The Three Musketeers

The Three Musketeers

4.3 309
by Alexandre Dumas

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Dumas's tale of swashbuckling and heroism follows the fortunes of d'Artagnan, a headstrong country boy who travels to Paris to join the Musketeers - the bodyguard of King Louis XIII. Here he falls in with Athos, Porthos and Aramis, and the four friends soon find themselves caught up in court politics and intrigue. Together they must outwit Cardinal Richelieu and his…  See more details below


Dumas's tale of swashbuckling and heroism follows the fortunes of d'Artagnan, a headstrong country boy who travels to Paris to join the Musketeers - the bodyguard of King Louis XIII. Here he falls in with Athos, Porthos and Aramis, and the four friends soon find themselves caught up in court politics and intrigue. Together they must outwit Cardinal Richelieu and his plot to gain influence over the King, and thwart the beautiful spy Milady's scheme to disgrace the Queen. In The Three Musketeers, Dumas breathed fresh life into the genre of historical romance, creating a vividly realized cast of characters and a stirring dramatic narrative. The introduction examines Dumas's historical sources, the balance between fact and fiction, and the figures from history that formed the basis for the central characters of The Three Musketeers.

Editorial Reviews

Toronto Globe & Mail
How thorough Mr. Raby has been in his recapitulation of Dumas' plot...This is a piece of master carpentry, with special skill in the dovetailing
Toronto Telegram
Peter Raby has adapted the Dumas text into a sprawling, multi-scened extravaganza written mostly in purple ink—the only color for this kind of tale.
Library Journal
Dumas's 1844 swashbuckling chestnut gets overhauled by master translator Pevear and includes Pevear's introduction to Dumas, describing his life and times, and scholarly notes on the text. The story probably has been done to death in numerous, mostly bad, movies, but how many books have a candy bar named after them? Copyright 2006 Reed Business Information.
School Library Journal
Gr 7 Up—Dumas's swashbuckling adventure introduces readers to the Musketeers' feats of derring-do with this six-volume series. In volume one, d'Artagnan first encounters the trio of elite French fighters. The scene quickly advances 30 years into the future when only d'Artagnan remains a Musketeer. All four heroes find that their paths cross in one final adventure involving a plotted coup to replace Louis XIV with his twin brother. In volume three, the plot is discovered and Louis banishes his brother, ordering his face be covered with an iron mask forever. The king then commands d'Artagnan to arrest and execute Aramis and Porthos, who were the instigators of the scheme. Beginning in volume five, first Porthos, then Athos, and finally d'Artagnan meet their deaths. The story concludes with his poignant words, "Athos, Porthos, farewell till we meet again! Aramis, adieu for ever." Readers will be caught up in this romantic tale of action and adventure based on language from the original classic and containing a story synopsis at the beginning of each volume. As each man ages, his distinctive features and visually well-defined persona remain consistent throughout the saga. Use of a limited color palette gives this adaptation a classic feel.—Barbara M. Moon, Suffolk Cooperative Library System, Bellport, NY
From the Publisher

"Dumas's novels are shameless word-guzzlers, big and plush and almost sinfully comfortable. . . . His storytelling never seems the least bit mechanical: no assembly line, then or now, could ever turn out a narrative as joyful, as eccentric, as maddeningly human as The Three Musketeers."  —New York Times

"There was nobody quicker than Dumas. There were few better. Dumas stands proudly in the pantheon of 19th-century greats. He deserves to be regarded alongside Dickens and Tolstoy as an influential, enduring writer."  —Glasgow Herald

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Product Details

Random House Publishing Group
Publication date:
Bantam Classics Series
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Product dimensions:
4.20(w) x 6.90(h) x 1.20(d)
960L (what's this?)

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From Alexandre Dumas, a precise and candid description of his particular view of history:
I start by devising a story. I try to make it romantic, moving, dramatic, and when scope has been found for the emotions and the imagination, I search through the annals of the past to find a frame in which to set it; and it has never happened that history has failed to provide this frame, so exactly adjusted to the subject that it seemed it was not a case of the frame being made for the picture, but that the picture had been made to fit the frame.

This is the point of view of the historical novelist, who approaches the past as theater–the unending melodrama of saints and sinners, and who knows that history, eternally surprising, inspiring, disheartening, sometimes described as “one damn thing after another,” will never fail him. It is all there. And it is all there to be used.

Dumas was in his early forties when he wrote The Three Musketeers, an age when novelists are believed to be entering their best creative years. He is traditionally described as “a man of vast republican sympathies,” which, in contemporary terms, made him a believer in democracy, equality, and the rights of man. He had fought in the streets of Paris during the July revolution of 1830; would man the barricades in 1848; would aid Garibaldi, with guns and journalism, in the struggle for Italian independence in 1860.

