Three Princes

Three Princes

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by Ramona Wheeler

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Lord Scott Oken, a prince of Albion, and Professor-Prince Mikel Mabruke live in a world where the sun never set on the Egyptian Empire. In the year 1877 of Our Lord Julius Caesar, Pharaoh Djoser-George governs a sprawling realm that spans Europe, Africa, and much of Asia. When the European terrorist Otto von Bismarck touches off an international conspiracy, Scott


Lord Scott Oken, a prince of Albion, and Professor-Prince Mikel Mabruke live in a world where the sun never set on the Egyptian Empire. In the year 1877 of Our Lord Julius Caesar, Pharaoh Djoser-George governs a sprawling realm that spans Europe, Africa, and much of Asia. When the European terrorist Otto von Bismarck touches off an international conspiracy, Scott and Mik are charged with exposing the plot against the Empire.

Their adventure takes them from the sands of Memphis to a lush New World, home of the Incan Tawantinsuyu, a rival empire across the glittering Atlantic Ocean. Encompassing Quetzal airships, operas, blood sacrifice and high diplomacy, Ramona Wheeler's Three Princes is a richly imagined, cinematic vision of a modern Egyptian Empire.

Editorial Reviews

Library Journal
The Pharaohs still rule much of the world in this interesting new steampunkish alternate history set in the year 1877 of Our Lord Julius Caesar. Scott Oken, a descendent of the royal lines of Cleopatra and Caesar and a spy for Egypt, is sent on a mission with his mentor and fellow prince, Mikel Mabruke, to the faraway Incan Empire and becomes embroiled in danger and dynastic conflict. VERDICT The premise of a world where the sun never set on the Egyptian Empire is marvelous, but the novel is slightly overstuffed with ideas and undeveloped in characterization. Wheeler might have been better served by keeping her story in the intriguing court of the Pharaoh instead of the complicated jaunt overseas to the New World. There is also a lack of detail to the technical and political underpinnings of her alternate world that will hopefully be addressed in future volumes, as this is a land that deserves another visit.
Publishers Weekly
Wheeler’s debut novel does its alternate history setting a disservice with some ill-thought-out and poorly researched anomalies. Egypt has been a global superpower for thousands of years, yet many familiar cultural artifacts—absinthe, opera, Otto Von Bismarck—exist there just as they do in our world. This lazy worldbuilding undercuts a genuinely interesting big picture, in which the Egyptians and the rival Incans are the two world powers, competing for innovation and connecting with trade. The Bond-esque spy Scott Oken is a decent enough lead character, but a white male protagonist from Britain feels remarkably out of place in this story, and Wheeler never makes or takes an opportunity to use his minority status for social commentary. Readers willing to ignore the problems might enjoy the spycraft, the extrapolation of an Incan empire uninterrupted by genocide, and the banter between Oken and his partner in intrigue, Mikel Mabruke, formerly of the Pharaoh’s Special Investigators. But there’s little in the characters or story that hasn’t been done before, and the new setting simply emphasizes the old tropes. (Feb.)
From the Publisher

