Three Talesby Gustave Flaubert
First published in 1877, these three stories are dominated by questions of doubt, love, loneliness, and religious experience—together they confirm Flaubert as a master of the short story. “A Simple Heart” relates the story of Félicité, an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss.
First published in 1877, these three stories are dominated by questions of doubt, love, loneliness, and religious experience—together they confirm Flaubert as a master of the short story. “A Simple Heart” relates the story of Félicité, an uneducated serving-woman who retains her Catholic faith despite a life of desolation and loss. “The Legend of Saint Julian Hospitator,” inspired by a stained-glass window in Rouen cathedral, describes the fate of a sadistic hunter destined to murder his own parents. The blend of faith and cruelty that dominates this story may also be found in “Herodias,” a reworking of the tale of Salome and John the Baptist.
- New edition: completely new translation and new introduction by Geoffrey Wall, Flaubert's acclaimed biographer
- Features a chronology, further reading, and explanantory notes
Read an Excerpt
By Gustave Flaubert, Arthur McDowall
Dover Publications, Inc.Copyright © 2004 Dover Publications, Inc.
All rights reserved.
A Simple Heart
MADAME Aubain's servant Félicité was the envy of the ladies of Pont-l'Évêque for half a century.
She received four pounds a year. For that she was cook and general servant, and did the sewing, washing, and ironing; she could bridle a horse, fatten poultry, and churn butter—and she remained faithful to her mistress, unamiable as the latter was.
Mme. Aubain had married a gay bachelor without money who died at the beginning of 1809, leaving her with two small children and a quantity of debts. She then sold all her property except the farms of Toucques and Geffosses, which brought in two hundred pounds a year at most, and left her house in Saint-Melaine for a less expensive one that had belonged to her family and was situated behind the market.
This house had a slate roof and stood between an alley and a lane that went down to the river. There was an unevenness in the levels of the rooms which made you stumble. A narrow hall divided the kitchen from the "parlour" where Mme. Aubain spent her day, sitting in a wicker easy chair by the window. Against the panels, which were painted white, was a row of eight mahogany chairs. On an old piano under the barometer a heap of wooden and cardboard boxes rose like a pyramid. A stuffed armchair stood on either side of the Louis-Quinze chimneypiece, which was in yellow marble with a clock in the middle of it modelled like a temple of Vesta. The whole room was a little musty, as the floor was lower than the garden.
The first floor began with "Madame's" room: very large, with a pale-flowered wallpaper and a portrait of "Monsieur" as a dandy of the period. It led to a smaller room, where there were two children's cots without mattresses. Next came the drawing-room, which was always shut up and full of furniture covered with sheets. Then there was a corridor leading to a study. The shelves of a large bookcase were respectably lined with books and papers, and its three wings surrounded a broad writing-table in darkwood. The two panels at the end of the room were covered with pen-drawings, water-colour landscapes, and engravings by Audran, all relics of better days and vanished splendour. Félicité's room on the top floor got its light from a dormer-window, which looked over the meadows.
She rose at daybreak to be in time for Mass, and worked till evening without stopping. Then, when dinner was over, the plates and dishes in order, and the door shut fast, she thrust the log under the ashes and went to sleep in front of the hearth with her rosary in her hand. Félicité was the stubbornest of all bargainers; and as for cleanness, the polish on her saucepans was the despair of other servants. Thrifty in all things, she ate slowly, gathering off the table in her fingers the crumbs of her loaf—a twelve-pound loaf expressly baked for her, which lasted for three weeks.
At all times of year she wore a print handkerchief fastened with a pin behind, a bonnet that covered her hair, grey stockings, a red skirt, and a bibbed apron—such as hospital nurses wear—over her jacket.
Her face was thin and her voice sharp. At twenty-five she looked like forty. From fifty onwards she seemed of no particular age; and with her silence, straight figure, and precise movements she was like a woman made of wood, and going by clockwork.
She had had her love-story like another.
Her father, a mason, had been killed by falling off some scaffolding. Then her mother died, her sisters scattered, and a farmer took her in and employed her, while she was still quite little, to herd the cows at pasture. She shivered in rags and would lie flat on the ground to drink water from the ponds; she was beaten for nothing, and finally turned out for the theft of a shilling which she did not steal. She went to another farm, where she became dairy-maid; and as she was liked by her employers her companions were jealous of her.
One evening in August (she was then eighteen) they took her to the assembly at Colleville. She was dazed and stupefied in an instant by the noise of the fiddlers, the lights in the trees, the gay medley of dresses, the lace, the gold crosses, and the throng of people jigging all together. While she kept shyly apart a young man with a well-to-do air, who was leaning on the shaft of a cart and smoking his pipe, came up to ask her to dance. He treated her to cider, coffee, and cake, and bought her a silk handkerchief; and then, imagining she had guessed his meaning, offered to see her home. At the edge of a field of oats he pushed her roughly down. She was frightened and began to cry out; and he went off.