Such politics came to him by inclination, and by birth. His father, Thomas-Alexandre Davy de La Pailleterie, had taken the name of his African slave mother, Marie Dumas, and spent the early years of his life on the island of Santo Domingo. When the French Revolution made it possible for men without wealth or social connections to rise to power, the soldier Alexandre Dumas became General Alexandre Dumas, commanding the Army of the Alps in 1794, serving under Napoleon Bonaparte in Italy, and later in Egypt. But his relationship with Bonaparte deteriorated; his health was destroyed by two years in an Italian prison; and he died, a broken man, in 1806. His son, in time the novelist Dumas, was then four years old, but he would be told of his father’s life, and he knew what it meant.

By 1844, France was ruled by Louis-Philippe, duc d’Orleans, a constitutional monarch known as “the bourgeois king,” who presided over the golden age of the French bourgeoisie, a propertied class animated by the slogan “Enrichissez-vous!” (Enrich yourselves!) This was a period of transition, when corrupt capitalism was opposed by passionate idealism–the age of monarchy was dying, the age of democracy was just being born. The best insight into the period is to be found in the novels of Honoré de Balzac–Dumas’s fierce literary rival. Balzac was virtually the same age as Dumas, and, like Dumas, rose from social obscurity and penury by producing a huge volume of work at an extraordinary pace. But Balzac wrote about contemporary life–the vanity, corruption and sexual politics of Paris in the 1840s–and was, throughout his fiction, essentially a novelist of vice. Dumas, on the other hand, was a novelist of virtue, though he had to go back two hundred years to find it.

Setting The Three Musketeers in the year 1625–at that distance, a contemporary American novelist might use the revolution of 1776–Dumas was summoning up a remote and heroic era. Yes, it was all different back then. Better. Still, it may be worth remembering that Dumas’s musketeers are proud, courageous men, men without inherited money or the support of prominent family, who must fight their way through a world of political intrigue dominated by predatory, immoral people who scheme and connive, who will do virtually anything, to keep their wealth and position. So, if it is about anything, The Three Musketeers is about betrayal, fidelity, and, like almost all genre fiction, it is about honor. Honor lost, honor gained, honor maintained at the cost of life itself. By 1894, the sale of Dumas’s works totaled three million books and eight million serials.

The Three Musketeers, the first book of the d’Artagnan trilogy, with Twenty Years After and The Vicomte de Bragelonne to follow, appeared in installments in the journal Le Siècle from March to July in 1844. It was written with help of a collaborator, Auguste Maquet, who also participated in the writing of The Count of Monte Cristo. Maquet would later claim significant authorship, and haul Dumas into court.

Dumas was accused, as well, of plagiarism, having used The Memoirs of Monsieur d’Artagnan, by one Courtilz de Sandras, published in Cologne in 1701, as source material. There he found not only d’Artagnan but Athos, Porthos, and Aramis; Tréville and his musketeers; Milady and her maid; and the Cardinalist Guards. From the annals of French history, he took the machinations, real or reputed, involving Louis XIII, Anne of Austria, Cardinal Richelieu, and the duke of Buckingham. Then he threw out whatever reality he found inconvenient and wrote what he liked.

In the real world of Europe in 1625, the continent was being torn apart by the Thirty Years War–a rather pallid name that obscures the cruel and brutal nature of its reality. Fighting on behalf of royal houses in conflict over religious issues and rights of succession, mercenary armies were paid by the right of pillage and ravaged the countryside, a strategy described as “war supports the war.” In France, French Catholics suppressed a French Protestant minority, the Huguenots, who were supported by English Protestant money and arms. Serving as virtual regent for a weak king Louis XIII, Cardinal Richelieu was perhaps the greatest political figure of his time. Famously eloquent, determined and brilliant, Richelieu was a deeply ambitious man, but a devoted and faithful servant of king and country.

A popular novelist, however, must produce an archvillain, and Dumas gave the job to Richelieu. As the servant of Dumas’s fictional requirements, Richelieu is merely political on the surface, as he undertakes a series of intrigues in a struggle for power with the king or with his English Protestant enemy, Buckingham. In The Three Musketeers, Richelieu is discovered to have deeper motives, a lust for revenge inspired by a romantic slight–a spurned advance–and, in general, by sexual jealousy. The cardinal, according to Dumas, was in love with the queen, Anne of Austria. The reader of 1844, hurrying off to buy this week’s chapter in Le Siècle, likely suspected as much.