“Combining history, magic and adventure, the book balances emotional depth with buoyant storytelling.” —Kirkus Reviews, starred review
Kirkus Reviews
Steampunk alternate history yarn from the author of A Chance to Remember (2003, etc.) and various nonfiction books about Egypt. Julius Caesar married Queen Cleopatra, we learn, and founded the Pharoman Empire--although details of how this came about are sadly lacking. Now, in 1877, Pharaoh Djoser-George and his wife, Queen Sashetah Irene, rule much of Europe, Africa and Asia from their capital, Memphis, the only opposition being provided by conspirators Count Otto von Bismarck and Queen Victoria. Much of the empire's wealth derives from their advanced "radiance technology." Across the Atlantic, South America is governed by the Incan Empire of Tawantinsuyu, which has grown rich on its command of aeroship technology and whose Quetzal airships are navigated by flocks of highly trained, intelligent birds. Hearing a rumor that the old Incan emperor plans to send a man to the moon, Queen Sashetah Irene foresees, if true, a technological bonanza in which Egypt would want to be involved. So she sends two of her most accomplished spies, Lord Scott Oken, a prince of Albion, and alchemist professor Prince Mikel Mabruke of Nubia, to investigate. Harassed by Black Orchid assassins who may be in league with Bismarck, the pair reaches their destination, is given a warm welcome by Prince Viracocha and confirms the rumors--only to discover that the emperor has been murdered by his heir, Viracocha's mad brother, Pachacuti. All this unfolds at a stately pace, the lavish details described with care and clarity--neither details nor characters, unfortunately, fascinate as much as the author seems to think--and the narrative, overloaded with titles and trappings, ends up (the sex scenes aside) juvenile in tone and outlook. Like static electricity: might give you a jolt but won't keep the lights on.

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Three Princes

By Ramona Wheeler

Tom Doherty Associates

Copyright © 2014 Ramona Wheeler
All rights reserved.
ISBN: 978-1-4668-2631-1


LORD SCOTT Oken sharpened the focus of the opera-eyes so that a particular pair of legs filled the frame. She was the tallest woman on the stage, and to Oken's eye, she was Golden Hathor with all her graces, a joy to behold. Certainly, there was not another pair of legs so exquisite, white thighs shaped by riding wild Cossack ponies as a child. In his better moments, Oken regretted the power he had over her intentions. In other moments, he simply had to admit that he loved his work.

His attention was interrupted by a knock on the door to his private viewing booth. It would be unseemly for a man of his rank to leap at an interruption.

The dancers sank into their final pose amid a swirl of silk and pearls. The gentle knocking became more insistent. The booth was small and carefully secured, so Lord Oken had only to turn in his seat to unlatch the door behind him.

The theater manager peered around the door, with only his self-important face and fashionably trimmed beard visible. He reverently held out a velvet cushion with a leather scroll-case. The gold-wax seal was the explanation for the manager's excited decision to interrupt a dance scene. Oken took the case, thanking him with a casual word. The manager gave such a deep bow that he had to retrieve his top hat with a sudden snatch, and he retreated, struggling to balance his hat and the cushion while bowing as he backed away.

Oken shut the door and latched it. He sat, looking down at the golden seal on the case, feeling the familiar tug of duty and awe invoked by that familiar and historical icon. The Queen of Egypt was thousands of leagues away at Pharaoh's Palace in Memphis, yet she could ensnare him with such a simple gesture. The blare of brass instruments striking up the final strains sounded, but he did not look up.

Oken unclipped his watch fob from its gold chain, a small, enameled-gold Watch It Eye. He tapped the snake coiled in the inner corner of the Eye and the cover opened, revealing a magnifying lens. The signs of tampering on the gold-wax seal were slight yet unmistakable: indentations in the bottom edge. Someone had read the Queen's message, then skillfully resealed the case.

Oken closed the Eye and returned it to the chain, then broke the seal and unrolled the scroll. He raised it to his nose and sniffed gently. The unique incense of Pharaoh's Palace was faintly present, evoking the majesty and wonder of Memphis. He was an agent of the Egyptian Empire. That thought had more power over him than the lure of those long, long legs.

The presence of Lord Scott Oken is requested at the palace in Memphis, for a presentation to Pharaoh Djoser-George. Life! Health! Courage! On Famenoth 30, commencing at 8 of the clock.

The handwriting was Lady Khamanny's formal secretarial hand, signed with the hieroglyphic signet of the palace. Underneath it, however, was a simple sentence in the Queen's familiar hand: We are counting on you to be there to dance with us, Scott, since poor old Dozey says his knees just won't take the strain! Sashetah Irene.

Oken returned the little papyrus roll to its case and slipped it into an inner pocket, resettling his jacket around the stiff shape with a graceful shrug. He was smiling.

