Three-Ten to Yuma and Other Storiesby Elmore Leonard
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. The New York Times-bestselling Grand Master of suspense deftly displays/b>
Trust was rare and precious in the wide-open towns that sprung up like weeds on America's frontier—with hustlers and hucksters arriving in droves by horse, coach, wagon, and rail, and gunmen working both sides of the law, all too eager to end a man's life with a well-placed bullet. The New York Times-bestselling Grand Master of suspense deftly displays the other side of his genius, with seven classic western tales of destiny and fatal decision . . . and trust as essential to survival as it is hard-earned.
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Three-Ten to Yuma and Other Stories
By Elmore Leonard
HarperCollins Publishers, Inc.Copyright © 2006 Elmore Leonard
All right reserved.
On the morning of May the tenth, 1870, four troops of cavalry, out of Fort Bowie and at full strength, met a hundred-odd Mimbreño Apaches under Chee about a mile east of what used to be Helena. Cavalry met Apache on open, flat terrain--which happened seldom enough--and they cut the Indians to ribbons. Only Chee and a handful of his warriors escaped.
On the official record the engagement is listed as the Battle of Dos Cabezas. But strictly speaking the title is misleading, for the twin peaks of Dos Cabezas were only a landmark to the south. The engagement broke the back of an Apache uprising, but that is not the important point. The Reservation at San Carlos is mute testimony that all uprisings did fail.
No, the importance of the Dos Cabezas action is in how it happened to come about; and the record is not complete on that score--though there is a statement in the record meant to explain how cavalry was able to meet guerrilla Apache away from his mountain stronghold. And there is mention of the unnatural glow in the night sky that attracted both cavalry and Apache. But still, the record is incomplete.
Stoneman himself, Brigadier General, Department of Arizona, was at Bowie at the time. That is why much of the credit for the engagement's success is given to him. However, the next week at Camp Grant, Stonemanmade awards connected with the action. The Third United States Dragoons received a unit citation. A Lieutenant R. A. Gander was cited for bravery; it being consolation for a shattered left leg. One other award was made. And therein lies the strange story of the Dos Cabezas affair.
This is how it happened.
Always, it is preceded by quiet.
The silence creeps over the gray gloom that is the desert at night and even the natural night sounds are not there. Off, far off, against the blackness of a mountainside there appears the orange-red smear of a bonfire. From a distance it is a flickering point of light, cold and alone. And then--
The Apaches are up!
It is a scream down the length of the barracks adobe.
Through the window, Kujava sees the thin slash of red in the blackness to the east and he pulls his boots on mechanically, grimly.
Then he is First Sergeant Kujava, swinging through the barracks with a booming voice and a leather gauntlet slashing at sleeping feet. Kujava knows men. He asks them if they want to be late to die and he does it with a roar of a laugh so they cannot refuse. With the recruits, it is effective. They leap up and yell and laugh with an eagerness that means they are new to frontier station. And it shows they do not know the Apache.
Others remain motionless, but with eyes open, seeing the desert and the dust-covered mesquite and the alkali and the screaming whiteness of the sun all combined in a shimmering, oppressing haze that sears the eyeballs of a white man until a knot tightens around his forehead. That, and salt sweat and the gagging nitrogen smell of the animals beneath them. Stillness, and never an Apache in sight. These are the ones who have been in as long as Kujava.
On Bud Nagle, the dawn rousing had a bewildering effect. He sat bolt upright on his cot and saw the first sergeant running down the narrow aisle, but what the sergeant was calling made no sense to him. He frowned and rubbed his eyes at the commotion, then fell back slowly on his cot and remained motionless. But he did not see the desert. There was a cobblestone street with store fronts and restaurants, and it was east of the Mississippi.
By the end of his first month Bud Nagle had known he was not a cavalryman. He knew he was not a soldier of any kind, but after seven months, it was too late to do anything about it, and even the office door in Milwaukee that bore the legend L. V. Nagle, Attorney, could not prevail against it. Enlistments do not dissolve, even if the recruit realizes he is out of place; and especially were they not dissolving that spring of 1870 when Apacheria, from the Dragoons to the San Andres, was vibrating with the beat of hundreds of war drums. The Apaches were up and Cochise would not be stopped.
Now he saw the street again. The shouting, laughing people and the ordinarily shy girls who giggled and threw their arms around the returning soldiers and kissed them right on the street. Right on Wisconsin Avenue. He remembered the deep-blue uniforms and the glistening boots and the one-eyed angle of the kepis, and he could hardly wait.
The uniforms disappeared from the cobblestone street. They had been gone for almost five years, but never from the mind of Bud Nagle. Smiling girls and glistening boots.
By the time he found out how long issue boots kept a shine, it was too late. He was in Apache country.
Now he opened his eyes and looked full into the awe-inspiring face of the first sergeant. Deep-brown hollow cheeks and full cavalry mustache.
"Get off that bunk 'fore I kick your comfort-lovin' butt across the parade!" And he was off down the aisle.
It was always the same. Kujava pulled him from his cot, drilled him until his legs shook with weakness. The corporal swore and gave him extra duty, full pack, four hours on the parade. He was always the handiest when their ire was up and he never learned to keep his mouth shut. The fact that nothing he did was ever done in a military fashion made it doubly easy for the noncoms, and the contagion of their bullying even spread to the ranks.
He was easy to insult and seemed even to invite it. He was not a soldier among soldiers. He tried to act like a man without looking like one. And he complained. That's part of Army life: a big part.
Excerpted from Three-Ten to Yuma and Other Stories by Elmore Leonard Copyright © 2006 by Elmore Leonard. Excerpted by permission.
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Meet the Author
Elmore Leonard wrote more than forty books during his long career, including the bestsellers Raylan, Tishomingo Blues, Be Cool, Get Shorty, and Rum Punch, as well as the acclaimed collection When the Women Come Out to Dance, which was a New York Times Notable Book. Many of his books have been made into movies, including Get Shorty and Out of Sight. The short story "Fire in the Hole," and three books, including Raylan, were the basis for the FX hit show Justified. Leonard received the Lifetime Achievement Award from PEN USA and the Grand Master Award from the Mystery Writers of America. He died in 2013.
- Bloomfield Village, Michigan
- Date of Birth:
- October 11, 1925
- Place of Birth:
- New Orleans, Louisiana
- B.Ph., University of Detroit, 1950
Most Helpful Customer Reviews
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These early 1950s Leonard western stories show the promise of his later work great characters (good and bad), intriguing situations and a compelling setting. Leonard can't quite fill his own boots, as it were, showing promise as a young writer but some of the stories still turn out a bit predictable or flat. Leonard seems best when he has a full-length novel to flesh out his characters, and much of his effort seems rushed here. Still, these seven stories are worth a look for Leonard fans or for those who just want to read the title story before they see the movie.
3:10 to Yuma--I was not much into westerns at all--but this movie made me search out the writer and with it I found Justified and Elmore Leonard and Longmire. Maybe it is time to bring westerns back