Serialized fiction read as a novel can, at times, be a slightly bumpy ride. The twists and turns of the story are intended not only to keep the reader reading, but to keep the reader buying. Thus the plot tends toward precipitous dives and breathtaking ascents, as peril and escape follow each other at narrow intervals, characters disappear and are brought back to life, and what seemed like the central crisis of the narrative is suddenly resolved, to be replaced by a second crisis.

The perfidious Cardinal Richelieu is a good example of this principle at work. He’s a useful éminence grise at the beginning of the novel, as Cardinalist guards fight the king’s faithful musketeers. But, when it’s time for the story to end, he’s too historical a figure to be vanquished with all the force that the conclusion of a romantic adventure demands. Thus the role of villain is shifted to Milady; the story can then take its chilling and violent turn; and justice, when it is at last achieved, can be, to say the least, severe.

Since writers of serials wrote for a weekly deadline, there was no such thing as regret or revision, and the reader may see rather more of the novel’s scaffolding than the author would like. Dumas, characteristically, solved this problem with talent, and produced the best writing in The Three Musketeers in the latter third of the novel, for example the combination of battle and picnic at the Bastion Saint Gervais, during the attack on the Protestant stronghold at La Rochelle. This is easily one of the most insouciant scenes in all of literature, as the musketeers, intent on winning a tavern bet, occupy the bastion; sip wine; discuss matters of love and strategy; push a wall over on a raiding party; use the dead as mock defenders; and, finally, after four-hundred pages of action and intrigue, actually fire muskets!

This is but one pleasure among many. There is, throughout The Three Musketeers, a vast and magnanimous intelligence at work. The critic Jules Michelet described Alexandre Dumas as “an inextinguishable volcano,” and “one of the forces of nature.” He was certainly that. Born to write, and born to write about mythic times and mythic deeds, Dumas loved his characters and the elaborate story he fashioned for them. This is a telling trait in a novelist, the reader instinctively feels it, so gives himself to the story, lives in the time and place of its setting, and escapes, as surely as d’Artagnan ever escaped, from the drone of daily existence. That’s the job of romantic fiction and it’s done in The Three Musketeers on virtually every page. “All for one, and one for all!” And all for us.

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What People are saying about this

From the Publisher
— Independent

"Dumas is a master of ripping yarns full of fearless heroes, poisonous ladies and swashbuckling adventurers."
— Guardian