A reply to the Queen's message could wait until morning. Oken returned to his close-up view of the stage.

* * *

HE LEFT his fur-lined overcoat in the booth. The manager would send it to the embassy hotel. Street carriages were heated, and Natyra kept her apartment unusually warm. She claimed she did so because she could spend more time in the bathing pool in the center of her bedroom. "Water, it keeps my body ready for the next dance!" Oken believed, however, it was more likely that she preferred being nude. This thought kept him warm as he climbed the nine stories to her apartment via the back stair, unheated and unguarded, lit only by small and ancient windows admitting the streetlights.

Natyra Arkadyena Solovyova lived in a great, round room in the sky above Novgorod, at the top of a stone tower in a western wall of the royal palace. Her sponsor, the grand vizier of all Oesterreich, Nevski XXI, was generous. Her room was as luxurious as any in the main halls of the palace, where the vizier and his many wives lived. It was also quite private, in its remote tower above the city.

Lord Oken found the door at the top of the staircase also unguarded, as he had expected. He removed his left glove and rested his fingertips against the touch-points of the ornate figure in the central panel. The hidden circuits in the silver inlay responded only to bare skin. Oken felt, rather than heard, the slight tremble as the panel activated; then it divided down the center and silently slid apart. He had to bend his head down and to the side as he stepped through the portal that had opened in the door. He was taller than most.

There were candles everywhere in her apartment, in silver and alabaster candlesticks. He could smell the soft, warm-wax scent of candles that had, until only moments before, been lit. The dying smoke made a sweet, mournful fragrance that told him the candles had burned while she awaited his arrival. He had known that they would not be lit when he walked in.

Oken asked her about it once. She told him someone (she would never tell him who, or when or why) had used candle flame to hurt her, badly. She showed him the pale scar still lingering on her sweet white breast. Whoever it was had used her own candles to burn her until she screamed her throat raw and confessed to things that she had not done and had never thought of doing until those ideas were put into her head. She had adored candles and candlelight from the first time she had been carried — small and helpless, and loving of the arms that held her — into a temple ceremony of the divine Neith, she of the wick and the lamps. Natyra's first dances on temple stages had been to this ancient divinity. Natyra loved candles, the waxy scent, the yellow orange glow, the simple magic of light and heat that arose from string and wax and oil. She could not let that night of torture turn her away from her divine guide, but she could never bear to have anyone share them with her. She lit candles only when alone.

Oken, upon hearing this sad confession, had gotten up from her bed and taken a fat green candle from the mantel and set it on her nightstand. When he lit it, he saw her face go pale and her lips tremble. She held her chin up, still proud, yet a cloudy fear touched her green eyes.

He did not touch the lit candle. He held his hands out beside it, with the firm, tanned flesh of the backs of his hands and wrists close to her.

"Burn me," he said to her, firmly. "Burn me with the candle."

Natyra shook her head. He could see the candlelight gleaming in her eyes and on the smooth, polished skin of her shaved head.

"Do it."

She stared at him, gauging his conviction, then took the candle and dripped hot wax onto the backs of his hands.

He winced.

He let her drip more wax, until he saw something fierce and clean shine in her perfect face. With a cry of alarm, she put the candle back into its holder and pushed it away. Oken blew out the flame, watching her face in the sudden twilight. He used a bit of ice from his drink to chill the wax on his hands until it was brittle and fell away.

Natyra had tears in her eyes as she kissed his hands then, the soft, unburned insides of his wrists and his palms. They never spoke of it again. She did not light candles when he was there, but she trusted him.

Her trust hurt Oken more than the mild blisters on his hands. He was testing a theory, doing his job. What truly mattered was that he discover the identity of her contact in Novgorod, in the palace of the grand vizier of Oesterreich, who was leaking vital information to Bismarck in Turkistan, the only nation in open resistance to Egypt's embrace.