One evening later she was on the Beaumont road. A big hay-wagon was moving slowly along; she wanted to get in front of it, and as she brushed past the wheels she recognized Theodore. He greeted her quite calmly, saying she must excuse it all because it was "the fault of the drink." She could not think of any answer and wanted to run away.
He began at once to talk about the harvest and the worthies of the commune, for his father had left Colleville for the farm at Les Écots, so that now he and she were neighbours. "Ah!" she said. He added that they thought of settling him in life. Well, he was in no hurry; he was waiting for a wife to his fancy. She dropped her head; and then he asked her if she thought of marrying. She answered with a smile that it was mean to make fun of her.
"But I am not, I swear!"—and he passed his left hand round her waist. She walked in the support of his embrace; their steps grew slower. The wind was soft, the stars glittered, the huge wagon-load of hay swayed in front of them, and dust rose from the dragging steps of the four horses. Then, without a word of command, they turned to the right. He clasped her once more in his arms, and she disappeared into the shadow.
The week after Theodore secured some assignations with her.
They met at the end of farmyards, behind a wall, or under a solitary tree. She was not innocent as young ladies are—she had learned knowledge from the animals—but her reason and the instinct of her honour would not let her fall. Her resistance exasperated Theodore's passion; so much so that to satisfy it—or perhaps quite artlessly—he made her an offer of marriage. She was in doubt whether to trust him, but he swore great oaths of fidelity.
Soon he confessed to something troublesome; the year before his parents had bought him a substitute for the army, but any day he might be taken again, and the idea of serving was a terror to him. Félicité took this cowardice of his as a sign of affection, and it redoubled hers. She stole away at night to see him, and when she reached their meeting-place Theodore racked her with his anxieties and urgings.
At last he declared that he would go himself to the prefecture for information, and would tell her the result on the following Sunday, between eleven and midnight.
When the moment came she sped towards her lover. Instead of him she found one of his friends.
He told her that she would not see Theodore any more. To ensure himself against conscription he had married an old woman, Madame Lehoussais, of Toucques, who was very rich.
There was an uncontrollable burst of grief. She threw herself on the ground, screamed, called to the God of mercy, and moaned by herself in the fields till daylight came. Then she came back to the farm and announced that she was going to leave; and at the end of the month she received her wages, tied all her small belongings with a handkerchief, and went to Pont-l'Évêque.
In front of the inn there she made inquiries of a woman in a widow's cap, who, as it happened, was just looking for a cook. The girl did not know much, but her willingness seemed so great and her demands so small that Mme. Aubain ended by saying:
"Very well, then, I will take you."
A quarter of an hour afterwards Félicité was installed in her house.
She lived there at first in a tremble, as it were, at "the style of the house" and the memory of "Monsieur" floating over it all. Paul and Virginie, the first aged seven and the other hardly four, seemed to her beings of a precious substance; she carried them on her back like a horse; it was a sorrow to her that Mme. Aubain would not let her kiss them every minute. And yet she was happy there. Her grief had melted in the pleasantness of things all round.
Every Thursday regular visitors came in for a game of boston, and Félicité got the cards and foot-warmers ready beforehand. They arrived punctually at eight and left before the stroke of eleven.
On Monday mornings the dealer who lodged in the covered passage spread out all his old iron on the ground. Then a hum of voices began to fill the town, mingled with the neighing of horses, bleating of lambs, grunting of pigs, and the sharp rattle of carts along the street. About noon, when the market was at its height, you might see a tall, hook-nosed old countryman with his cap pushed back making his appearance at the door. It was Robelin, the farmer of Geffosses. A little later came Liébard, the farmer from Toucques—short, red, and corpulent—in a grey jacket and gaiters shod with spurs.
Both had poultry or cheese to offer their landlord. Félicité was invariably a match for their cunning, and they went away filled with respect for her.
At vague intervals Mme. Aubain had a visit from the Marquis de Gremanville, one of her uncles, who had ruined himself by debauchery and now lived at Falaise on his last remaining morsel of land. He invariably came at the luncheon hour, with a dreadful poodle whose paws left all the furniture in a mess. In spite of efforts to show his breeding, which he carried to the point of raising his hat every time he mentioned "my late father," habit was too strong for him; he poured himself out glass after glass and fired off improper remarks. Félicité edged him politely out of the house—"You have had enough, Monsieur de Gremanville! Another time!"—and she shut the door on him.
She opened it with pleasure to M. Bourais, who had been a lawyer. His baldness, his white stock, frilled shirt, and roomy brown coat, his way of rounding the arm as he took snuff—his whole person, in fact, created that disturbance of mind which overtakes us at the sight of extraordinary men.
