Timelock (Caretaker Trilogy #3)

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Overview

Is this the end of Jack Danielson?

Jack Danielson has spent the last year risking everything to save the oceans and the Amazon. Now, he’s more than ready to get back to a normal life and spend some quality time with his girlfriend. Too bad the world has other plans. Wrenched away once more from the woman he loves, Jack is thrust through time to the fiery deserts of the future to battle cyborgs, zombie warlocks, and scorpions the size of tanks. But he doesn’t just have to save the Earth. As the final confrontation with the dreaded Dark Lord looms, Jack must decide once and for all who he really is—prince of the future or humble human of the present—and choose between the two women who love him. An impossible decision, if he stays alive long enough to make it. . . .

Editorial Reviews

Regina Marler
The author's style is perfect for the genre: fast-paced and suspenseful, with a palpable delight in the gross-out. He clearly loves inventing the monsters that bedevil his hero, from sentient, flame-shooting computers to a type of predatory living pollution known as glagour…The emphasis is…on the likes of freshly hatched flying snakes and the heroics required to combat them. Call it "Raiders of the Lost Earth."
—The New York Times
Children's Literature
In the final book of the "Caretaker Trilogy" Jack Danielson is off to save the world, again. This time he is not saving the oceans or the Amazon (as in books one and two of the trilogy); instead, the action is in the future—the future where Jack was born—and the Arctic. After Jack is unwillingly taken to the future, he discovers that the world has become an uninhabitable wasteland where only nightmarish creatures can survive. In order to save the future of the planet, Jack must not only save his father (whom he hardly knows), he also must go with his father back to the past (or our present) to battle the Dark Lord who is melting the polar caps. This story is a mad frenzy of one battle or near-death experience after another. Jack more often than not stumbles upon someone or something that will be able to help him out of one scrape or another. In fact, it seems that our hero of the prophecy is more lucky than skilled in saving the planet. Still, this is a good book for readers who love action more than characters and who do not mind being hit over the head with the importance of environmentalism. Reviewer: Joella Peterson
School Library Journal
Gr 8 Up—Back in New York after a year of breathtakingly dangerous adventures in which he saved the Earth's oceans in Firestorm (2006) and the Amazon in Whirlwind (2008, both Farrar), Jack Danielson hopes to blend in with the crowds in Manhattan, where he has taken a job as a construction worker and resumed his relationship with his girlfriend P.J., now a student at Barnard. Unfortunately, his destiny as Prince of Dann a thousand years in the future makes life as an ordinary 21st-century teenager impossible. He soon finds himself kidnapped and whirled away into a future where much of the Earth is desert and the Arctic has been almost completely destroyed. In this world, Jack's real father, the king, is about to be executed by the forces of the Dark Army, and his real mother is waiting to join Jack on a death-defying quest to free his father from a seemingly impenetrable fortress, defeat the Dark Lord, and save the dying planet. Every bit as fast paced, thrilling, and similar to a gripping computer game as its predecessors, this final volume in the trilogy will keep readers absorbed while presenting them with a valuable warning about the need for environmental awareness.—Ginny Gustin, Sonoma County Library System, Santa Rosa, CA
Kirkus Reviews
Breakneck pacing and ecological earnestness supplant coherent storytelling in the over-the-top culmination of this time-travel trilogy. Jack and his pals have saved the oceans and the rainforests, and now he just wants a normal life. But that pesky Destiny can't leave a "beacon of hope" alone. Soon Jack's on the run again, this time to the ecologically devastated future, helping his warrior-Queen mother bust his father out of the Dark Lord's dungeons. Whoops! Time to hurtle back to the present to save the Arctic ice cap from a genocidal cyborg! From ravaged, polluted wastelands to sublimely majestic glaciers, the settings are vivid and evocative. Jack is likable enough but does little to justify the universal devotion and awe he's accorded. Secondary characters grate, coming off as sexist, sanctimonious or simply strange. The barrage of Too Much Stuff, intriguing in concept but seemingly pulled from nowhere to keep the plot moving, thunders to a ludicrous climax and bathetic epilogue, subverting any message of responsible environmental stewardship. Sheer fluff and nonsense, but if the first two are popular, this one will rocket off the shelves. (Science fiction. YA)