* * *

THE TAPESTRY that concealed the hidden entrance to her apartment was drenched with the fragrance of incense, oils and candles. Oken was familiar now with that mingled scent of smoke and time and he felt his pulse quickening.

He paused with the corner of the tapestry's fabric in one hand, gazing around, adjusting to the dim light. At the far side of the room, tall windows looked out over Novgorod. City lights created an orange glow in the night sky. Opposite the tapestry was a fireplace, originally built to burn whole trees at once, radiating warmth into the room from the complex flutings of a steel radiator. White peonies filled the mantel, masses of them in crystal vases set between miniature lotus columns.

Oken could see the gold and silver threads of the tapestry's design reflected in the mirror above the mantel, making the divine faces of Isis and Osiris shine softly in the darkness. They seemed to be smiling down benignly at his face, reflected in the mirror as well. For an instant he felt himself to be a part of their eternal scene. He pushed the feeling aside to focus on the moment. However lovely the scene, this moment was not benign. He was here on a mission, weaving lies in search of a truth.

Natyra's pale form was outlined by blue radiance as she floated comfortably in the bathwater with an ivory headrest supporting her slender neck and shaved head. She raised her glass to him in salute when he stepped into sight.

Oken strolled slowly toward the glowing pool and her magical presence. He circled the pool so that he could see every curve in the water, then he stopped beside the ivory headrest. The blue radiance emphasized the pattern of veins in her throat and breast. Her eyes were deeper green in this light, large and luminous, gazing up at him with sultry promise.

He dropped to one knee beside her upturned face. "My mum spent a lot of her wealth to make sure that I had a proper appreciation of classical art. You are a classic, and I do appreciate perfection."

"My compliments to your dear mum," Natyra whispered.

"My mum would not like you," he whispered in return.

"Good." She reached up and drew his face close to kiss him.

Oken was careful not to let the cuffs of his jacket get wet. He tasted vodka and hints of absinthe along with her incomparable sweetness.

"Join me." She gestured toward the pool.

"Your bed would be more comfortable."

"I am comfortable here." She waved her hand once slowly through the glowing water so that inviting ripples swirled over her creamy flesh.

"Yes, you are, but I've had my bath already."

"Silly boy. You will need another bath when I am done with you."

"I certainly hope so."

"I am tired from the dancing. The hot water, it makes me relax." A slight pout in her voice suggested Oken was going to give in to her.

"I can make you relax," he whispered.

Natyra stretched lazily in the water, arching her back so that the pearl white mounds of her breasts rose out of the pool, sparkling with water drops.

Oken sighed. This was his favorite suit and he was on very good terms with the tailor. He did not want to get it wet. It was silk. Then he remembered the scroll in his pocket. He sat back on his heels.

"I'll meet you there." He stood up.

Natyra's scrunched up her forehead, and she let her glass drop into the bath.

Oken stepped back, smiling down at her, then strolled over to the canopied bed. He settled onto it, bracing himself on hip and elbow and stretching his long, lean legs out across the silk quilts. He lazily undid the buttons of his jacket, thinking not of Natyra but of the royal wax seal on the scroll calling him back to Memphis to dance with the Queen of the world.

"You are a tyrant." Natyra stood up in the pool. "You did not even give me a towel."

"Do you need one?"

She pouted at him more firmly as she climbed out of the bathing pool and took a towel from the warming rack. She let it trail dramatically behind her in one hand as she stepped slowly toward the bed with the exaggerated grace of the stage. Droplets of water rolled down her perfect flesh, tracing the rise and fall of her muscles as she moved.

Natyra was forty-eight, almost twice Oken's age. She always made sure that her lovers saw her only from the distance of the stage or in the twilight luxury of her private apartment. Oken was less mindful of her age than of her ageless perfection. He marveled at the good fortune that had brought him here. Were their ages reversed, he doubted she could have been more beautiful. She wore time better than most women wore youth.

She swirled the towel around and draped it across his hip as she knelt on the bed. "You must dry my back."

