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When hot-blooded young d'Artagnan comes to Paris to seek his fortune, he finds himself challenged to a duel with not one, but three of the King's Musketeers. But Athos, Porthos and Aramis are to become his greatest friends, and companions in dangerous adventure when he becomes embroiled in the intrigues of the Court and the beautiful, evil Lady de Winter. This edition has been specially abridged for Puffin ...
When hot-blooded young d'Artagnan comes to Paris to seek his fortune, he finds himself challenged to a duel with not one, but three of the King's Musketeers. But Athos, Porthos and Aramis are to become his greatest friends, and companions in dangerous adventure when he becomes embroiled in the intrigues of the Court and the beautiful, evil Lady de Winter. This edition has been specially abridged for Puffin Classics.
@d’ArtsDaMAN It’s time to go off into the world and follow my secondary dream and become a Musketeer. Apparently Jedis don’t actually exist.
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
In seventeenth-century France, young D'Artagnan initially quarrels with, then befriends, three musketeers and joins them in trying to outwit the enemies of the king and queen.
|1||The Three Gifts of Monsieur d'Artagnan the Elder||27|
|2||Monsieur de Treville's Ante-Room||42|
|4||Athos' Shoulder, Porthos' Shoulder-Belt, and Aramis' Handkerchief||65|
|5||The King's Musketeers and the Cardinal's Guards||73|
|6||His Majesty King Louis XIII||84|
|7||The Musketeers at Home||105|
|8||A Court Intrigue||115|
|9||D'Artagnan takes Command||124|
|10||A Seventeenth-Century Mouse-Trap||133|
|11||The Plot Thickens||144|
|12||George Villiers, Duke of Buckingham||162|
|14||The Man of Meung||180|
|15||Soldiers and Magistrates||191|
|16||In which Seguier, the Keeper of the Seals, looks again for the Chapel Bell which in his youth he rang so furiously||201|
|17||The Bonacieux at Home||213|
|18||The Lover and the Husband||228|
|19||The Plan of Campaign||236|
|21||My Lady de Winter||259|
|22||The Merlaison Ballet||269|
|29||In Search of Equipment||369|
|31||English and French||386|
|32||Lunch at the Lawyer's||394|
|33||Mistress and Maid||403|
|34||How Aramis and Porthos Found Their Equipment||413|
|35||All Cats are Grey at Night||422|
|36||Plans for Revenge||430|
|1||How Athos Found His Equipment Without Bestirring Himself||447|
|4||The Siege of La Rochelle||473|
|5||The Anjou Wine||484|
|6||The Red Dovecote Inn||492|
|7||The Advantage of Stove Pipes||500|
|8||A Conjugal Scene||508|
|9||The Bastion of St Gervais||514|
|10||A Council of War||521|
|11||A Family Affair||539|
|13||Conversation Between Brother and Sister||561|
|15||First Day of Captivity||579|
|16||Second Day of Captivity||586|
|17||Third Day of Captivity||593|
|18||Fourth Day of Captivity||601|
|19||Fifth Day of Captivity||609|
|20||Histrionics in the Grand Manner||623|
|22||What Happened at Portsmouth on 25 August 1628||638|
|24||The Carmelite Convent at Bethune||654|
|25||The Female and the Male||668|
|26||A Drop of Water||674|
|27||The Man in the Red Cloak||690|
|30||A Messenger from the Cardinal||709|
1. Discuss Dumas's use of historical events in the novel. Do you think a knowledge of history is necessary or unnecessary in order to enjoy the novel? Discuss the ways in which Dumas alters or takes liberties with real events in order to suit the story. Is his view of history sanitized in any way?
2. Dumas is thought of as the chief popularizer of French Romantic drama. In considering The Three Musketeers, do you think this reputation is an accurate one? How does Dumas use dramatic effect in the novel?
3. Contemporary critics were offended by the scenes depicting vice and violence in the novel. Do you find these scenes arbitrary or not?
4. Many critics have described the musketeers as well-developed stereotypes, but are there ways in which the musketeers transcend these stereotypes? Are there other, perhaps more complex ways of interpreting the four protagonists?
5. Discuss Dumas's female characters, in particular Milady. What is her role in the novel, and what does this reveal about Dumas's views of women, if anything? Does Dumas depict a war between the sexes?
6. How do the chapter endings contribute to Dumas's masterly maintenance of pace? How does this kind of device recall a play, and how does this speak to Dumas's strengths stylistically?
7. In what ways is The Three Musketeers a bildungsroman? Would you characterize the work as a youthful novel?
Posted January 3, 2009
No text was provided for this review.