As he looked after the property of "Madame" he remained shut up with her for hours in "Monsieur's" study, though all the time he was afraid of compromising himself. He respected the magistracy immensely, and had some pretensions to Latin.
To combine instruction and amusement he gave the children a geography book made up of a series of prints. They represented scenes in different parts of the world: cannibals with feathers on their heads, a monkey carrying off a young lady, Bedouins in the desert, the harpooning of a whale, and so on. Paul explained these engravings to Félicité; and that, in fact, was the whole of her literary education. The children's education was undertaken by Guyot, a poor creature employed at the town hall, who was famous for his beautiful hand and sharpened his penknife on his boots.
When the weather was bright the household set off early for a day at Geffosses Farm.
Its courtyard is on a slope, with the farmhouse in the middle, and the sea looks like a grey streak in the distance.
Félicité brought slices of cold meat out of her basket, and they breakfasted in a room adjoining the dairy. It was the only surviving fragment of a country house which was now no more. The wallpaper hung in tatters, and quivered in the draughts. Mme. Aubain sat with bowed head, overcome by her memories; the children became afraid to speak. "Why don't you play, then?" she would say, and off they went.
Paul climbed into the barn, caught birds, played at ducks and drakes over the pond, or hammered with his stick on the big casks which boomed like drums. Virginie fed the rabbits or dashed off to pick cornflowers, her quick legs showing their embroidered little drawers.
One autumn evening they went home by the fields. The moon was in its first quarter, lighting part of the sky; and mist floated like a scarf over the windings of the Toucques. Cattle, lying out in the middle of the grass, looked quietly at the four people as they passed. In the third meadow some of them got up and made a half-circle in front of the walkers. "There's nothing to be afraid of," said Félicité, as she stroked the nearest on the back with a kind of crooning song; he wheeled round and the others did the same. But when they crossed the next pasture there was a formidable bellow. It was a bull, hidden by the mist. Mme. Aubain was about to run. "No! no! don't go so fast!" They mended their pace, however, and heard a loud breathing behind them which came nearer. His hoofs thudded on the meadow grass like hammers; why, he was galloping now! Félicité turned round, and tore up clods of earth with both hands and threw them in his eyes. He lowered his muzzle, waved his horns, and quivered with fury, bellowing terribly. Mme. Aubain, now at the end of the pasture with her two little ones, was looking wildly for a place to get over the high bank. Félicité was retreating, still with her face to the bull, keeping up a shower of clods which blinded him, and crying all the time, "Be quick! be quick!"
Mme. Aubain went down into the ditch, pushed Virginie first and then Paul, fell several times as she tried to climb the bank, and managed it at last by dint of courage.
The bull had driven Félicité to bay against a rail-fence; his slaver was streaming into her face; another second, and he would have gored her. She had just time to slip between two of the rails, and the big animal stopped short in amazement.
This adventure was talked of at Pont-l'Évêque for many a year. Félicité did not pride herself on it in the least, not having the barest suspicion that she had done anything heroic.
Virginie was the sole object of her thoughts, for the child developed a nervous complaint as a result of her fright, and M. Poupart, the doctor, advised sea-bathing at Trouville. It was not a frequented place then. Mme. Aubain collected information, consulted Bourais, and made preparations as though for a long journey.
Her luggage started a day in advance, in Liébard's cart. The next day he brought round two horses, one of which had a lady's saddle with a velvet back to it, while a cloak was rolled up to make a kind of seat on the crupper of the other. Mme. Aubain rode on that, behind the farmer. Félicité took charge of Virginie, and Paul mounted M. Lechaptois' donkey, lent on condition that great care was taken of it.
The road was so bad that its five miles took two hours. The horses sank in the mud up to their pasterns, and their haunches jerked abruptly in the effort to get out; or else they stumbled in the ruts, and at other moments had to jump. In some places Liébard's mare came suddenly to a halt. He waited patiently until she went on again, talking about the people who had properties along the road, and adding moral reflections to their history. So it was that as they were in the middle of Toucques, and passed under some windows bowered with nasturtiums, he shrugged his shoulders and said: "There's a Mme. Lehoussais lives there; instead of taking a young man she ..." Félicité did not hear the rest; the horses were trotting and the donkey galloping. They all turned down a bypath; a gate swung open and two boys appeared; and the party dismounted in front of a manure heap at the very threshold of the farmhouse door.
