Tinted Windowsby Tinted Windows
Supergroups are rarely as evenly balanced as Tinted Windows, the power pop powerhouse consisting of boy band veteran Taylor Hanson, Fountains of Wayne's Adam Schlesinger, Smashing Pumpkins' James Iha, and Bun E. Carlos of Cheap Trick. Hanson's participation in this project is unexpected only to those not paying close attention. Ever since the days of "MMM Bop," Hanson has shown a flair for sugary pure pop, something he continued to develop as he and his brothers turned from teen sensations into working troubadours, but their steady, solid work in the 2000s never got as much attention as their first hits, so many listeners may be surprised to hear how comfortable he is with this fuzzy, old-fashioned power pop. Then again, Hanson never quite seemed of their time even in 1997, basing their entire sound on the fizzy sound of '60s oldies, so the '70s fantasia of Tinted Windows is no great stretch for Taylor Hanson, just like it's no great stretch for Adam Schlesinger, who has carved out a niche as a pop anthropologist, re-creating the sounds of yesteryear for the soundtracks of That Thing You Do and Music and Lyrics; indeed, he initially met Taylor back in the '90s when Hanson's label suggested him as a possible collaborator based on this very skill. Schlesinger relies on this gift somewhat on Tinted Windows, but for as tradition-bound as this album is, it's not self-consciously retro: it's a balanced collaboration, its melodies bearing the indelible stamp of both Hanson and Schlesinger, while its music is colored by Iha's saturated '70s guitars and pinned down by Carlos' tight rhythms. Bun E's very presence suggests that Tinted Windows might have a bit of Cheap Trick's feverish rock & roll, but the group errs on the side of caution, the product of a bunch of longtime veterans getting back to basics and playing their first love. While the former cancels out the latter ever so slightly -- there's not much abandon here, only precision -- the pleasure of the popcraft outweighs much of the caution in the construction, especially when the insistent hooks are delivered with such puppy-dog earnestness by Taylor Hanson. Of all the guys here, he is the only one to never have performed in a guitar-heavy rock & roll band, and his thrill to be singing these sweet melodies over these big, fuzzy guitars can be infectious.
- Release Date:
- S-Curve Records
Performance CreditsTinted Windows Primary Artist
Bun E. Carlos Drums
James Iha Guitar,Vocals
Adam Schlesinger Guitar,Vocals
Taylor Hanson Vocals
Technical CreditsJames Iha Composer,Producer,Audio Production
George Marino Mastering
Adam Schlesinger Composer,Audio Production
Taylor Hanson Composer
Geoff Sanoff Engineer
Ken Weinstein Publicity
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These guys really put together a great album. If you like power pop these guys really work their craft well. There are some really memorable cuts that are singable etc. Taylor hanson has really matured into a good singer and the harmonies are really tight. I would love to see these guys on tour..
Taylor Hanson had a knack for writing catchy tunes even when he was 10, and that knack has matured. No wonder Cheap Trick's drummer of 30 years and a couple of established GenXers sound so comfortable giving their trademark punch to his songs and backing his still-sweet but plenty-strong vocals. And no wonder that not only heavy-metal programs but Little Steven Van Zandt's Underground Garage have spent months playing and re-playing at least three songs from this album on syndicated FM radio. The Sweet, the Raspberries, the Beatles, Michael Jackson, Cheap Trick, the Ramones and others have managed this same bridge between bubblegum and respectably kick-butt rock, but it always seems to be a surprise. A timeless sound in a pure rock tradition - and tightly done, too. Very listenable, with staying power - the kind of thing you want to have and to keep.