Product Details

  • ISBN-13: 9780312608637
  • Publisher: Square Fish
  • Publication date: 5/25/2010
  • Pages: 272
  • Sales rank: 309,376
  • Age range: 14 - 17 Years
  • Lexile: 830L (what's this?)
  • Series: Caretaker Trilogy Series , #3
  • Product dimensions: 5.40 (w) x 8.30 (h) x 0.90 (d)

Meet the Author

David Klass is the author of many young adult novels, including Dark Angel and You Don’t Know Me. He is also a Hollywood screenwriter, having written more than twenty-five action screenplays, including Kiss the Girls, starring Morgan Freeman and Ashley Judd, Walking Tall, starring The Rock, and Desperate Measures, starring Michael Keaton and Andy Garcia. Klass grew up in a family that loved literature and theater—his parents were both college professors and writers—but he was a reluctant reader, preferring sports to books. But he started loving the adventure stories his parents would bring home from the library—particularly Jack London, Robert Louis Stevenson and Alexandre Dumas. After his sister twice won a story contest in Seventeen magazine, Klass decided he would win it too, and when he was a senior in high school, he did, publishing his first story, “Ringtoss,” in the magazine. He studied at Yale University, where he won the Veech Award for Best Imaginative Writing. He taught English in Japan, and wrote his first novel, The Atami Dragons, about that experience. He now lives in New York with his wife and two small children.

