To Da Beat Ch'all [Explicit Lyrics]

Editorial Reviews

All Music Guide - Jason Birchmeier
If MC Breed's album from a year before, Big Baller (1995), found him trying to switch from a West Coast sound to a Southern sound, To da Beat Ch'all finds him finalizing that switch. He wasn't working with D.O.C. or other West Coast artists like Warren G or 2 Pac any longer, like he had only a couple years before on The New Breed (1993) (though D.O.C. does contribute some vocals). No, he had moved to Atlanta, just as Too $hort had, and began working with Atlanta artists, most notably Jazze Pha and Hurricane, as well as Eric Sermon, who spent some time in Atlanta at the time. As a result, this is a fresh album for Breed, a firm step in a new direction. And it's also a ...
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Editorial Reviews

All Music Guide - Jason Birchmeier
If MC Breed's album from a year before, Big Baller (1995), found him trying to switch from a West Coast sound to a Southern sound, To da Beat Ch'all finds him finalizing that switch. He wasn't working with D.O.C. or other West Coast artists like Warren G or 2 Pac any longer, like he had only a couple years before on The New Breed (1993) (though D.O.C. does contribute some vocals). No, he had moved to Atlanta, just as Too $hort had, and began working with Atlanta artists, most notably Jazze Pha and Hurricane, as well as Eric Sermon, who spent some time in Atlanta at the time. As a result, this is a fresh album for Breed, a firm step in a new direction. And it's also a formative album for the then embryonic Southern rap scene. Unfortuantely, just as Big Baller had, it left many of Breed's fans scratching their heads in dizzying confusion: first he was Midwest, then he was West Coast gangsta rap, and now he's a down-South baller. Commercial success aside, this is a solid album from Breed, who usually takes an album or two to successfully change styles. For instance, just as The New Breed bettered the West Coast style Breed struggled to adopt on 20 Below, this album betters the down-South style he struggled to adopt on Big Baller. Plus, it's a really slick album with great production from Pha and Sermon, two producers who never cease to amaze.
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Product Details

  • Release Date: 5/14/1996
  • Label: WRAP RECORDS
  • UPC: 019011815442
  • Catalog Number: 8154

Tracks

Disc 1
  1. 1 Intro (2:13)
  2. 2 Cum Clean (3:48)
  3. 3 Choose One - MC Brainz (5:11)
  4. 4 Evil That Men Do (4:31)
  5. 5 My Walls (4:12)
  6. 6 Like This (4:26)
  7. 7 Same Thang (3:30)
  8. 8 16 Switches (5:17)
  9. 9 To Da Beat Ch'all - Erick Sermon (4:13)
  10. 10 No Chaser (4:45)
  11. 11 Stop That (4:24)
  12. 12 U Can't See Me (4:35)
  13. 13 Cleverness - Chuck Nyce (5:12)
  14. 14 Go There (2:58)
  15. 15 Flossin' (4:31)
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Album Credits

Performance Credits
MC Breed Primary Artist, Primary Artist, Primary Artist, Vocals
Hurricane Track Performer
The D.O.C. Vocals
Carlos Glover Guitar
LROC Keyboards
Erick Sermon Track Performer
Passion Track Performer
Avery Johnson Bass
Jazze Pha Vocals
Chuck Nyce Track Performer
Passion Track Performer
Technical Credits
Hurricane Producer
Eric Breed Programming, Producer
MC Breed Composer
LROC Producer
Jimmy O'Neill Engineer
Darin Prindle Engineer
Erick Sermon Producer
Tim Harrigan Engineer
Avery Johnson Producer
Jazze Pha Programming, Producer
Eddie Miller Engineer
Jimmy O'Neil Engineer
FPD Three Art Direction
Edd Miller Engineer
Paxton Miller Producer
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