The Three Musketeers

The Three Musketeers

4.3 308
by Alexandre Dumas

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Dumas's tale of swashbuckling and heroism follows the fortunes of d'Artagnan, a headstrong country boy who travels to Paris to join the Musketeers - the bodyguard of King Louis XIII. Here he falls in with Athos, Porthos and Aramis, and the four friends soon find themselves caught up in court politics and intrigue. Together they must outwit Cardinal Richelieu and his… See more details below


Dumas's tale of swashbuckling and heroism follows the fortunes of d'Artagnan, a headstrong country boy who travels to Paris to join the Musketeers - the bodyguard of King Louis XIII. Here he falls in with Athos, Porthos and Aramis, and the four friends soon find themselves caught up in court politics and intrigue. Together they must outwit Cardinal Richelieu and his plot to gain influence over the King, and thwart the beautiful spy Milady's scheme to disgrace the Queen. In The Three Musketeers, Dumas breathed fresh life into the genre of historical romance, creating a vividly realized cast of characters and a stirring dramatic narrative. The introduction examines Dumas's historical sources, the balance between fact and fiction, and the figures from history that formed the basis for the central characters of The Three Musketeers.

Editorial Reviews

Toronto Globe & Mail
How thorough Mr. Raby has been in his recapitulation of Dumas' plot...This is a piece of master carpentry, with special skill in the dovetailing
Toronto Telegram
Peter Raby has adapted the Dumas text into a sprawling, multi-scened extravaganza written mostly in purple ink—the only color for this kind of tale.
Library Journal
Dumas's 1844 swashbuckling chestnut gets overhauled by master translator Pevear and includes Pevear's introduction to Dumas, describing his life and times, and scholarly notes on the text. The story probably has been done to death in numerous, mostly bad, movies, but how many books have a candy bar named after them? Copyright 2006 Reed Business Information.
School Library Journal
Gr 7 Up—Dumas's swashbuckling adventure introduces readers to the Musketeers' feats of derring-do with this six-volume series. In volume one, d'Artagnan first encounters the trio of elite French fighters. The scene quickly advances 30 years into the future when only d'Artagnan remains a Musketeer. All four heroes find that their paths cross in one final adventure involving a plotted coup to replace Louis XIV with his twin brother. In volume three, the plot is discovered and Louis banishes his brother, ordering his face be covered with an iron mask forever. The king then commands d'Artagnan to arrest and execute Aramis and Porthos, who were the instigators of the scheme. Beginning in volume five, first Porthos, then Athos, and finally d'Artagnan meet their deaths. The story concludes with his poignant words, "Athos, Porthos, farewell till we meet again! Aramis, adieu for ever." Readers will be caught up in this romantic tale of action and adventure based on language from the original classic and containing a story synopsis at the beginning of each volume. As each man ages, his distinctive features and visually well-defined persona remain consistent throughout the saga. Use of a limited color palette gives this adaptation a classic feel.—Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY
From the Publisher
“The name Alexandre Dumas is more than French—it is universal.”—Victor Hugo

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Product Details

Knopf Doubleday Publishing Group
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Product dimensions:
5.10(w) x 8.10(h) x 1.30(d)

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Chapter 1
The three gifts of monsieur d'artagnan the elder

On the first Monday of April, 1625, the market town of Meting, birthplace of the author of the Roman de Ia Rose, seemed to be in as great a turmoil as if the Huguenots had come to turn it into a second La Rochelle. A number of townsmen, seeing women running in the direction of the main street and hearing children shouting on doorsteps, hastened to put on their breastplates and, steadying their rather uncertain self-assurance with a musket or a halberd, made their way toward the inn, the Hotellerie du Franc Meunier, in front of which a noisy, dense, and curious throng was growing larger by the minute.

