

Now silence reigned. The sheep huddled closer together. The lamb buried his head deep in Cloud's fleece, while the others stared at the ground. Miss Maple sighed.

'Two questions for Mopple. Who is the wolf's ghost? And where's Tess?' The sheep looked at each other. Where indeed was Tessy, George's old sheepdog, his most faithful companion, the one real love of his life, the gentlest sheepdog who had ever herded them?


When the others had gone to sleep Miss Maple quietly added another question to the list. She had told Rameses that she didn't know whether the murderer had bloodstained hands. The fact was, she didn't even know whether the murderer had hands at all. She thought George's face had looked peaceful, smelling slightly of Guinness and tea, his clothes were smoky, he was holding a couple of flowers in his fingers. That had struck her as a little strange, because George wasn't normally much interested in flowers. He had more time for vegetables.

But she had found something else, and it had made her push the bloodstained Norwegian sweater up a little way with her nose. There, on George's pale stomach, slightly above the place where the spade had gone in, was the print of a sheep's hoof -- a single hoof print, just the one.

What People are Saying About This

From the Publisher
"Swann's quirky premise is well-executed by Bailey, who develops the identity of each member of the flock, young and old, ram and ewe.... Touching fare delivered with aplomb." —-AudioFile

Meet the Author

Leonie Swann has worked in journalism and public relations and is currently preparing a doctorate in English literature.

British actress and narrator Josephine Bailey has won ten AudioFile Earphones Awards and a prestigious Audie Award, and Publishers Weekly named her Best Female Narrator in 2002.

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Three Bags Full: A Sheep Detective Story 3.8 out of 5 based on 0 ratings. 37 reviews.
Guest More than 1 year ago
This is a very creative book since the narrator of the book is a flock of sheep. After a while, the different sheep develop their own personalities. Highly creative. I recommend reading this book in long reading sessions, I read it in short bursts of free time and was a little confused when the solution to the mystery revealed itself to me.
Guest More than 1 year ago
Three Bags Full is written by a German writer about the murder of a shepherd of a flock of Irish sheep in Glennkill, Ireland. It's quirky and funny but also philosophical and sad. Actually, it's a great mystery in spite of, or, because the story is told by the sheep and seen through the sheeps¿ eyes and understanding. Swann convincingly relates the story through the various sheep: primarily Miss Maple, the clever one Zora, the brave one Othello, the mysterious black ram Mopple the Whale, the memory sheep and a very large ram. The flock loves their shepherd, George, but during the process of solving his murder, they come to question whether he is really a good shepherd and what makes a shepherd a good shepherd. There are many sinister suspects: Ham the butcher who smells of death, God, the minister who steals souls, and Beth who wants to save George¿s soul to name a few. In their quest to solve the mystery, they turn to Melmoth, the lead ram¿s mysterious twin who left the flock and then returned after George¿s death. Melmoth teaches them to be alert and brave so that they can find the killer, but the killer comes as a total surprise to the sheep and the townspeople. This is a wonderful novel on several levels. It¿s a great story, it¿s thought provoking, and it makes the reader work at interpreting in human terms what the sheep see through their eyes. Truly remarkable and memorable, this takes the animal characters of Rita Mae Brown or Sarah Wittig Albert one step further.
Anonymous 9 months ago
I love fhis fook it ifs cuft - Lillu
Anonymous More than 1 year ago
Walks in.
Anonymous More than 1 year ago
*she walks in, letting her hair swish back and forth behind her.*
Anonymous More than 1 year ago
"This is a bar? I've gone better"
Anonymous More than 1 year ago
A supermodel looking girl walks in. She flips her long platnium blonde hair over her left shoulder. She looks around with her sparkley blue eyes. "I heard you are hiring."
Anonymous More than 1 year ago
K ill go advertise
Anonymous More than 1 year ago
I want a job as a waitress
Anonymous More than 1 year ago
The sheep narration is amazing.
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Avidreader39PS More than 1 year ago
This is far and away one of the cleverest, most captivating mystery stories ever written. I love this book. Unlike many mysteries with animal detectives, in this book the detectives are clearly sheep but also possess well-defined personalities and sensibilities. I am recommending this to everyone I know.
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BrainFood More than 1 year ago
The concept of sheep solving a murder and telling the story was intriguing and for me,somewhat challenging at the start of this book. The animal characters are fun and developed well but can be too numerous at times. The murder mystery- while being the focus of the story- is hard to follow since we hear the details from the sheep and we have to fill in the blanks. This book is challenging to decipher and slow to start but it is worth it in the end. A great idea for storytelling.