When Mme. Liébard saw her mistress she gave lavish signs of joy. She served her a luncheon with a sirloin of beef, tripe, black-pudding, a fricassee of chicken, sparkling cider, a fruit tart, and brandied plums; seasoning it all with compliments to Madame, who seemed in better health; Mademoiselle, who was "splendid" now; and Monsieur Paul, who had "filled out" wonderfully. Nor did she forget their deceased grandparents, whom the Liébards had known, as they had been in the service of the family for several generations. The farm, like them, had the stamp of antiquity. The beams on the ceiling were worm-eaten, the walls blackened with smoke, and the window-panes grey with dust. There was an oak dresser laden with every sort of useful article—jugs, plates, pewter bowls, wolf-traps, and sheep-shears; and a huge syringe made the children laugh. There was not a tree in the three courtyards without mushrooms growing at the bottom of it or a tuft of mistletoe on its boughs. Several of them had been thrown down by the wind. They had taken root again at the middle; and all were bending under their wealth of apples. The thatched roofs, like brown velvet and of varying thickness, withstood the heaviest squalls. The cart-shed, however, was falling into ruin. Mme. Aubain said she would see about it, and ordered the animals to be saddled again.
It was another half-hour before they reached Trouville. The little caravan dismounted to pass Écores—it was an overhanging cliff with boats below it—and three minutes later they were at the end of the quay and entered the courtyard of the Golden Lamb, kept by good Mme. David.
From the first days of their stay Virginie began to feel less weak, thanks to the change of air and the effect of the sea-baths. These, for want of a bathing-dress, she took in her chemise; and her nurse dressed her afterwards in a coastguard's cabin which was used by the bathers.
Excerpted from Three Tales by Gustave Flaubert, Arthur McDowall. Copyright © 2004 Dover Publications, Inc.. Excerpted by permission of Dover Publications, Inc..
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Meet the Author
Gustave Flaubert was born in Rouen in 1821, the son of a prominent physician. A solitary child, he was attracted to literature at an early age, and after his recovery from a nervous breakdown suffered while a law student, he turned his total energies to writing. Aside from journeys to the Near East, Greece, Italy, and North Africa, and a stormy liaison with the poetess Louise Colet, his life was dedicated to the practice of his art. The form of his work was marked by intense aesthetic scrupulousness and passionate pursuit of le mot juste; its content alternately reflected scorn for French bourgeois society and a romantic taste for exotic historical subject matter. The success of Madame Bovary (1857) was ensured by government prosecution for “immorality”; Salammbô (1862) and The Sentimental Education (1869) received a cool public reception; not until the publication of Three Tales (1877) was his genius popularly acknowledged. Among fellow writers, however, his reputation was supreme. His circle of friends included Turgenev and the Goncourt brothers, while the young Guy de Maupassant underwent an arduous literary apprenticeship under his direction. Increasing personal isolation and financial insecurity troubled his last years. His final bitterness and disillusion were vividly evidenced in the savagely satiric Bouvard and Pécuchet, left unfinished at his death in 1880.
Roger Whitehouse has taught at the Sorbonne and at Bolton Institute, where he is a research fellow.
Geoffrey Wall is author of the critically acclaimed Flaubert: A Life and translated Madame Bovary for Penguin Classics.
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Flaubert's collection of "Three Tales" brings together a wonderful set of short stories. Working from contemporary to ancient and in various modes of realism, Flaubert delves into the spiritual depths of his characters. The first story, "A Simple Heart" is the best of the group. In this story, Flaubert tells the story Felicite, a loyal servant to an uninteresting patron. Flaubert quickly covers her whole life, from her difficult childhood and through her many attachments to her death. Felicite is a woman who feels love deeply, but Flaubert's presentation is very detached and never maudlin. The last great love of Felicite's life is a parrot (which also inspired Julian Barnes' "Flaubert's Parrot") who comes to symbolize the holy spirit for her. It would have been easy for Flaubert to portray Felicite's simplicity as an object of scorn or irony, but he treats her faithfully and never passes judgment on her actions or thoughts. Her story is beautifully told and stands up well to any short story I know. The second tale, "The Legend of Saint Julian the Hospitaller," is a retelling of the legendary Saint's life. Flaubert is in a completely different mode here; he is comfortable in the quick and magical progression typical of medieval tales. Flaubert's eye for detail makes some of the scenes more horrific and as such more effective. In particular, the scenes of carnage while hunting and the scene with the leper are particularly well drawn. The final tale, "Herodias," is a retelling of the story of John the Baptist's execution. Here, Flaubert delves into the emotions of religious fervor and political intrigue. He focuses not on Herodias or John, but on Herod. He portrays Herod as caught between competing forces: Rome and the tribes outside his kingdom; his wife and the proconsul; pharisees, essenes, and the fledgling movement spawned by Jesus. All of these competing voices make the story a bit disjointed at times, but once again Flaubert's realism lends a detached feel to the entire story. Margaret Drabble's introduction to the volume is useful in how she ties the "Three Tales" into Flaubert's career and surroundings. The cathedral at Rouen, for example, has a series of stained glass windows depicting Saint Julian's story, and it also has a statue of the beheading of John the Baptist. Such details help bring the stories into greater clarity, though I recommend reading the introduction last if you have never read the stories, so as to be able to come to the stories fresh.