Three Negro Classics: Up from Slavery, The Souls of Black Folk, The Autobiography of an Ex-Colored Man

Three Negro Classics: Up from Slavery, The Souls of Black Folk, The Autobiography of an Ex-Colored Man

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by Booker T. Washington, W. E. B. Du Bois
     
 

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UP FROM SLAVERY

The autobiography of Booker T Washington is a startling portrait ofone of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of 'a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a

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UP FROM SLAVERY

The autobiography of Booker T Washington is a startling portrait ofone of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of 'a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society.

THE SOULS OF BLACK FOLK

W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described.

THE AUTOBIOGRAPHY OF AN EX-COLORED MAN

Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human account of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the white man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society.

These three narratives, gathered together in Three Negro Classics chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been.

The Autobiography of Booker T. Washington is a startling portrait of one of the great Americans of the late nineteenth and early twentieth century. The illegitimate son of a white man and a Negro slave, Washington, a man who struggled for his education, would go on to struggle for the dignity of all his people in a hostile and alien society.W.E.B. DuBois's classic is a major sociological document and one of the momentous books in the mosaic of American literature. No other work has had greater influence on black thinking, and nowhere is the African-American's unique heritage and his kinship with all men so passionately described.Originally published anonymously, James Weldon Johnson's penetrating work is a remarkable human accout of the life of black Americans in the early twentieth century and a profound interpretation of his feelings towards the w3hite man and towards members of his own race. No other book touches with such understanding and objectivity on the phenomenon once called "passing" in a white society.These three narratives, gathered together in Three Negro Classics, chronicle the remarkable evolution of African-American consciousness on both a personal and social level. Profound, intelligent, and insightful, they are as relevant today as they have ever been.

Product Details

ISBN-13:
9780380015818
Publisher:
HarperCollins Publishers
Publication date:
02/28/1999
Series:
Avon Book Series
Edition description:
Reissue
Pages:
512
Sales rank:
325,250
Product dimensions:
4.18(w) x 6.75(h) x 1.02(d)

Read an Excerpt

CHAPTER 1

A Slave Among Slaves

I was born a slave on a plantation in Franklin County, Virginia. I am not quite sure of the exact place or exact date of my birth, but at any rate I suspect I must have been born somewhere and at some time. As nearly as I have been able to learn, I was born near a cross-roads post-office called Hales Ford, and the year was 1858 or 1859. 1 do not know the month or the day. The earliest impressions I can now recall are of the plantation and the slave quarters--the latter being the part of the plantation where the slaves had their cabins.

My life had its beginning in the midst of the most miserable, desolate, and discouraging surroundings. This was so, however, not because my owners were especially cruel, for they were not, as compared with many other& I was born in a typical log cabin, about fourteen by sixteen feet square. In this cabin I lived with my mother and a brother and sister till after the Civil War, when we were all declared free.

Of my ancestry I know almost nothing.. In the slave quarters, and even later, I heard whispered conversations among the coloured people of the tortures which the slaves, including, no doubt, my ancestors on my mother's side, suffered in the middle passage of the slave ship while being conveyed from Africa to America. I have been unsuccessful in securing any information that would throw any accurate light upon the history of my family beyond my mother. She, I remember, had a half-brother and a half-sister. In the days of slavery not very much attention was given to family history and family records-that is, black family records. My mother, I suppose, attracted the attention of a purchaser whowas afterward my owner and hers. Her addition to the slave family attracted about as much attention as the purchase of a new horse or cow. Of my father I know even less than of my mother. I do not even know his name. I have heard reports to the effect that he was a white man who lived on one of the near-by plantations. Whoever he was, I never heard of his taking the least interest in me or providing in any way for my rearing. But I do not find especial fault with him. He was simply another 'unfortunate victim of the institution which the Nation unhappily had engrafted upon it at that time.

The cabin was not only our living-place, but was also used as the kitchen for the plantation. My mother was the plantation cook. The cabin was without glass windows; it had only openings in the side which let in the light, and also the cold, chilly air of winter. There was a door to the cabin--that is, something that was called a door--but the uncertain hinges by which it was hung, and the -large cracks in it, to say nothing of the fact that it was too smaIl, made the room a very uncomfortable one. in addition to these openings there was, in the lower right hand corner of the room, the "cat-hole,"--a contrivance which almost every mansion or cabin in Virginia possessed during the ante-bellum period. The "cat-hole" --was a square opening, about seven, by eight inches, provided for the purpose of letting the cat pass in and out of the house at will during the night. In the case of our particular cabin I could never understand the necessity for this convenience, since there were at least a half-dozen other places in the cabin that would have accommodated the cats. There was no wooden floor in our cabin, the naked earth being used as a floor. In the centre of the earthen floor there was a large, deep opening covered with boards, which was used as a place in which to store sweet potatoes during the winter. An impression of this potatohole is very distinctly engraved upon my memory, because I recall that during the process of putting the potatoes in or taking them out I would often come into possession of one or two, which I roasted and thoroughly enjoyed. There was no cooking-stove on our plantation, and an the cooking for the whites and slaves my mother had to do over an open fireplace, mostly in pots and "skillets." While the poorly built cabin caused us to suffer with cold in the winter, the heat from the open fireplace in summer was equally trying.

The early years of my life, which were spent in the little cabin, were not very different from those of thousands of other slaves. My mother, of course, had little time in which to give attention to the training of her children during the day. She snatched a few moment for our care in the early morning before her work began, and at night after the day's work was done. One of my earliest recollections is that of my mother cooking a chicken late at night, and awakening her children for the purpose of feeding them. How or where she got it I do not know. I presume, however, it was procured from our owner's farm. Some people may can this theft. If such a thing were to happen now, I should condemn it as theft myself. But taking place at the time it did, and for the reason that it did, no one could ever make me believe that my mother was guilty of thieving. She was simply a victim of the system of slavery. I cannot remember having slept in a bed until after our family was declared free by the Emancipation Proclamation. Three children--John, my older brother, Amanda, my sister, and myself--had a pallet on the dirt floor, or, to be more correct, we slept in and on a bundle of filthy rags laid upon the dirt floor.

Meet the Author

James Weldon Johnson (1871-1938) was a prominent author, lawyer, educator, diplomat, and early civil rights leader. He was also the author of The Autobiography of an Ex-Colored Man, originally published anonymously. In 1900 he wrote the lyrics and his brother, Rosamond, composed the music for "Lift Every Voice and Sing," which is still widely sung today and has come to be known as the official African American National Anthem.

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