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Reading copy. May have damage to cover, notes, underlining, highlighting, but all text legible. May have tears to DJ or missing DJ. Purchasing this item helps us provide
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Extensive highlighting and writing. Intact & readable. PLEASE NOTE~ we rated this book USED~ACCEPTABLE due to likely defects such as highlighting, writing/markings, folds,
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1991-11-25 Paperback Good Ships Out Tomorrow!
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1991 Paperback Very good EXTERIOR SCUFF slight exterior scuff Tracking provided on most orders.
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248pgs.prev.owner inscription. pictorial cover. illustrations.light crease on lower corner, one page dog-eared,otherwise fine, unmarked copy. Author explores the psychology of art
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through twenty-six essays.
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Berkeley 1992 Trade Paperback Very Good Covers clean with rubbing, minor shelfwear. Prior owner embossing on first endpage. Otherwise pages unmarked, bright and tight in binding.
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Edges are lightly soiled. 248 pp. 6" x 9"
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Berkeley, CA 1992 Trade Paperback First Edition, First Printing Fine in Wraps jacket 8vo-over 7?"-9?" tall. First Edition, First Printing. Lg. trade PB in stiff ilustrated
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wraps. Fine, perhaps unread. Famed aesthetician's take on contemporary art. x, 248pp inc. INdex.
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Previously read with moderate shelf wear. No underlining or margin notes present. We are the Twin Cities' largest independent book store.
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Berkeley 1992 Original Wraps First Edition Near Fine With a few black and white photos. An examination of the psychology of producing and enjoying art, arguing that recent
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critical views of art are undermining the basic principles of art. NEAR FINE with minor scuffing to the covers. Small price sticker at rear top panel. Text clean and tight.
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Overview
Never before published essays by the widely admired psychologist of art. Arnheim spiritedly asserts art's fundamental achievements.
Rudolf Arnheim has spent a lifetime analyzing the basic psychological principles that make works of visual art meaningful, stirring, indispensable, and lasting. But recent fashionable attitudes and theories about art, he argues, are undermining the foundation of artistic achievement itself.
The essays collected in this volume are written in his familiar, careful, and solidly supported manner, but under present circumstances they amount to a call to arms. Included is a series of miniature ...