Oken sat up, pulling her to him as he pushed the towel to the floor. She put her arms around him, stroking his thick hair as she kissed him. The bare curve of her skull fit his hand perfectly. Oken knew, whatever else happened, he would remember that curve of bare skin against his palm for as long as he lived, and not just because of his perfect memory.

She teased his teeth with the tip of her tongue, and Oken stretched her out on the bed.

There was a thunder of fists pounding on wood from behind the huge tapestry covering the far wall, then a crashing thud, and the corner of the tapestry was thrust aside as a man in uniform burst into the room. "Natyra!" he shouted when he saw them.

Natyra sat up as though stung, her eyes wide.

The man looked as big as a bear — not a big European bear, but some giant, golden animal from the deep, wild woods of Rusland, towering over everything and everyone, sleek and enormous. Even his blond mustache was waxed into giant curls. His bushy brows were drawn down into a fierce V of anger over his raging blue eyes.

Oken recognized him at once, with some surprise, as General Vladimir Modestovich Blestyak, in command of the vizier's royal horsemen guard, and the last person Oken expected to see in Natyra's apartment. Blestyak was a lowbrow from a famous family, never seen out of uniform and never seen when anything important or dangerous was happening. Oken was more curious than alarmed by his noisy entrance. He made himself remain still, ready to leap in whichever direction this invasion demanded.

Blestyak bellowed as he stalked toward the two poised on the bed. The size of his rage and his volume made his words incoherent. Even so, Oken picked up at once that the general was not happy about the "Egyptian pig" in Natyra's bed.

Natyra reared up, defiantly nude, to stand between Oken and the general. She placed her hands on her hips and lifted her chin with regal disdain. "How dare you come in here uninvited!"

The general spat out a torrent of words, accusing Oken of being a spy for the Pharaoh. The sight of those perfect breasts, however, made the intensity of his rage falter. He hesitated before taking another step toward her. He repeated the accusation at a lower volume.

Natyra, speaking in the same language, reminded the general that he was also a spy. In Trade Speak she added haughtily, "Irrelevant! He is invited to be here — you are not!" Oken had faked ignorance of the native tongue. He had just received his reward for the ruse. General Blestyak was not on the embassy's suspect list. He was considered to be something of an idiot, fit only for horses and royal stables. Natyra's single sentence, however, made pieces fall into place. The royal stables were part of the palace compound, with access to the entire grounds. The royal family worshipped their horses. The stables were temples to Epona, sacred ground. Blestyak was in a perfect position to observe anything happening there. His obscurity even made sense. Who would notice him?

Oken made himself lie still, resting back on one elbow, a hand draped across his hip. He let his gaze drift as if the glorious view of Natyra from behind were more important than a raging giant.

Blestyak's step faltered again as he looked back and forth between the lovers. "I will have this pig arrested!"

"I will have you thrown out!" Natyra stamped once with her foot.

"That's one big bear." Oken spoke lightly, pretending to be entertained by the interruption. "What's he shouting about? Does he plan to join us?"

She turned her head to glare at Oken. "Do not be impertinent."

"Good." Oken made himself relax back against the pillows. "I don't much like animals, not in bed." He waved the general out as he would dismiss a servant. "Make him go away, milya Natyra."

Blestyak recovered his rage, flinging himself at Oken with a roar.

He landed on the bed with such a crash that the solid wooden frame creaked ominously. Oken, however, had neatly rolled away. He leaped to his feet as the general raised himself up to scramble after him.


Excerpted from Three Princes by Ramona Wheeler. Copyright © 2014 Ramona Wheeler. Excerpted by permission of Tom Doherty Associates.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

RAMONA LOUISE WHEELER is the author of the "Ray and Rokey" series appearing in Analog magazine and has written nonfiction on comparative mythology, and on the literature and beliefs of the ancient Egyptians.
RAMONA LOUISE WHEELER is the author of the "Ray and Rokey" series appearing in Analog magazine and Three Princes.

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