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TITANIC sank April 15, 1912, creating a media frenzy. Fritscher said, "In movie-newsreel footage shot three days later on the deck of the rescue ship CARPATHIA immediately after it docked at Chelsea Piers in New York, a dozen of the surviving TITANIC crew, mostly sailor lads in tight white pants hiding little, showing lots, can be seen in very intimate horseplay, camping around, and posing in life jackets, pretending to faint. Of the 885 male crew on TITANIC, 693, or 78 percent, died. Altogether, 1,352 men perished. If, according to Kinsey, one out of six ordinary men is gay, 225 gay men died. If two out of six in the travel industry are gay, 450 gay men died, making TITANIC an overlooked but essential chapter in gay history."
In the TITANIC canon, and in the gay literary canon, the novel has won praise for its writing style, its precise accuracy in mixing fictional and historical characters, and its heritage as the first novel dealing with gay men on TITANIC. Into this historic realism, Fritscher, writing in top erotic form, inserts the magical thinking of gay eros. You will never forget this story ripped from the secret pages of a TITANIC diary!
Fritscher's fast-paced plot speeds along like a film. It has comic dialogue, high-drama queens, extremely able seamen, class-conscious sex, and the suspense of who will survive this story that begins like a musical comedy and ends with a sinking feeling. Fritscher looks through the prism of the TITANIC microcosm to dramatize hidden gay history. It's an historical peek into how early twentieth-century gay folk, learning to save their own lives, helped invent modern homosexual identity, diversity, and politics.
Posted April 29, 2012