Time Doesn't Notice is the
Atlantic debut of Tallahassee's
No Address. The sound here is midrange modern
rock. Vocalist
Ben Lauren has perfected a gritty
Kurt Cobain whine, and he curses enough to let listeners know he means business. Lead single
"When I'm Gone (Sadie)" could be
Stone Temple Pilots, but it could also be
Crossfade,
Future Leaders of the World, or even
Puddle of Mudd -- bands applying the tenor of the
grunge era to vague lyrical hedonism and repetition of obvious hooks.
"When I'm Gone," for example, revolves around
Lauren taunting "La dee da dee da dee da dee," which makes the track a weird
rock cousin to
Eiffel 65's
Euro-dance novelty "Blue (Da Ba Dee)." Time Doesn't Notice detours a little into softer territory, too -- while
"Perfect" and
"How Could I?" have the ragged guitar and pounding drums,
"Too Proud" is rangy midtempo
rock akin to
Matchbox Twenty.
"Lasting Words" offers plaintive chords, too, and the band pulls out the acoustic guitars and mandolins for
"Mother Sunday." They also approximate a
post-grunge Tom Petty on
"Never Coming Back." Tallahassee boys throwing support to a Gainesville guy. So
Time Doesn't Notice shows
No Address' margins to be wider than those of their peers. However, the album doesn't ultimately make much of an impression. The next one might, but
Time Doesn't Notice can't figure out what it really wants to be. ~ Johnny Loftus