"The Napoleon of storytellers."
— Washington Post

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The Three Musketeers 4.3 out of 5 based on 0 ratings. 309 reviews.
Guest More than 1 year ago
Countless movies have been made over the years on Alexandre Dumas¿ The Three Musketeers. Regardless of how many times you have seen these movies or which ones you have seen, nothing can compare to the book. This book is a timeless classic with an extremely action-packed plot that will glue itself to your fingers until you have read the last two words of the book: ¿THE END.¿ I have enjoyed this book tremendously and would recommend it. For guys, this book is the perfect book with the most interesting things in life engraved in it. D¿Artagnan, a zealous young man from a somewhat poor family, has come to Paris in search of his life long dream, becoming a musketeer. In doing so he plays his cards wrong and although securing it well with the leader of the musketeers, secures himself three duals at the same time: He had one with Athos, one with Porthos, and one with Aramis. Although humorous, this then builds their friendship and they accept D¿Artagnan as one of them. The next thing they know they are defending the Queen against the hatred of the Cardinal, hunting down a beautiful spy, taking on armies by themselves, and a whole lot more. One of the more interesting parts of this book is the culture that is so very evident in it. For instance, the four of them drink more wine than the country of Italy has to offer. For every meal, snack, or tea time they bring out the bottles. This is one of the many humorous things that happen on a regular basis with the musketeers. So, what will happen to the inseparable quartet of musketeers? The only way of finding out is by taking the time and effort and reading it. You will not be disappointed.
Guest More than 1 year ago
This is the translation you want. Most others are obtusely Victorian bowdlerizations. This manages to keep the formality of French but make the characters and story fresh and rollicking ... like the serial it is.
Guest More than 1 year ago
I love epics, and this series is one of my favorites. Though few people may know it, this book is the first in a series of 5 books, the LAST installment being The Man in the Iron Mask. We have been completely duped by Hollywood in accepting that this story is as shallow as a king, his throne and an ambitious cardinal. It is a classic representative of love and honor in times gone by, with more action than verbage-which is a major accomplishment considering the 5 books are literally over 3,000 pages when combined. If you love d'Artangan, follow him through Twenty Years After, The Vicomte de Bragelonne, Lousie de la Valliere and The Man in the Iron Mask. He will never dissappoint!
Anonymous More than 1 year ago
This is a converted scan of a physical book, with many uncorrected OCR errors. Too much distraction, there are better quality electronic editions freely available
Anonymous More than 1 year ago
In Alexander Dumas' classic novel, The Three Musketeers, the protagonist is a young Gascon man, D'Artagnan, who leaves his home in search of a career with the Musketeers. He is portrayed as a handsome young man, hotheaded, prideful, intelligent, who cannot stand being insulted. While attempting to enter the Musketeers, he meets three musketeers: Athos, Porthos, and Aramis. As these four have many adventures together, they become best friends. Athos, the eldest of the four, is portrayed as a handsome, father-like figure to the three. He is also very secretive, never talks of past loves and hides his past behind his drink. The friends all believe he had his heart severely broken and it will never be mended. Porthos is described as an intimidating giant, honest, and enjoying the pleasures of life: wine, women, and music. Aramis is portrayed as a man who loves women and enjoys flirting with them. He dreams one day of retiring from the Musketeers and joining a monastery to spend the rest of his life as a religious man. The main antagonist is Cardinal Richelieu, a corrupt member of the Catholic Church who uses many spies and guards. This is his attempt to defeat the Protestants and anyone else who gets in his attempt to show his dominance over Christianity. Another antagonist is Milady de Winter, who is later revealed to be Athos' ex-wife. She was supposed to be executed but somehow miraculously evaded death. She uses her beauty to seduce men and use them as her wishes. The main conflict is the attempt to conceal the love affair between the Queen of France and the Duke of Buckingham. In the process of hiding the secret, they must find the location of Constance and evade the wrath of Milady de Winter. Action that leads to the climax includes the journey to receive the diamond studs from the Duke of Buckingham. Another example in the climax is the disappearance and quest to locate D'Artagnan's missing lover, Constance. This book was very interesting to read because it has descriptive words to describe the plot with many excellent twists and turns on every page that surprise the reader. I enjoyed reading about D'Artagnan's hotheaded and rash personality, especially when thinks someone has insulted him. For example, when he passes by the town of Meung and sees a man laughing, D'Artagnan assumes that he is amused by his horse and challenges the man to a duel to the death. I also enjoyed the personality of D'Artagnan as he leaves his friends to reach the Duke of Buckingham to save the Queen, and then returns to help each of his friends recover. Another interesting point was when the four decided to have breakfast in the camp of the enemy and talked casually as if nothing was happening as hundreds of soldiers charge the four.
pagese More than 1 year ago
I've only seen the Disney version (the one with Kiefer Sutherland) of this book, so thought I might enjoy it for my classics challenge. Boy, was I surprised. It was not an easy read. It's large and cumbersome. I didn't have to force my way though it, just had to take my time. I was most shocked by the differences. I was under the impression that D'Artagnan was a follower and more of the type to get into trouble. He's actually more of the leader in this book. The musketeers aren't as valiant and courageous as I thought. More along the lines of men who like their women and their wine, and prefer to haggle their way to getting them for free. There wasn't as much suspense, intrigue, coercion, and backstabbing as I anticipated. I was glad when I finished it, but happy I read it
Anonymous 3 months ago
Not only is the quality low which I didn't mind but it ends well before the end of the tale
Anonymous More than 1 year ago
A teenage-looking boy stepped out of the shadows, smiling slightly. "Hi." He replied. <br> (OOC- Was it you who advertised at Mapleshade's Vengeance?)
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Nods his agreement.(Its mah bday today. I dunno how much i will be on.)
Anonymous More than 1 year ago
Hello there
Anonymous More than 1 year ago
((Spiders... :+ i hate all arachnids...)) he sighs, missing Rushriver and his old clan. Tawny
Anonymous More than 1 year ago
Walks over to ripplepaw "do you want to hunt with me im going to have the entire day off." She sad
Anonymous More than 1 year ago
There is a cat named 'Ally' that is not part of ethereal, yet is leading the raid on blazeclan.
Anonymous More than 1 year ago
((I found myself spying on your pack sometimes... XD))
Anonymous More than 1 year ago
(Is here with her clan upon the request of Wolfpelt..)
Anonymous More than 1 year ago
Anonymous More than 1 year ago
She lies down and then almost imeedietly gets up. Is there a med cat in this clan.
Anonymous More than 1 year ago
My mate too, would have died for nothing.
Anonymous More than 1 year ago
Res one has the nursery on it
Anonymous More than 1 year ago
A big black tom walks in * may i join
Anonymous More than 1 year ago
Read the post 'to all' with four star rating at 'grumpy cat'. This applies to you as well. This cat will find a random clan. There is a chace the cat might stagger in here.
Anonymous More than 1 year ago
May i join she said softly
Anonymous More than 1 year ago
Ok ok lol but it is true:)
Anonymous More than 1 year ago
He jumps into a pile of pancakes saying, "DO NOT CHALLENGE MAH ATHOURITY!!!"