Read an Excerpt

1

Manhattan. Seven-thirty in the evening. Indian summer. No way it should be this warm in late September, but I’m sweating in my T-shirt as I run through the gloaming and feel the cold prickle on the back of my neck. Someone is watching me. Now. Here. Close by.
Had enough sentence fragments yet? My English teacher said they were a weakness of mine. But that was more than a year ago, when I was a senior at Hadley High School, leading a relatively normal life.
I’m not in Hadley anymore, and I can never go back. Too much has happened to me since then. Firestorm adventure to save the oceans, over. Whirlwind trip to the Amazon, completed. I’m a year older. I hope a bit wiser. But I still like sentence fragments. They generate pace. If you want speed, stick around, my friend. If you enjoy weird, don’t budge from that chair.
I feel that prickle again. Glance around quickly. Gangly guy in spandex checking his fancy stopwatch for lap time. Cute chick with red hair bopping along the wrong way, listening to her mu­sic, making all the other runners veer around her. Family of four jogging in pairs, mother-son, father-daughter. Everyone looks a bit strange.
This is Manhattan, after all. Hundreds of people in the park on a warm autumn evening doing their funky big-city things and surreptitiously checking each other out.
That’s why I’m here. I came to the Big Apple because it seemed like a good place to lose myself and start over. Shed a skin. Jump into the bubbling stew. Melting pot supreme.
Got a job working construction. See a lot of P.J. who’s a fresh­man at Barnard College. There are days when I work .fteen hours and no one gives me a second look, and I almost believe that it’s possible for me to live a relatively normal life.
And then there are the moments like this when I know I’m kidding myself.
I do a three-sixty, looking for telltale signs. No tall cyborgs. No bat creatures. No one dodges my gaze.
Could be a false alarm. Maybe I’m paranoid. Except that deep down I know it’s real. Can’t spitball who’s watching me, but I’m positive they’re out there.
I have only two choices, neither of them particularly appeal­ing. I can wait for them to make their move. Or I can try to run away.
I pick up the pace as darkness settles over the reservoir. Out­side the park, the lights of Central Park West and Fifth Avenue blink on. An urban constellation frames an oasis of dark, rippling water. I’ve seen the world a bit. Swum deep under the oceans to a virgin sea mount. Found the hidden valley of the Amazon. A beautiful evening in Manhattan is still a pretty spectacular thing.
I’m running fast now. Passing people. Arms pumping. No one can keep up with me. But they don’t have to.
Whoever’s watching me may be stationary, following my laps from a bench. Or maybe they’re ensconced high up in an apart­ment overlooking the park, like the Gorm who lured me to her penthouse lair, watching me through a window with nightscopes. Or it could be a kid, or a mechanical bird, or even a shape-shifting squirrel.
I .rst felt the prickle one week ago, at P.J.’s dinner party. I ad­mit I was nervous anyway.
Nice of her to invite me, but I didn’t .t in. P.J.’s new friends. The college set. A dozen Columbia and Barnard freshmen. Gig­gling about a charming anthropology professor with endless ec­centric anecdotes and complaining about an arduous chem lab. Comparing reading lists and writing assignments. Trying out new words, new hairstyles, and post–high school personas on each other.
One goofy guy not in college. Didn’t even .nish high school. Nice to meet you, Jack. What do you do? Oh, really, you work construction? How do you know P.J.? High school friend? Well, nice talking to you.
We’re eating in the garden of a Greek restaurant downtown. I’m trying to pretend that I don’t mind being completely ignored. Go ahead and converse. Posture. Ponti.cate. I’ll just concentrate on this plate of kabobs.
I listen politely as I unskewer lamb chunks with my hands, calloused from heavy work. The physics phenom sitting next to me keeps stealing glances at my missing pinky. Want to know how I lost that one, Einstein? A .end named Dargon cut it off on a trawler, while his thugs held me down. But don’t mind me. Go on making fun of your linear algebra teaching assistant’s stutter. I’m riveted.
P.J. isn’t fooled. She’s watching me. I give her a nonchalant grin and she smiles back. Okay, prep school lacrosse star. Tell her about your family’s spread in the Hamptons. She’ll listen and nod, but I’m the one who will be walking her home tonight. I’m the one who will be riding up in the elevator with her, to her dorm room. I’m the one who will follow her into the common room, past her three roommates, to her tiny bedroom .lled with books.
And guess what? You may have the hip clothes and the preppy cool and the million-dollar summerhouse, but I’m the one who will put my arms around her and kiss her on her soft warm lips, and tell her I love her.
Except that she de.nitely seems interested in that place in Bridgehampton. And the lacrosse player is smart enough not to go after her too aggressively, but rather he makes it a group thing.
Somehow a party starts to get planned there, a big bash with cos­tumes and a live band. And I don’t think I’m on the guest list.
I excuse myself and head to the bathroom. Twenty other tables in the garden. Glasses clinking. Silverware clanking. And that’s when I feel it.
On the back of my neck. The tactile equivalent of someone raking his .ngernails across a blackboard. It makes me squirm and wheel around.
All I see are couples sipping wine and spooning lemon chicken soup by candlelight. There are a few large groups digging into platters of stuffed grape leaves and devouring baby lamb chops as they banter back and forth.
I burst inside and check out the bar, the waiters, and the kitchen staff. They’re all busy with plates and trays and glasses. “The bathroom’s down there, sir,” a waiter explains, misinter­preting my distress.
Seconds later I’m in the bathroom splashing cold water on my face and trying to calm down. Because this is the nightmare I live with. That they’ll .nd me again. Hunt me down. Rip off the bandage and open the scar.
And now it’s happened.
I knew it instantly, at that dinner party, standing in the court­yard of the Greek restaurant. Sure, I tried to convince myself that it had just been a chill breeze on the back of my neck. But as I looked at myself in the bathroom mirror, I knew they had found me and it was starting all over again.
I knew it with even more certainty two days later at the con­struction site, hard hat on and tool belt in place, stepping out on a high girder. Couldn’t afford to shiver up there, but I felt the cold prickle again. All of Manhattan below. Dozens of of.ce buildings. Anyone could be watching me.
So now, in Central Park, it isn’t a complete surprise. But this is strike three. No use pretending anymore. I go into full sprint for the last hundred yards, and as I .y along, arms pumping, I force myself to face the bitter truth. Have to act quickly. Take time off my job. Go out of town for a while. Maybe get myself a weapon. And most dif.cult of all, I must tell P.J.
She’s so happy at Barnard, living a normal life again. She never told her parents what happened after she disappeared from Hadley. She feigned amnesia. They brought her to psychologists and specialists, and .nally they just gave up and were glad she came back to them.
Now she&#821

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Sort by: Showing all of 9 Customer Reviews
  • Posted January 16, 2012

    Whole Series is Phenomenal

    The book closes the caretaker trilogy nicely. Tying up most loose ends and ending with a nice happy ending feeling in the pit of your stomach. Highly recommend you read the entire series if you enjoy teenage love and fictional themes.

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