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James Thurber was one of the finest humorists of the twentieth century (and a crack cartoonist to boot). A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It—including the American classic "The Secret Life of Walter Mitty"—as well as from The Owl in the Attic, The Seal in the ...
James Thurber was one of the finest humorists of the twentieth century (and a crack cartoonist to boot). A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It—including the American classic "The Secret Life of Walter Mitty"—as well as from The Owl in the Attic, The Seal in the Bathroom, and Men, Women and Dogs.
As Thurber writes in his introduction: "This book contains a selection of the stories and drawings the old boy did in his prime."
The train was twenty minutes late, we found out when we bought our tickets, so we sat down on a bench in the little waiting room of the Cornwall Bridge station. It was too hot outside in the sun. This midsummer Saturday had got off to a sulky start, and now, at three in the afternoon, it sat, sticky and restive, in our laps.
There were several others besides Sylvia and myself waiting for the train to get in from Pittsfield: a colored woman who fanned herself with a Daily News, a young lady in her twenties reading a book, a slender, tanned man sucking dreamily on the stem of an unlighted pipe. In the centre of the room, leaning against a high iron radiator, a small girl stared at each of us in turn, her mouth open, as if she had never seen people before. The place had the familiar, pleasant smell of railroad stations in the country, of something compounded of wood and leather and smoke. In the cramped space behind the ticket window, a telegraph instrument clicked intermittently, and once or twice a phone rang and the stationmaster answered it briefly. I couldn't hear what he said.
I was glad, on such a day, that we were going only as far as Gaylordsville, the third stop down the line, twenty-two minutes away. The stationmaster had told us that our tickets were the first tickets to Gaylordsville he had ever sold. I was idly pondering this small distinction when a train whistle blew in the distance. We all got to our feet, but the stationmaster came out of his cubbyhole and told us it was not our train but the 12:45 from New York, northbound. Presently the train thundered in like a hurricane and sighed ponderously to a stop.The stationmaster went out onto the platform and came back after a minute or two. The train got heavily under way again, for Canaan.
I was opening a pack of cigarettes when I heard the station master talking on the phone again. This time his words came out clearly. He kept repeating one sentence. He was saying, "Conductor Reagan on 142 has the lady the office was asking about." The person on the other end of the fine did not appear to get the meaning of the sentence. The stationmaster repeated it and hung up. For some reason, I figured that he did not understand it either.
Sylvia's eyes had the lost, reflective look they wear when she is trying to remember in what box she packed the Christmas-tree ornaments. The expressions on the faces of the colored woman, the young lady, and the man with the pipe had not changed. The little staring girl had gone away.
Our train was not due for another five minutes, and I sat back and began trying to reconstruct the lady on 142, the lady Conductor Reagan had, the lady the office was asking about. I moved nearer to Sylvia and whispered, "See if the trains are numbered in your timetable." She got the timetable out of her handbag and looked at it. "One forty-two," she said, "is the 12:45 from New York." This was the train that had gone by a few minutes before. "The woman was taken sick," said Sylvia. "They are probably arranging to have a doctor or her family meet her."
The colored woman looked around at her briefly. The young woman, who had been chewing gum, stopped chewing. The man with the pipe seemed oblivious. I lighted a cigarette and sat thinking. "The woman on 142," I said to Sylvia, finally, "might be almost anything, but she definitely is not sick." The only person who did not stare at me was the man with the pipe. Sylvia gave me her temperature-taking look, a cross between anxiety and vexation. just then our train whistled and we all stood up. 1 picked up our two bags and Sylvia took the sack of string beans we had picked for the Connells.
When the train came clanking in, I said in Sylvia's ear, "He'll sit near us. You watch." "Who? Who will?" she said. "The stranger," I told her, "the man with the pipe."
Sylvia laughed. "He's not a stranger," she said. "He works for the Breeds." I was certain that he didn't. Women like to place people; every stranger reminds them of somebody.
The man with the pipe was sitting three seats in front of us, across the aisle, when we got settled. I indicated him with a nod of my head. Sylvia took a book out of the top of her overnight bag and opened it. "What's the matter with you?" she demanded. I looked around before replying. A sleepy man and woman sat across from us. Two middle-aged women in the seat in front of us were discussing the severe griping pain one of them had experienced as the result of an inflamed diverticulum. A slim, dark-eyed young woman sat in the seat behind us. She was alone.
"The trouble with women," I began, "is that they explain everything by illness. I have a theory that we would be celebrating the twelfth of May or even the sixteenth of April as Independence Day if Mrs. Jefferson hadn't got the idea her husband had a fever and put him to bed."
Sylvia found her place in the book. "We've been all through that before," she said. "Why couldn't the woman on 142 be sick?"
That was easy, I told her. "Conductor Reagan," I said, "got off the train at Cornwall Bridge and spoke to the stationmaster. 'I've got the woman the office was asking about,' he said."
Sylvia cut in. "He said 'lady.'"
I gave the little laugh that annoys her. "All conductors say 'lady,'" I explained. "Now, if a woman had got sick on the train, Reagan would have said, 'A woman got sick on my train. Tell the office.' What must have happened is that Reagan found, somewhere between Kent and Cornwall Bridge, a woman the office had been looking for."
Posted November 3, 2001
I am currently in a college production of this play and we are enjoying every moment of it. With James Thurber's humor was as good them (I assume) as it is to today's audiencesWas this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 23, 2000