Panics were frequent in those times, and few days went by when an event of this kind was not recorded in the archives of one town or another. Noblemen fought among themselves; the king was at war with the cardinal; the Spanish were at war with the king. And then, besides all this secret or open warfare, there were robbers, beggars, Huguenots, wolves, and lackeys, who were at war with everyone. The townsmen always took up arms against robbers, wolves, and lackeys, often against noblemen and Huguenots, sometimes against the king, but never against the cardinal or the Spanish. It was because of these habits that the townsmen, on that first Monday of April, 1625, bearing a commotion and seeing neither a red and yellow Spanish flag nor the livery of Cardinal Richelieu, hurried toward the Franc Meunier inn.

When they arrived there, they were able to see the cause of the tumult.

A young man ... Let us sketch a rapid portrait of him. Imagine Don Quixote at eighteen, a Don Quixotewithout chain mail or thigh pieces, wearing a woolen doublet whose original blue had been transformed into an elusive shade between purple and azure. He had a long, dark face with prominent cheekbones, a mark of shrewdness; his jaw muscles were heavily developed, an infallible sign by which one can recognize a Gascon, even without a beret, and our young man wore a beret adorned with some sort of feather. His eyes were frank and intelligent; his nose was hooked, but finely drawn; he was too big for an adolescent and too small for a full-grown man. An untrained eye might have taken him for a farmer's son on a journey if it had not been for the sword that bung from a shoulder belt, slapping against his calves when he walked, and against his shaggy horse when he rode.

For the young man had a mount, one that could not fail to attract attention: a small Bearn horse twelve to fourteen years old, with a yellowish coat, an almost hairless tail and sores on his legs. He walked with his head lower than his knees, which made a martingale unnecessary, but he could still do twenty miles a day. Unfortunately his good qualities were hidden by his strange color and his outlandish gait. He had come into Meting a quarter of an hour earlier through the Beaugency gate, and since in those days everyone was a practiced judge of horses, his appearance had caused a sensation that cast disfavor on his rider.

This was all the more painful to young d'Artagnan (such was the name of the Don Quixote astride that other Rosinante) because he was well aware of how ridiculous his horse made him seem, even though he was an excellent rider. That was why he had sighed when he had accepted the horse as a gift from his father. He knew that such an animal was worth at least twenty livres; the words that had accompanied the gift, however, were priceless.

"My son," the Gascon nobleman had said in the Bearn accent that Henry IV never succeeded in losing, "this horse was born on my estate nearly thirteen years ago and has never left it. That should be enough to make you love him. Never sell him, let him die peacefully and honorably of old age, and if you go to war with him, treat him with consideration, as you would treat an old servant. At court, if you have the honor to go there, an honor to which our ancient nobility entitles you, be worthy of your noble name, worthily borne by your ancestors for over five hundred years. For yourself, your relatives, and your friends, never tolerate the slightest affront from anyone except the cardinal or the king. Remember this: it's by courage, and courage alone, that a nobleman makes his way nowadays. Anyone who trembles for even one second may lose the chance that fortune offered him precisely at that second. You're young, and you must be brave for two reasons: first, you're a Gascon; and second, you're my son. Don't be afraid of opportunities, and seek out adventures. I've taught you to use a sword. You have iron legs and a steel wrist. Fight duels at the drop of a hat, especially since duels are forbidden: that means it takes twice as much courage to fight one.

"My son, all I have to give you is fifteen ecus, my horse, and the advice You've just heard. Your mother will give you the recipe for an ointment that a Gypsy woman taught her how to make: it miraculously heals any wound that doesn't reach the heart. Make the most of all these gifts, and have a long, happy life.

"I have only one more thing to add: an example for you to follow. It's not MY own, because I've never appeared at court and I've fought only in the wars of religion as a volunteer. I'm speaking of Monsieur de Treville, who used to be my neighbor and had the honor of playing with our King Louis XIII—may God preserve him!—when they were both children. Sometimes their games turned into fights, and the king didn't always win them. The drubbings be got from Monsieur de Treville made him feel great respect and . . .

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What People are saying about this

From the Publisher
— Independent

"Dumas is a master of ripping yarns full of fearless heroes, poisonous ladies and swashbuckling adventurers."
— Guardian

"The Napoleon of storytellers."
— Washington Post

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