Titus Andronicus (Pelican Shakespeare Series)

Titus Andronicus (Pelican Shakespeare Series)

4.0 18
by William Shakespeare
     
 

View All Available Formats & Editions

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel
 
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the

Overview

The acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel
 
The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come.
 
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Product Details

ISBN-13:
9780140714913
Publisher:
Penguin Publishing Group
Publication date:
01/28/2000
Series:
Pelican Shakespeare Series
Edition description:
Revised
Pages:
160
Sales rank:
753,197
Product dimensions:
5.08(w) x 7.73(h) x 0.42(d)
Age Range:
18 Years

Meet the Author

William Shakespeare was born in Stratford-upon-Avon in April, 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He died on April 23, 1616, and was buried in Holy Trinity Church, Stratford. 

A. R. Braunmuller is Distinguished Professor of English and Comparative Literature at the University of California at Los Angeles. He has written critical volumes on George Peele and George Chapman and has edited plays in both the Oxford (King John) and Cambridge (Macbeth) series of Shakespeare editions. He is also general editor of The New Cambridge Shakespeare. 

Stephen Orgel is the Jackson Eli Reynolds Professor of the Humanities at Stanford University and general editor of the Cambridge Studies in Renaissance Literature and Culture. His books include Imagining ShakespeareThe Authentic ShakespeareImpersonations: The Performance of Gender in Shakespeare’s England and The Illusion of Power.

Customer Reviews

Average Review:

Write a Review

and post it to your social network

     

Most Helpful Customer Reviews

See all customer reviews >

Titus Andronicus (Folger Shakespeare Library Series) 4 out of 5 based on 0 ratings. 18 reviews.
Anonymous More than 1 year ago
If i could put one word to discribe this it would be DAMMIT
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Literature_In_Arkansas More than 1 year ago
Titus Andronicus is a spectacular story of Social Status, rape, mutilation, deception, and pure evil. Titus is a Roman General who has just returned from war with the Goths. He has returned to Rome with the Goth queen, her sons, and her lover as prisoners. Titus has also returned with his 25 warrior sons, 21 of whom are dead. They return to find that the emperor has died and there is a sort of city meeting held to determine who will follow as emporer. The choice is between the Emperor's two sons, Saturnine and Bassianus, and Titus. Titus would become emporer if he didn't decline. In a turn of events, Saturnine becomes emporer and ends up marrying The queen of the very people that Titus has just conquered. Tamorah, the Goth queen, uses her new status to manipulate Titus and his sons. Aaron the Moor, Tamorah's lover, is responsible for instigating most of the heinous acts of rape and torture. This is considered to be one of Shakespeare's earliest works and is a little rough around the edges as far as character development. It is nonetheless a good read, whether for pleasure or schoolwork.
Mirth More than 1 year ago
Color can provide powerful imagery and insight in any story. Most can identify with color imagery in film, but in writing it is just as valuable of a tool. In Titus Andronicus, Shakespeare uses color for character development and foreshadowing. Throughout the text, Shakespeare uses color to give the reader a sense of what is to come. In Act 2 Scene 2 Titus proclaims, "The hunt is up, the moon is bright and gray" (1). Gray is a drab color, one that is cool and uninteresting and carries with it a sober tone of sorrow. Although the events are pleasing to the characters as the scene begins, the color chosen by the author is one of sadness and disappointment. This choice has purpose. He is foreshadowing by showing the reader that although the "moon is bright", or the events of the day appear enjoyable, the overall outcome will be "gray". Then he fulfills on the unstated promise of sorrow when Bassianus is slain and Lavinia is raped and maimed. (Also intriguing are the choice of opening words, "the hunt is up"---meaning not only the hunt for wild game but the sexual hunt of Demetrius and Chiron for the woman Lavinia. An idea to be fully developed elsewhere). The color gray could also be interpreted to represent the shady nature of the personalities in the play. Characters like Demetrius, Chiron, Tamora, and Aaron are all lying convincingly to the protagonists. The gray could be representative of the veiled machinations of their wicked plots or the general location of their moral character (i.e. in the "gray area"). Furthermore, In Act 2 Scene 3, Bassianus and Lavinia unknowingly foreshadow while using color to depict character when they say, "Why are you sequester'd from all your train,/ Dismounted from your snow-white goodly steed,/ And wander'd hither to an obscure plot..?/...let her joy in her raven-colour'd love;/ This valley fits the purpose passing well" (75-77, 83-84). Here Tamora is characterized by the "snow-white goodly steed" reference. She has "dismounted" from the goodly steed of her husband Saturninus and mounted another (referring to her sexual affair with Aaron the Moor). Also white is typically considered a pure or righteous hue. If Tamora has distanced herself from the "snow-white" then symbolically she is unrighteous and without purity. Shakespeare then hints at the purpose of Tamora and Aaron's rendezvous by calling the area an "obscure plot". The two met to bring their wicked plans to fruition and they commenced with the slaying of Bassianus (one of their many "obscure plots"). The reference to their "raven-colour'd love" is also heavily layered. Raven is black, often personified as evil or unclean. Tamora and Aaron are having an illicit affair unbeknownst to the emperor, a truly 'black' deed. Also there is reference to the color of Aaron's skin, he is a Moor and is therefore of dark complexion. The foreshadowing of this moment is lost to all the characters in the scene because Tamora does not find out until later that she is pregnant. When the black child is born it is the physical representation of their "raven-colour'd love".
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Anonymous More than 1 year ago
Guest More than 1 year ago
Absoutley the most graphic novel I've ever read in my life. It's mesmerizing charcters, complex and overwhelming plots, the magnificent creations of evil upon evil, and the ultimate sacrifice of love is all presented here in this, striking, stunning, groundbreaking play by Shakespeare. The most macabre play to come out in a long time, sensual, fervent, and hypnotic.A insightful,delicious story. A very entertaining and deeply moving novel about the complexities of families. Shakespeare's haunting masterpiece. Vivid, brilliant,unforgettable.
Guest More than 1 year ago
Titus, in my opinion, is one of the most fascinating works by William Shakespeare I've read so far. I certaintly recomend this book to any of those with a wild imagination and an open mind. These lines can take you to a place you never could have imagined before,but now you will.